Émile Zola - The Three Cities Trilogy, Complete

At other times another vision delighted him still more. He thought he could see the inside of his church on the day of the first solemn mass he would perform there. The coloured windows threw flashes of fire brilliant like precious stones; the twelve chapels, the aisles, were beaming with lighted candles. And he was at the high altar of marble and gold; and the fourteen columns of the nave in single blocks of Pyrenean marble, magnificent marble purchased with money that had come from the four corners of Christendom, rose up supporting the vaulted roof, while the sonorous voices of the organs filled the whole building with a hymn of joy. A multitude of the faithful was gathered there, kneeling on the flags in front of the choir, which was screened by ironwork as delicate as lace, and covered with admirably carved wood. The pulpit, the regal present of a great lady, was a marvel of art cut in massive oak. The baptismal fonts had been hewn out of hard stone by an artist of great talent. Pictures by masters ornamented the walls. Crosses, pyxes, precious monstrances, sacred vestments, similar to suns, were piled up in the vestry cupboards. And what a dream it was to be the pontiff of such a temple, to reign there after having erected it with passion, to bless the crowds who hastened to it from the entire earth, while the flying peals from the steeple told the Grotto and Basilica that they had over there, in old Lourdes, a rival, a victorious sister, in whose great nave God triumphed also!

After following the Rue Saint Pierre for a moment, Doctor Chassaigne and his companion turned into the little Rue de Langelle.

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