Brendan Graham - The Brightest Day, The Darkest Night

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Rich and epic Historical Fiction set against the backdrop of the Great Famine and the Irish Diaspora. Perfect for fans of Winston Graham and Ken Follett.Set against the backdrop of the New World, this powerful novel follows the story of Ellen O’Malley. Torn from Ireland during the Great Famine, Ellen’s odyssey has taken her from the harsh landscape of Australia to the killing fields of the American Civil War and poignantly explores forgiveness, longing and the changing role of women set free by war.Together with her natural daughter Mary and adopted daughter Louisa, Ellen helps tend the wounds of the soldiers who have fallen in battle. Surrounded by death and destruction, she little realizes that her estranged son, Patrick, and Lavelle, the husband she desperately seeks, are on opposing sides of the terrible conflict.Meanwhile, Lavelle and Ellen's former lover, Stephen Joyce, likewise seek her out – and each other – with tragic repercussions. Ellen’s story is a tale of great loves, impossible choices and the triumph of the human spirit against all odds.

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Then, someone bowing to Ellen … a deep bow. It was Herr Heidelberg, the Dutchman, as the men called the German soldier from the town of the same name. Like all who had come newly to America, Germans as well as the Irish, Poles and a host of other nations had joined in the fray to fight for their ‘new country’ – the North in Herr Heidelberg’s case.

‘I better likes dance mit de Frauen den de Herren,’ he said shyly.

What Ellen could see of Herr Heidelberg’s face was pink with both excitement and embarrassment. The German was the object of much ridicule from the rest of the men due to his manner of speaking, and now could risk further ridicule.

Ellen curtseyed to him.

‘Delighted, Herr Heidelberg!’ she replied.

It was the only name by which she knew him … and though denied his real name, the association with his hometown had always seemed to please him.

Herr Heidelberg swept her around like a Viennese princess, her dress spattered with the earlier work of the day, flouncing about her. The men made space for them, Ellen and her waltz king with half a face, clapping them on to twirl upon twirl, him counting to her under his breath.

Ein, zwei, drei, ein, zwei, drei .’ His bulk making her move like a turntable doll, just to keep pace with him. And all the while the young fiddler discoursing sweet music from his violin.

When they had finished, the others all clapped and cheered – and cheered again, more loudly; those who could not clap, clanking their crutches. He turned to her, flushed with delight.

Danke schön! Danke schön … I have not so very good time before in America,’ and she saw the tears form and spill down his bandaged cheek.

‘Thank you , Herr Heidelberg. You’re a brave dancer.’

He beamed at her and self-consciously retired away from her to the rear of the ward.

Finding herself beside the young fiddler Ellen enquired of him the tune. ‘It has no name … I picked it up from folk in the foothills.’ He smiled at her. ‘I could call it “The North and South Waltz”.’

‘More like “The Cripples’ Waltz”, ma’am, beggin’ your pardon,’ Hercules O’Brien chipped in, ‘’cos that’s what it was!’

‘If you was a gentleman, Sergeant O’Brien,’ the fiddler remonstrated, ‘you’d name it for the lady …“Mrs Lavelle’s”, or, with permission, ma’am, “Ellen’s Waltz”.’

‘Waltzes can be trouble …’ she said, remembering Stephen Joyce, and something about ‘the carnal pleasures of the waltz’.

‘I am honoured but perhaps there is a young lady in East Tennessee who more greatly deserves the honour,’ she said … and he struck up another waltz as if in answer.

All of a foam after her own decidedly non-carnal waltz with Herr Heidelberg, Ellen went to the open doorway for some cooling air. She stood there watching the sky, listening to the music, thinking of those whom she most dearly missed. The sky, the everlasting sky. Lavelle out there under it. Dead or alive. Maybe watching that same sky, thinking of her. An old poem-prayer – pagan or Christian, she didn’t know – formed on her lips. She had learned it at her father’s knee. All those nights of wonder long ago, under the sheltering stars. High on the Maamtrasna hill, above the Mask and Lough Nafooey. Above Finny’s singing river. Above the world.

