John Walsh - Sunday at the Cross Bones

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A kaleidoscopic journey through post-World War I London in the footsteps of the real-life Rector of Stiffkey – a story by turns funny, moving and scandalous.It's 1930, and the long post-war party has ended in a giant collective hangover. The flappers have hung up their dancing shoes. The streets of London are teeming with homeless and desperate men and women, the flotsam left in the wake of the General Strike. The bars and cafes are full of seedy chancers and girls who will forget their mothers' warnings for the price of a mutton-chop supper.Through this moral wasteland strides Harold Davidson: clergyman, social worker, impulsive saver of souls. With his white hair, 16-pocket overcoat and his eye for ladies poised on the edge of perdition, he is an unlikely Messiah; but no London park, no Holborn public house or Drury Lane brothel is a stranger to his mission: to find girls who have strayed, or are about to stray, down the primrose path to Hell, and pull them back by any means at his disposal. Meanwhile, in the little parish of Stiffkey on the Norfolk coast, his Irish wife Moyra is trying to feed her family and stop the local Major from wrecking her husband's reputation. Her letters to a Dublin confidante reveal the extraordinary journey that has brought her marriage to its present, dire state.When Harold meets Barbara Harris, a 16-year-old London prostitute who confounds his ethical certainties, it's the start of a chain of events that will pitch all their lives into disarray: a clanging chorus that involves bishops and circus strongmen, Indian princelings and Fleet Street hacks, lurking private eyes and reeking Islington stews, and will lead inexorably to a sensational trial and a notorious defrocking…John Walsh has taken the few known facts surrounding the real-life Rector of Stiffkey – England's first media anti-celebrity – and fashioned from them a sparkling fantasia of altruism and indulgence, decency and sinfulness. In these fictional journals he presents a Victorian idealist confronted by a modern world he both abhors and embraces. The result is an entertainment by turns farcical, shocking and tragic.

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‘Harold, there is no need for this –’

‘Let me finish. Whose kindly impulses –’

‘Harold, really –’

‘– not only do you credit in the public arena, but rack up untold credits in the balance sheet of Heaven. I speak to you in the language of the businessman, but my admiration is that of a minister of a higher power.’

‘Ahem,’ I said. I’d been standing witnessing these interchanges like a gooseberry.

‘My dear fellow,’ said the rector, ‘I’d forgotten you were there. Forgive me. There were urgent matters at hand.’

‘You mean finding news runners jobs as bookies’ runners?’ I said, perhaps unkindly.

He regarded me coldly. ‘You evidently know nothing of my work. Yet you said you were acquainted with it. Explain yourself.’

‘I’m a news reporter on the Standard. I’m doing an article about poverty in London, how much it’s worsened in the last couple of years, who’s doing anything about it, private individuals, I mean. I want to ask about your experiences.’

He seemed hesitant.

‘Sorry about just now,’ I went on. ‘I got a bit of a short fuse where these newspaper kids are concerned. I hope you didn’t –’

‘Have you indeed? In that case, my dear fellow, we shall get on very well.’

Giving a rather curt wave to the grumpy sod from the bookie’s, he indicated I should get out notebook and pen. But just at that moment, the pub door opened and these two young dames strode in.

Very dramatic they were, one tall, one short, both dead swishy in their long rustling skirts, tight bodices and fancy hats. You’d have thought they’d have come straight from the Windmill Theatre, though whether part of the audience or part of the stage ensemble, it was hard to judge. Modern girls, you see, the kind we write about in the ‘Trends’ pages – a little shocking, a little too damn pleased with themselves. They were no strangers to the Coal House.

‘Ah, Dolly,’ said the vicar, ‘I was beginning to worry.’ He seized the hand of the smaller one – the one with the huge brown eyes under the rakishly tilted cloche hat – and kissed her on the cheek.

The eyes of the pub followed him. He was short, as I’ve said, and his hair was snow white and he had terrible rabbity teeth, but here he was talking to a brace of posh young flappers like they were at a cocktail party in Henley.

‘And this is …?’ he says, indicating her friend, a plump piece of work in a French hat with a torn veil covered in spots, possibly to match her complexion.

‘This, Harold, is Jezzie,’ says the bird in the cloche. ‘She started out as Jessie, changed it to Eleanora, then Zuleika, then Maudie for a while, then some horrible swell called her Jezebel in a pub one night, and made her cry, so we told her, Use it, darling, don’t let him put one over on you, and she’s been Jezzie ever since.’ She paused and looked around the snug. ‘Flip me, what’s a girl got to do to get a drink around ’ere?’

