Edgar Poe - Selections from Poe
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- Название:Selections from Poe
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In 1902 T.Y. Crowell & Company, New York, issued "The Complete Works of Edgar Allan Poe" in seventeen volumes, edited by Professor James A. Harrison, including a biography and a volume of letters. This edition contains much of Poe's criticism not published in previous editions, and follows Poe's latest text exactly; complete variorum readings are included.
In 1902 there also appeared "The Booklover's Arnheim" edition in ten volumes, edited by Professor Charles F. Richardson and published by G.P. Putnam's Sons, New York. This is mechanically the finest edition of Poe's works.
The one-volume collections of poems and of tales are almost innumerable, but nearly all are devoid of merit and poorly edited in selection, text, and notes. (This does not refer to the small collections for study in schools.) The best are the following: "Tales of Mystery," Unit Book Publishing Company, New York (72 cents); "The Best Tales of Edgar Allan Poe," edited with critical studies by Sherwin Cody, A.C. McClurg & Company, Chicago ($1.00); "The Best Poems and Essays of E. A. Poe," edited with biographical and critical introduction by Sherwin Cody, McClurg ($1.00); "Poems of E. A. Poe," complete, edited and annotated by Charles W. Kent, The Macmillan Company, New York (25 cents).
Professor George E. Woodberry contributed in 1885 a volume on Poe to the American Men of Letters Series (Houghton, Mifflin & Co., Boston), which is the ablest yet written. In scholarship and critical appreciation it is all that could be desired, but unfortunately it is unsympathetic. Mr. Woodberry assumed a coldly judicial attitude, in which mood he is occasionally a little less than just to Poe's character. Professor Harrison's biography, written for the Virginia edition, is published separately by T.Y. Crowell & Company. It is very full, and valuable for the mass of material supplied, but is not discriminating in criticism or estimate of Poe's character.
Numerous magazine articles may be found by consulting the periodical indexes. A number of suggestive short studies are to be found in the text-books of American literature, such as those of Messrs. Trent, Abernethy, Newcomer, and Wendell; and in the larger books of Professors Richardson, Trent, and Wendell. One may also find acute and valuable comment in such works as Professor Bliss Perry's "A Study of Prose Fiction," and Professor Brander Matthews's "Philosophy of the Short-Story" (published separately, and in "Pen and Ink").
Many of Poe's tales and poems have been translated into practically all the important languages of modern Europe, including Greek. An important French study of Poe, recently published, is mentioned in the Preface.
POEMS
SONG
I saw thee on thy bridal day,
When a burning blush came o'er thee,
Though happiness around thee lay,
The world all love before thee;
And in thine eye a kindling light
(Whatever it might be)
Was all on Earth my aching sight
Of loveliness could see.
That blush, perhaps, was maiden shame:
As such it well may pass,
Though its glow hath raised a fiercer flame
In the breast of him, alas!
Who saw thee on that bridal day,
When that deep blush would come o'er thee,
Though happiness around thee lay,
The world all love before thee.
SPIRITS OF THE DEAD
Thy soul shall find itself alone
'Mid dark thoughts of the gray tombstone;
Not one, of all the crowd, to pry
Into thine hour of secrecy.
Be silent in that solitude,
Which is not loneliness – for then
The spirits of the dead, who stood
In life before thee, are again
In death around thee, and their will
Shall overshadow thee; be still.
The night, though clear, shall frown,
And the stars shall look not down
From their high thrones in the Heaven
With light like hope to mortals given,
But their red orbs, without beam,
To thy weariness shall seem
As a burning and a fever
Which would cling to thee forever.
Now are thoughts thou shalt not banish,
Now are visions ne'er to vanish;
From thy spirit shall they pass
No more, like dewdrops from the grass.
The breeze, the breath of God, is still,
And the mist upon the hill
Shadowy, shadowy, yet unbroken,
Is a symbol and a token.
How it hangs upon the trees,
A mystery of mysteries!
TO —
I heed not that my earthly lot
Hath little of Earth in it,
That years of love have been forgot
In the hatred of a minute:
I mourn not that the desolate
Are happier, sweet, than I,
But that you sorrow for my fate
Who am a passer-by.
ROMANCE
Romance, who loves to nod and sing
With drowsy head and folded wing
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been – a most familiar bird —
Taught me my alphabet to say,
To lisp my very earliest word
While in the wild-wood I did lie,
A child – with a most knowing eye.
Of late, eternal condor years
So shake the very heaven on high
With tumult as they thunder by,
I have no time for idle cares
Through gazing on the unquiet sky;
And when an hour with calmer wings
Its down upon my spirit flings,
That little time with lyre and rhyme
To while away – forbidden things —
My heart would feel to be a crime
Unless it trembled with the strings.
TO THE RIVER
Fair river! in thy bright, clear flow
Of crystal, wandering water,
Thou art an emblem of the glow
Of beauty – the unhidden heart,
The playful maziness of art
In old Alberto's daughter;
But when within thy wave she looks,
Which glistens then, and trembles,
Why, then, the prettiest of brooks
Her worshipper resembles;
For in his heart, as in thy stream,
Her image deeply lies —
His heart which trembles at the beam
Of her soul-searching eyes.
TO SCIENCE
Science! true daughter of Old Time thou art,
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise,
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car,
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind-tree?
TO HELEN
Helen, thy beauty is to me
Like those Nicæan barks of yore,
That gently, o'er a perfumed sea,
The weary, wayworn wanderer bore
To his own native shore.
On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs, have brought me home
To the glory that was Greece
And the grandeur that was Rome.
Lo! in yon brilliant window-niche
How statue-like I see thee stand,
The agate lamp within thy hand!
Ah, Psyche, from the regions which
Are Holy Land!
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