CATHY WILLIAMS - Shadows Of Yesterday

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I'm not looking for love. Those words shattered Claire. How could she have been so naive as to assume that she would be the one to break through James Forrester's cool, arrogant exterior? She should have known better, but instead had hoped that their wild, tempestuous affair would at least count for something… .However, now she was well aware that James viewed her with cynicism, wanting yet despising her youthful innocence. So what chance did they have - particularly when James seemed determined not to lay to rest the ghost of his dead wife?Cathy Williams creates a "mix of volatile emotion and steamy sensual tension." - Romantic Times

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‘Priceless, I should think,’ she contributed helpfully, but she was really only half listening to what the housekeeper was saying. Her eyes were roaming around the place in open delight, taking in the graceful curves of the staircase which dominated the massive hallway, sweeping up to branch into two long corridors which formed a huge square and off which the bedrooms were located.

And on the walls were a mind-boggling array of paintings, some of them portraits, others landscapes, all original. For an art lover, it was sheer heaven.

There was even a magnificent library, which she had briefly seen, and which had lived up to all her expectations of what a library ought to be like in a grand, old house. Dark, with rich deep colours, and sombre paintings on the walls, and an impressive display of books, most hardbound, but some, she was interested to see, modern classics.

‘Of course priceless!’ the housekeeper said haughtily, making Claire smile again.

They were back in the hallway when the telephone began ringing, and the housekeeper hurried off, leaving her to let herself out. But Claire didn’t immediately. She remained where she was, absorbing the wonderful stateliness of the place, loving the beauty and the stillness of it.

She would telephone her sister this evening and tell her all about her stroke of good fortune, although she knew what her sister would say. Damn dull, working in a great big place like that. It’s not good for you, you need to get out more, mix with young people, not do a cleaning job in a mausoleum.

Jackie had not wanted her to leave London. She was a firm believer in the city life and she had been convinced that with a little more personal guidance Claire would have broken out of her shell and become less introverted. She had said as much, and Claire had listened with a half-smile, not liking to say that the bright lights were not for her. She had found London oppressive and overcrowded and she just couldn’t work herself up to feel enthusiastic about the nightclubs and the wine bars and the never-ending round of social engagements which her sister seemed to delight in. There had to be more to life than a routine job in a claustrophobic city. She had refrained from pointing this out to her sister, though. Jackie would have shaken her head with one of those affectionate, half pitying smiles of hers and immediately told her sister that a job was a nine-to-five routine most of the time, that mother luck rarely visited, that men were just ordinary mortals with ordinary bad habits, so join the reality club and stop living in a dream world.

She was still standing there, daydreaming about the magical mystery tour of the manor which lay in store for her, the daily pleasures of looking at the various paintings and artefacts, when the huge front door swung open and she was confronted by a sight that momentarily took her breath away.

A man, tall, lean and cloaked in black, stood in front of her, silhouetted against the inky blackness of early evening. He looked as though he belonged to another era, a more dangerous, less civilised one, and somewhere, the thought flashed through her head, there should be a white stallion, stamping and snorting in the bitter cold.

Then she blinked and realised that of course it was an Illusion, she was just being silly.

‘Who are you?’ she asked in a timid voice, nervously clutching her coat around her because the hall was suddenly freezing cold from the outside air.

‘Who,’ the man replied coldly, divesting himself of the black coat to reveal a less startling grey suit, perfectly tailored and, Claire noticed uncomfortably, dramatically emphasising the sort of body that didn’t usually belong to men in suits, ‘might I ask, are you?’

He slung the coat on to the mint-coloured chaise-longue just behind him and turned to face her, staring at her until a deep red flush slowly crawled up her cheeks.

She was not adept at social banter at the best of times, and right now she was feeling horribly uncomfortable and, she suspected, probably looking like a goldfish as well with her mouth half open and her eyes huge and wary.

‘I’m here for the job,’ she stammered in a small voice, and the man clicked his tongue impatiently.

‘Job? What job?’

He began moving off towards one of the many sittingrooms downstairs, expecting her to follow, which she did, even though it struck her that she still didn’t know his name.

‘Cleaner,’ she called from behind him. ‘I saw the advertisement in the newspaper and I applied for the post.’

He turned to face her, his eyes narrowed, and she shrank back. He really was the most alarming man she had ever met. There was something forbidding in the hard set of his features, despite the suggestion of warmth in the curve of his mouth. His hair was dark, almost black, and his eyes were a peculiar shade of green. Not hazel, not blue-green, but pure, undiluted green, and fringed by thick, black lashes.

Those green eyes were roving over her now, taking her in inch by lazy inch, and she felt a spark of anger ignite inside of her. She knew very well that this arrogant man was most probably the so-called master of the house, and she knew that, to him, a cleaner was probably the lowest of the low, but there was no reason why she had to endure the indignity of his stare.

So with a rare attempt at rebellion she stuck her hands on her hips and tried to think of something very cutting to say, master or no master.

‘You don’t look like a cleaner,’ he informed her, moving across to one of the sofas and sitting down.

He didn’t gesture to her to do likewise and she decided that if this was a deliberate ploy then it was a good one, because she felt exposed and nervous standing where she was, like someone forced to appear solo on stage in front of a bank of critics.

‘I do apologise,’ she said neutrally, though from the look of amusement that crossed his face he could read the sarcasm in her voice quite easily.

‘How old are you? Fifteen? Sixteen? Does your mother know that you’re running about applying for jobs when you should be at school?’

That really was the last straw. Mild-mannered she might be, but she suddenly saw red.

‘I am not fifteen,’ she snapped, her face crimson, ‘nor am I sixteen. And my mother is fully aware that I’m running about applying for jobs. In fact, I suspect she sincerely hopes I get one, considering I’m twenty years old and I’ve just finished at art college!’

‘In which case,’ he said smoothly, ‘why are you applying for a job as a cleaner? Are you hoping to bring something creative to the post? Perhaps redesign the dust into artistic swirls?’

Claire clenched her fists by her sides and looked away from him.

Very cool, she thought, very urbane to sit there and confuse me with lazy, sophisticated innuendoes. She hated men like that. Or at least, she thought honestly, she should do. But what she was feeling wasn’t hatred. It was far from that. She felt uncomfortable, exposed, conscious of her womanhood in a way that she never had in her life before. It was a heady, exhilarating, scary feeling, like freefalling from a plane, and in a strange way it was addictive too. She didn’t want him to stop looking at her. She had to force herself to come back down to Planet Earth.

‘I need the money,’ she said bluntly, ‘and I like this house. Manor,’ she corrected hastily. ‘I like beautiful things, and this house—sorry, manor—is full of beautiful objects. I studied art at college, you see. Did I mention that to you? I’ve always loved paintings, sculptures; they’re so much more soothing than all that grit and grime we see around us every day. Don’t you think?’

He was nodding in an abstracted sort of way and she wondered whether she was on the verge of losing his attention. He was probably finding her gauche and earnest, but she wasn’t the sort to play verbal games; she didn’t know how.

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