The reverend ignored her. He was too busy gazing at Jezebel (well named, what with her crimson petticoat peeping out from under her long crackling skirt) and trying to see the face through the spotty veil.

‘You have the look,’ he said, or rather breathed in her ear, or would’ve done if she hadn’t stood a good six inches taller than him, ‘of Miss Greta Garbo. You must surely have seen Flesh and the Devil?

Jezzie regarded him with a mild stare, the way girls do when they can’t believe you’re taking liberties exactly ten seconds after meeting them.

‘What, Greta Garbo? Me?’ she said and went off into a spasm of titters.

I took the only initiative I could, and said, ‘Would you ladies care for a drink?’

Why yes, they’d love a drink, though they’d have been better off at night class in needlework than hanging round in the Strand. They both fancied Brandy Alexanders.

I went to the bar for the fourth time that night. Benny tried to stick around and ingratiate himself with the dames, but he didn’t have the lingo to handle two young poules de luxe. They could probably sniff him as an off-limits married man right from the word go.

‘I’m going home,’ he said. ‘You got your hands full here.’

‘See you next week, Ben. Give Clare one for me, all right?’

In the snug, the girls sat together on the cracked-leather divan, leaning together in a sisterly fashion, sometimes swaying a bit to right and left as if in a chorus line. The rector leaned forward a lot, his long face inches away from the girls’ cheeks, turning his shining eyes first to Dolores, then to Jezzie. He did 90 per cent of the talking. For minutes they smiled vacantly, like little girls listening to an elderly grandpa grinding on about the war, hoping that they might get a chocolate biscuit. Reckoning I’d bought myself an introduction, I took the stool beside him, and listened in.

‘… and Mrs Lake will, I’m afraid, no longer countenance your irregular hours and gentlemen callers, Dolores,’ he was saying. ‘I spoke with her on Tuesday. She has developed a singular aversion, I’m afraid, to your Maltese gentlemen friends, whom she describes, with a singular lack of racial accuracy, as Hottentots.’ His face essayed a brief, high-table smile. ‘She does not want, she says, “them swarthy chancers” dropping in and out of her establishment at all hours. So we will have to find you some new haven. I have asked about your secretarial studies at Mrs Moody’s and I fear – no, do not interrupt – you have failed to honour your commitment. I hear your morning session last week saw Mrs Moody cooling her heels for an hour with no sign of your –’

‘I can’t go studying squiggles in the middle of the bloody night,’ said Dolores, grumpily.

‘Nine o’clock in the morning is hardly the small hours. I told Mrs Moody of your circumstances, and she agreed to take you on at a very reasonable rate. It hardly repays me, or her, for our considerate impulses if you choose to spend every morning lying in bed reading rubbishy magazines and drinking chocolate.’

‘I didn’t come here for a lecture,’ said Dolores, an astonishingly self-confident young thing for her age. ‘I thought you was going to introduce me to Ivor Novello, so I could tell him about my singing.’

Jezzie giggled (again). ‘Ivor Novello?’ she said, sneeringly. ‘Ivor pain in my rear end, more like.’

The rector looked hurt. ‘You underestimate my contacts in the world of what the Americans call show business. Though I have never met the delightful Mr Novello, I have friends who’ve had the pleasure of meeting him backstage. They say he is charming to strangers, polite to ladies and friendly to young persons starting out on the musical scene.’

Jezzie unfurled herself from the banquette and took herself off to the Ladies. We all watched her go. Her sizeable young rump, tightly encased in the crackling shiny material, had a distinct wiggle.

‘Charming,’ said the rector with the fond appreciation of an uncle, ‘though unfortunate to bear such a name, whatever the eccentricity of its genesis. Have you known her long?’

‘Couple of weeks,’ said Dolores. ‘We met at the Hippodrome, hanging round the stage door for Jack Buchanan. Bloody freezing it was, and when he came out he just whisked past us and got in a cab. Not as big as you’d have expected neither.’

‘Where does she live?’

‘Oh –’ she waved a vague hand – ‘here and there.’

‘You can be a little more precise,’ said the rector.

Dolores, or Dolly, regarded him steadily. ‘I dunno what you’re thinking, right this minute, Harold, but you’re not to start with her.’ She brazenly took out a cigarette case, extracted a Virginia and lit it. ‘All right? Just don’t start in on her, the minute my back’s turned.’

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