John Walsh - Sunday at the Cross Bones

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A kaleidoscopic journey through post-World War I London in the footsteps of the real-life Rector of Stiffkey – a story by turns funny, moving and scandalous.It's 1930, and the long post-war party has ended in a giant collective hangover. The flappers have hung up their dancing shoes. The streets of London are teeming with homeless and desperate men and women, the flotsam left in the wake of the General Strike. The bars and cafes are full of seedy chancers and girls who will forget their mothers' warnings for the price of a mutton-chop supper.Through this moral wasteland strides Harold Davidson: clergyman, social worker, impulsive saver of souls. With his white hair, 16-pocket overcoat and his eye for ladies poised on the edge of perdition, he is an unlikely Messiah; but no London park, no Holborn public house or Drury Lane brothel is a stranger to his mission: to find girls who have strayed, or are about to stray, down the primrose path to Hell, and pull them back by any means at his disposal. Meanwhile, in the little parish of Stiffkey on the Norfolk coast, his Irish wife Moyra is trying to feed her family and stop the local Major from wrecking her husband's reputation. Her letters to a Dublin confidante reveal the extraordinary journey that has brought her marriage to its present, dire state.When Harold meets Barbara Harris, a 16-year-old London prostitute who confounds his ethical certainties, it's the start of a chain of events that will pitch all their lives into disarray: a clanging chorus that involves bishops and circus strongmen, Indian princelings and Fleet Street hacks, lurking private eyes and reeking Islington stews, and will lead inexorably to a sensational trial and a notorious defrocking…John Walsh has taken the few known facts surrounding the real-life Rector of Stiffkey – England's first media anti-celebrity – and fashioned from them a sparkling fantasia of altruism and indulgence, decency and sinfulness. In these fictional journals he presents a Victorian idealist confronted by a modern world he both abhors and embraces. The result is an entertainment by turns farcical, shocking and tragic.

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The door flew open. A small girl stood before me, clad in a garment made of towelling material, off-white or cream. Her feet were bare. With her right hand she agitated a hand towel through curly brown locks and looked at me with her head in one side. I did not recognise her.

‘Yes?’

‘Miss Barbara Harris?’

‘Might be. Who’re you? And what, more to the point, is your problem, banging on a girl’s door at this hour of the morning?’

I examined my wristwatch. ‘It is ten thirty, Miss Harris. The world has risen and been about its business for three hours at least. I am Mr Harold Davidson. We met at Marble Arch some weeks ago. We had lunch in a café and I expressed a desire to call upon you to discuss …’ I faltered. What had we agreed to discuss? I blushed to recall our little colloquy.

‘Oh, I remember you ,’ she said, ‘the gent sweating to death in your long coat. You bought me lunch and come on all innocent about the pudding.’ She laughed and towelled her curls. ‘Well, hello again. So you thought you’d give it a go, did you? After all your high earnest chat, you’ve spent a few weeks tossing and turning in your bed every morning and thinking, “Oooh, shall I? Shan’t I?” And here you are.’

Her face, suddenly revealed amid all the towelling, was not as I remembered it. In the morning light, she was a quite different proposition from the poised and soignée strumpet climbing aboard an omnibus. Before me stood a child, five feet nothing, in a childish towel gown.

‘May I come in?’

‘You’re a bit eager, aren’t you? I don’t usually entertain gentlemen until after elevenses. Sorry, but I’m not in the mood. Can’t you come back at lunchtime?’

It was not unlike calling upon one’s dentist without an appointment.

‘I have not called on you for – for that,’ I said. ‘I wish only to talk to you.’

‘Talk to me? What about?’ Under her curly brows, she was suspicious. ‘You’re not from some League of Decency?’

‘I come to see you as a friend, nothing more. A friend who brings you only good news. If you’d let me cross your threshold. I have’ – a brainwave struck me – ‘two small gifts for you, and an urgent message that cannot be conveyed on the street. Where, I notice, we are already becoming the object of enquiring glances.’

Two doors away, a vacuum-cleaner truck had halted and its driver was speaking to a rough-skinned matron in a housecoat and fluffy mules at number 10. Both were watching us with interest.

‘Don’t mind that old sow. You better come in. And if all this stuff about presents and news and messages means that I’ll be staring at some purple monstrosity two minutes from now, I swear to God I’ll bash it with a teaspoon, all right?’

Dazed by this onslaught, I entered the house, through a hallway filled with bicycles – one parked, as it were, halfway up the wall, hanging from two rusting bolts – and was suddenly in her living quarters.