‘I am the sky above Maamtrasna,

I am the deep pool of Lough Nafooey;

I am the song of the Finny river,

I am the silent Mask.

I am the low sound of cattle

And the bleating snipe;

I am the deer’s cry

And the cricket’s dance.

In the lover’s eye, am I;

In the beating heart;

I am the unlatched door;

I am the comforting breath.

Now and before, after and evermore,

I am the waiting shore.’

‘The waiting shore,’ she repeated, the great sky listening. ‘I am the waiting shore.’

Music, dancing, always seemed to start her thinking. Too much of it was bad. Thinking led to feelings. High, lonesome feelings like the fiddle-sound behind her. Still, these days she didn’t much give into herself. Just kept working with a kind of blind faith. That one day she’d find them, or they’d find her. Looking back on life was as bad as looking back on Ireland. She was done with all that, was now facing the new day – whatever that might bring … to wherever it might lead her. Like here … a pale ‘St Patrick’s night’ in Virginia – … Maryland … Carolina. She’d never thought of States as feminine. Then again, men were always naming a thing for their women, as if to protect – or to own – it. Louisiana … Georgia … the Southern States seemed to have the best of the gender divide. Louisiana – Louisa’s Land. Ellen thought of her adopted daughter.

Louise, in many respects, was more like herself than Mary was. If not in looks, then certainly in temperament. Ellen smiled. Louise had some inherent waywardness. Needed always to be holding herself in check; dampening down her natural high spirits. Her passion for this life sometimes out-balancing her preparation for the next.

Ellen looked back through the door, to catch a glimpse of Louisa. There she was, gaily dancing with that young Southern boy Jared Prudhomme. Ellen had noticed them talking together. She would speak to Louisa about it.

The one thing, Ellen knew, which held the Sisters high in the respect and affections of the men, was that they, unlike the lay nurses, divided their care equally among all the men. To move from this understanding would undermine the position of the Sisterhood – and re-instate all the barriers and prejudices they had worked so hard to remove. Louisa’s vocation, Ellen knew, was more difficult than Mary’s. Louisa would always be torn between the things of the world and her higher calling. More passionate, more reckless than Mary, Louisa went headlong at life. Not always a good thing. In moments left Louisa unguarded against herself. Much as Ellen herself had been.

Ellen looked again. Mary too was caught up with the celebrations. But it was different. This Earth, with all its hollow baubles, was merely a waiting place for Mary. Until she was borne away by an angel band to eternal glory. Even in that, Mary had an unsullied purity of thought. She did not seek everlasting life, as a thing in itself. With her, it was ever the higher ideal – to see His face, to continue her worship of Him in Heaven as she had on Earth. Mary was fallible humanity at its most beautiful. Mary was a saint.

The sound of a galloping horse startled Ellen. Some news of a battle? Surrender? Peace?

Her heart leaped at the thought.

The horse, pale against the rising moon had no rider. It galloped by her, so close she could smell the thick odour of its lathering skin. On it ran until she could hear its distant drumming but see it no more.

‘“Behold a pale horse, And his name that sat on him was Death; And Hell followed with him;” Revelations, Chapter Six, Verse eight,’ she said, after it.

She remembered the Hades horse in the woods – the memories it had evoked. Black horse, pale horse. It reminded her of something. Out there too champing for battle was the red horse of slaughter, the white horse of conquest. Four horses in all, ever present at the revelation of evil – the Apocalypse. She felt a tremor run over her body.

She walked out a piece into the night, following the sound of the retreating hooves, the horse bringing back her old dream. Lavelle, constant, loving Lavelle, true as the guiding moon. Out there somewhere beneath it. And Stephen, he, who had excited such a temporary madness in her, awaking every reckless passion. She lingered on thoughts of him, their times together, her skin alive with the remembering. Under what moon, what banner, was Stephen Joyce? She dared not think. She and Stephen Joyce could never meet again. She dismissed him from her mind, irritated by her lapse, thinking she long ago had.

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