Heather Graham - The Death Dealer

“A sinister tale sure to appeal to fans across multiple genre lines.”

—Publishers Weekly on The Death Dealer

“Mystery, sex, paranormal events. What’s not to love?”

—Kirkus Reviews on The Death Dealer

“The intense, unexpected conclusion will leave readers well satisfied.”

—Publishers Weekly on The Dead Room

“An incredible storyteller.”

—Los Angeles Daily News

“A seamless plot and diverse characters…a tasty serial killer subplot.”

—Romantic Times BOOKreviews on The Dead Room

“Graham peoples her novel with genuine, endearing characters.”

—Publishers Weekly on The Séance

“Graham’s rich, balanced thriller sizzles with equal parts suspense, romance and the paranormal—all of it nail-biting.”

—Publishers Weekly on The Vision

“Another top-notch thriller from romance icon Graham.”

—Publishers Weekly on The Island

“There are good reasons for Graham’s steady standing as a best-selling author.”

—Booklist on Ghost Walk

“Graham builds jagged suspense that will keep readers guessing up to the final pages.”

—Publishers Weekly on Hurricane Bay

To the New World School of the Arts, especially Ms. Graham, teacher of creative writing and English, who knows enthusiasm is the biggest part of the game; and Mr. Jim Randolph, “The God of Theater,” who keeps himself and his kids real, who knows there’s a big bad world out there but keeps a thumb on caring.

And for Beth Fath, a parent with quiet dedication; and Debbie Benitez, who has helped keep me sane and informed on more than one occasion!

Quoth the raven, “Nevermore!”

—Edgar Allan Poe

PROLOGUE

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

INTERLUDE

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

EPILOGUE

It’s not easy being a ghost.

You would think that it would be the most natural thing in the world. There you go—you’re dead. Live with it.

But it’s far more difficult than you would ever imagine.

It begins with why?

Oh, we all know the theories. A death by violence. Something left undone. Someone to be protected, someone to be warned—someone to be avenged.

Vengeance? Once you’re a ghost? Great stuff.

But that wasn’t my situation. My killer perished split seconds before the light of life faded from my own eyes. It wasn’t that I hadn’t loved life—I had. There were those left behind whom I cherished deeply.

The great love of my life, Matt Connolly, had gone before me, however. And he was there to greet me when I arrived.

“Crossed over,” as they say. Except there’s the thing—you haven’t actually crossed over. You’re existing in a vague and shadowy world where, often, you see something truly horrible about to take place—and you don’t have the power to stop it.

I’d known something of what would occur. I had almost died before. I had felt the power of the light that beckons—an invitation to heaven? I don’t know the answer to that yet.

Because that time I lived. And this time I stayed.

As a ghost.

And I know that I’ve remained behind for a reason, though I haven’t a clue as to the specifics. But at least, unlike some, I’m pretty sure I do have a purpose.

I’ve come across many of my kind who are far more lost than I am, having had a strange relationship with them after my near-death experience and before I departed the life of flesh and blood. There’s Lawrence Ridgeway, Colonel Lawrence Ridgeway, a charming fellow, with his perfectly trimmed beard and mutton-chops.

Sadly, he can’t accept the fact that the Civil War has been won. He was a brave soldier who came to New York during the terrible draft riots of the eighteen-sixties. No matter how often I try to explain things to him, he’s forever keeping guard over his long-gone prisoners. Matt, too, has tried to point out to him that there are no prisoners present, but poor Colonel Ridgeway simply can’t accept that fact. I’m afraid he’s doomed to haunt one particular hallway here in Manhattan’s historic Hastings House forever, a sad and tragic figure who’ll never find closure.

Marnie Brubaker died in childbirth. She’s a sweet and charming creature, and she loves the children who pass through the house. Children tend to be more open than adults to visits from my kind. Marnie likes to play games with the little ones. When they’re falling asleep on a parent’s shoulder, she sings lullabies. Every once in a while, one of them gets scared by her presence and screams bloody murder, which puts her into a funk for weeks to come. All she wants is to offer is love and comfort, but some people, even kids, just don’t want solace from a ghost.

There are those, like Colonel Ridgeway, who will go on repeating their last action over and over again. Then there are those who learn to move around the physical worlds. Passing through walls. Appearing and disappearing at will. Moving objects. The truth of it is, we ghosts can learn to do all kinds of things, so long as we have the will, the patience and the stamina.

I was the victim of a killer who first took the lives of others, before he took mine. But there’s no pain in my world, especially not for me. Because Matt’s here with me, and that’s really all that matters. He died the night of my almost-death, and he stayed behind to warn me. To save me. But my salvation wasn’t to be. In the end, I died to save Genevieve O’Brien. And so far, at least, I’ve been successful. But as a social worker, she’s one of those people who won’t rest in her quest to help others, and that can put her in danger sometimes.

Then there’s Joe Connolly, Matt’s cousin. He’s a private detective and a super guy. A tough guy.

But no one’s so tough that he can defy death. Life’s not like the movies. Most of the time, the bad guys can aim, so Joe can use some protection, whether he knows it or not.

I believe Matt and I have stayed on because of either Joe or Genevieve. Or maybe both. It’s our job to make sure they—and maybe others—stay safe.

Nope, being a ghost isn’t easy. In fact, it’s damn hard work protecting people when most of the time they can’t even see you and don’t think they need protection, anyway.

Take Joe. He has a thing about going to the graves of the people he couldn’t save—including Matt’s and mine. Sometimes he brings flowers. Sometimes he just sits in deep thought. And sometimes he talks. Then he looks around, hoping that he hasn’t been overheard. I imagine that it would be difficult to obtain new clients if word got out that he was insane. But everyone out there has his own way of coping with loss. For Joe, it’s talking to people at their grave sites.

That’s how we became involved in the Poe Killings.

And that’s how Joe became involved with Genevieve again.

She was a child of privilege, but even after she’d almost lost her own life, she couldn’t stop herself from investigating problems.

Including murder.

The crash occurred on the FDR. Strange thing, Joe had just been driving along Manhattan’s East Side and thinking it was amazing that there weren’t more accidents on the busy—and outdated—highway when, right in front of him, a crash caused the car a few lengths ahead of him to slam into someone else. The sounds of screeching tires, shattering glass, grating steel and several massive impacts were evidence that the domino effect had come into play. Someone almost stopped in the aftermath of the first collision, but then that car was pushed into the next lane, and the driver coming up didn’t have time to stop. He slammed into it hard and careened into the next lane. The car that hit that driver bounced over the median and into the oncoming traffic going south.