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Maggie Shayne: Thicker Than Water

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Maggie Shayne Thicker Than Water

Thicker Than Water: краткое содержание, описание и аннотация

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It was called a haven for runaway teens. In truth, it was a nightmare, one that ended in fiery violence sixteen years ago. Or so its survivors believed… Syracuse news anchor Julie Jones is afraid. Her long-dead past was resurrected when a blackmailer threatened to expose secrets that could destroy her. Then the man was found dead–his throat cut with a knife from Julie's own kitchen.Now a new, faceless enemy wants more than money. This time Julie stands to lose the most precious thing of all–her teenage daughter, Dawn. Julie finds herself with one unlikely ally, Sean MacKenzie. A journalist with a flair for the sensational, Sean covers the worst humanity has to offer. Julie Jones is hiding something that terrifies her, and he's determined to find out what.He just can't decide whether his goal is to expose her or save her. Julie will do anything to protect her daughter. But someone else is watching, willing to do whatever it takes to avenge a past that cannot be forgotten.

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The elevator went up, but not far. It stopped on the lobby level. The doors opened, and two men in police uniforms got on. “What floor did he say?” one was asking.

“Twelve. The manager who called it in is up there with the fellow who found him.”

Like a flash, Julie’s hand shot out to hit a button. Any button besides 12, because these two were cops, and they would damn well notice if 12 was the only button lit, and then they’d want to know why she was going there.

The doors slid closed, and one of the cops, a solid looking man with a face like a road map, hit the button marked 12, noticed it was already lit and glanced her way. The other one stood back. He was taller, leaner and younger. But if anything, he looked even meaner than his partner. Neither was familiar to her, and she considered that a lucky break. But the shorter one glanced at her briefly, then, with a frown, looked at her again.

The car stopped on the third floor, and the doors slid open. She left the elevator as if her feet were on fire, acting as if she were looking for her room key as she did.

When the doors closed again, she stopped, braced her hand on a wall and tried to stop shaking. The police were here already. Now what the hell was she going to do?

A door opened somewhere further down the hall, so she moved in the opposite direction, spotted the stair door ahead of her and headed toward it as if it were a haven.

It was cool and dark in the stairwell. Every breath echoed. But at least she was alone. She could think. She had to get back into that room before the cops found her keys. But how?

Sean MacKenzie didn’t like looking at dead people. You never really got used to it, he supposed. According to his police scanner, there was one waiting for him at the Armory Square Hotel. He’d been up. Lately, sleep was not an option. And trying to sleep when he couldn’t was sheer hell. So he spent a lot of time cruising the city, scanner on, looking for stories.

He had no idea how much it had paid off until he stood outside the door to room 1207, staring in at the body in the chair. His throat was slashed, and there was blood everywhere, and it was goddamn creepy the way the eyes stayed open and seemed to stare right at him. And then he recognized the stiff, and his heart skipped a beat.

“Jesus Christ, isn’t that Harry Blackwood?” he whispered to himself.

“My God, I think it is.”

He damn near jumped right out of his skin when that answering whisper came from so close beside him. He jerked his gaze to the side and saw his nemesis standing right beside him. Julie Jones.

“What the hell are you doing here?”

“Getting a story, just like you,” she told him.

“You don’t get stories. You read them.”

The two police officers had moved from the main room into the bathroom, checking it out. Other cops, homicide detectives, would be arriving any second to help secure the crime scene, and the two journalists would be tossed out on their asses.

“Have they found anything?” she asked him.

“You think I’d tell you if they had?”

She shrugged. “Don’t tell me you’re going to try to scoop me on the hard facts, MacKenzie. We both know you make them up as you go along.”

“At least I got my job based on my talent and not on my cleavage.”

She shot him a hate-filled glance. He mirrored it back at her. Then he yanked his camera out of the case that hung from his shoulder and snapped several photos of the dead man. The camera was the quietest one he owned, and he didn’t use the flash. It was a tacky and cheap thing to do, and he would probably be barred from selling the photos, Harry being who he had been, black sheep of a political family that rivaled royalty in New York State. But the photos would be worth some nice cash if he could get away with it.

She said, “You’re a ghoul, MacKenzie.” Then she shouldered him aside. “I’m going in there.” And she walked right into the room.

He reached out to grab her arm, to stop her, but his reaction wasn’t fast enough. She walked right into the crime scene. Granted, there was no yellow tape across the door just yet, but she still knew better. What the hell was she thinking?

She stood near the glass-topped coffee table, her back to him, a notebook in her hand, scribbling rapidly. Only it was odd, because she wasn’t really looking at the notepad as she wrote on it. She was scanning the room, craning her neck, looking at the floor, peering underneath the table. Sean didn’t see all that much of interest besides the body. What was she looking for?

The two cops came from the bathroom, one of them carrying a small zippered plastic evidence bag in his hand. Mac shoved the camera back into the case and backed off just a little, out of the line of fire, but still close enough to see. He was going to relish watching Julie Jones get her ass toasted for this temporary bout of idiocy or whatever had made her walk into that room. He didn’t really think she’d been sitting at the anchor desk long enough to have forgotten the procedure for crime scene reporting. The press did not trample crime scenes. Even he knew that much.

The cops froze in their tracks at the sight of her.

“Just what the hell do you think you’re doing in here? This is a crime scene!”

She jerked her head up sharply, and Sean saw the moment the cop recognized her. The most famous news anchor in Central NY. “I’m reporting. That’s what I do,” she said. She tucked the pencil behind her ear and started to open the little handbag she carried. “I have ID, if you—”

“Get your fucking ass out of here before I haul you in on an unlawful entry charge!”

It must have startled her, because she dropped the bag. Several items spilled out of it when it hit the floor.

“Jesus, you’re contaminating the hell out of my crime scene,” the second cop said, pushing past the first one toward her. He dropped to his knees on the floor, scooping up her items and shoving them back into her bag, then rising and pushing it into her hands even while shoving her bodily out the door. “You saw her drop that shit, didn’t you, Klein?”

“Yeah, yeah, it’s fine. There was nothing on the floor when we came in. It’s fine, just get her the fuck out before we end up explaining to the lieutenant how she got by us, all right? Jax will have us doing paperwork for a freaking month if she hears about this.”

Julie was pawing through the open bag as the cop shoved her out into the hallway. He caught sight of Sean. “You with her?”

“I’m just waiting for a statement.” Sean held up both hands, backing off.

“Stay out here.” The cop glanced at the camera bag. “And no photos.”

“Yes, sir.”

Julie was still digging through the purse. “Hey, hey, wait a minute. Where are my keys?”

Both cops turned. They did not look amused. Probably had visions of that paperwork mountain and an unpleasant session with their superiors dancing in their heads, Sean thought. He knew Lieutenant Jackson, and they were right. She would have them buried in paperwork for this.

Jones went through the items in the purse, taking them out one by one. A cell phone, a pack of gum, a business card case, an earring. “I can’t find my keys,” she said again.

“Jesus, lady, are you saying you lost ‘em in here?”

She searched all of her pockets. Made a big production about it, Sean thought. “I had them. And now I don’t. That’s all I know.”

One cop closed his eyes, sighing and shaking his head.

The other one was talking fast. “What do they look like?”

“The key ring is silver, in the shape of my initials. J. J. It’s got several keys on it. House, office, garage, file cabinet, my car, my daughter’s Jeep.”

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