It was a room such as I’d rarely encountered, even among the habitats of the wretched sisterhood. In one corner was a basin surmounted by a tiny mirror hanging from a nail. In the other, a rudimentary cooking hob with two gas burners was all but concealed beneath a junk-yard of blackened saucepans. Nothing, it seemed, had been washed in weeks. Against the wall, a table, stool and triptych mirror was submerged beneath an accumulation of jars, potions and powder receptacles, dead flowers, tickets, theatrical handbills, scent bottles with rubbery squeeze mechanisms. Every square inch of space was tumbled with the debris of decadence. Torn squares of magazine pages, bearing the likeness of Ivor Novello, ragged pieces of muslin veil, random photographs, undergarments in vivid shades of crimson and aquamarine – and across the side wings of the mirror, a long lilac feather boa was draped like tinsel across a Christmas tree from Gamages store.

The word ‘abandon’ hardly did justice to this wasteland of human depravity. Its centrepiece was the bed that lay before the window through which the noonday sunlight weakly shone. It was huge. Most tarts of my acquaintance count themselves fortunate to possess a single bed with a soft mattress and pillow, rather than a hard divan and a bolster. Miss Harris could boast a king-size bed, opulently arrayed with cotton sheets, a satin counterpane, an over-blanket in green chenille, and half a dozen pillows that would not have disgraced a Byzantine seraglio.

‘OK then,’ she said, sitting in the edge of the bed. ‘Where’s these little presents?’

I dug through the inner folds of my coat. From the Gifts Pocket, I located a small bar of Evening in Paris guest soap in a decorative box (special offer, 3/6, Boots pharmacy). In my Perishables Pocket, I found a bar of the new ‘Crunchie’ honeycomb-and-chocolate sweetmeat, and gave both to her with grave formality.

‘I offer you these small tokens of my esteem, Miss Harris, to mark the beginning of what I hope will be a long and fruitful alliance, as together we walk the thorny path towards the light that forever gleams –’

‘That it?’ she said, gazing at her gifts with incredulity. ‘Small is right. I never been given a bar of chocolate by a gentleman before, not since I was ten. As for the soap,’ (she sniffed it suspiciously), ‘you’d be better off cleaning drains with it rather’n giving it to a girl and saying it’s a token of your blooming esteem.’

She looked boldly up at me, her brown curls bouncing on her brow like Medusan snakes. ‘You’re a beginner in this game, int’cha? D’you really think you can bribe people with chocolates and scent?’

I was hurt by her tone. All over London I am known for my generosity. In my missionary work, I have showered the Abigails and Idas, the Jennys and Pennys, with sweet-smelling concoctions and treats, until they welcome my arrival in their lives as children welcome Father Christmas. To call my little votive offering a bribe – it was an outrageous slur on my intentions.

‘Oh, don’t look so sorry for yourself,’ said Barbara. ‘I’ve had worse things given to me by gentlemen. And I do like a bit of chocolate round about now.’ She broke off a piece of the orange-brown snack and popped it in her mouth. ‘And I know you wasn’t offering it to get a screw off me – you just wanna talk, right?’

I nodded.

‘Well, if all you want’s a little chat,’ she concluded, ‘you won’t mind me going back to bed. On me own, I mean.’ Upon which, still clad in her towelling robe, she slipped her legs under the sheets, lay back luxuriantly on the pillows and groaned. I feared that she might have suffered some injury, but it was a moan of sluggardly pleasure, as the chocolate melted on her tongue. Her face on the pillow split into a wide smile, like the Cheshire cat’s. A beam of sunshine chose that moment to intrude through the dirty window and settle on her face in a long rectangle of saturated light, falling from brow to chin, bisecting the line of her mouth to make a perfect Christian crucifix.

She closed her huge brown eyes. ‘Lovely sunny morning,’ she observed. I stood by the bed, gazing in wonder, gripped by an epiphany such as I have seldom encountered. Lines from Keats’s ‘Eve of St Agnes’ settled on my heart – that moment when Porphyro, hidden in his beloved’s chamber, discovers her at her prayers:

Full on this casement shone the wintry moon,

And threw warm gules on Madeline’s fair breast,

As down she knelt for heaven’s grace and boon;

Rose-bloom fell on her hands, together pressed,

And on her silver cross soft amethyst,

And on her hair a glory, like a saint:

She seemed a splendid angel, newly dressed,

Save wings, for Heaven – Porphyro grew faint;

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