Margaret Leroy - The Drowning Girl

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Young single mum Grace is drowning. Her little girl Sylvie is distant, troubled and prone to violent tantrums which the child psychiatrists blame on Grace. But Grace knows there’s something more to what’s happening to Sylvie. There has to be.Travelling from the London suburbs to the west coast of Ireland, Grace and Sylvie embark on a journey of shocking discovery, forcing Grace to question everything she believes in and changing both their lives forever.‘Margaret Leroy writes with candour and intelligence, capturing the menace of suddenly finding that the world may not be at all as you’ve thought it’ Helen Dunmore ‘Margaret Leroy writes like a dream’ Tony Parsons

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My voice fades. I feel a brief hot shame.

He nods, as though this is what he expected.

‘I also have to ask you this—for Sylvie’s sake, you understand. Are you—or have you ever been—a user of illicit substances? Cannabis? Amphetamines?’

I shake my head. Though I did once eat some hash brownies at a party at Lavinia’s—she grows cannabis plants in her window boxes; we had a riotous evening but afterwards I was sick.

‘Right, then.’ He permits himself a little quiet sigh. ‘Look, I really don’t think we need to invoke the paranormal to understand your daughter. The truth is, sometimes it’s easier to embrace some extravagant theory, than to examine our own behaviour,’ he says.

‘I just thought I’d mention it,’ I tell him. I can’t believe how stupid I’ve been.

He leans back in his chair again.

‘So there you have it, Ms Reynolds. Sylvie has a phobic disorder and some slight impairment of social functioning, probably exacerbated by rather weak boundary-setting. I can see, of course, that you find her behaviours difficult. But I really don’t feel she falls within our remit.’

I swallow hard.

‘So you can’t help us,’ I say.

He frowns. Perhaps I put it too baldly.

‘I didn’t say that exactly, Ms Reynolds. But sometimes the best way in isn’t via the presenting problem. Sometimes we need to intervene in a different part of the family system. And I do feel that there are issues here about boundaries and over-involvement, and also some unresolved anger about Sylvie’s father and how he treated you. And what I think we should do here is to focus on you, rather than Sylvie. To assist you with boundary-setting, and to help you handle Sylvie’s behaviours,’ he says.

There’s a weight like lead in my stomach.

‘I have an excellent colleague, Dr Jenny Martin,’ he says, ‘who I’m sure would be able to help. She’s really very approachable. If you’re happy with that, then I’ll fax her my notes, and you can ring for an appointment.’

He gives me Dr Martin’s number, and takes me through to find Sylvie. She says goodbye to Katy and slips her hand in mine. She looks up at me with a little pleased smile, perhaps expecting praise for her immaculate behaviour.

We walk slowly out through the grounds of the clinic. The boughs of the cedars creak as they move with a strange high sound like a human voice.

‘It was nice there,’ says Sylvie. ‘I liked the cooker, Grace. The cooker was nice, wasn’t it?’

I feel despair. All that effort—the time off, the planning what to say, Sylvie’s boots I could barely afford—and all for nothing.

‘I knew you’d like the cooker. It’s just the same as the one in Lennie’s bedroom,’ I say.

‘She isn’t Lennie,’ says Sylvie.

I don’t say anything.

CHAPTER 12

One Saturday, when Leo and Josh have gone sailing, we take the girls to the zoo. It’s a beautiful afternoon—pellucid sunlight, razor-sharp shadows, a keen chill out of the sun. We buy ice creams, though really it’s too cold for them. The girls run on ahead of us.

‘Sylvie seems great today,’ says Karen.

‘Yes. I hope so.’

I tell her about Dr Strickland, about being referred for counselling myself: Karen listens intently.

‘Don’t just dismiss it, Grace,’ she tells me, when I’ve finished. ‘Maybe it would be good for you to see someone on your own. You’ve been under such a lot of stress. You never know, it might be useful.’

‘But it isn’t my problem, it’s Sylvie’s.

‘I know that’s how it must seem. But problems aren’t always all that clear-cut, in families,’ she tells me.

The girls have finished their ices and come to drop their cones in the bin. Sylvie gives me a quick, light hug. I bend to her and she kisses me with sticky scented lips. I bury my face in her hair; the sun has brought out its musk.

‘You smell of the sun,’ I tell her.

‘Really, Grace. How can I smell of the sun?’ she says. ‘ Really .’

It’s her sensible voice, showing she knows how the world works. She rushes off, laughing, with Lennie.

We pass the gibbon enclosure, where the fence throws a crisp black patterning over the grass, an immaculate shadowy stencilling. The girls make monkey faces and pretend to hunt for fleas in one another’s clothes. We’re walking straight into the sun, which is sinking already, red as flame and dazzling; it hurts our eyes to look at it. We pass the tigers, two great animals sprawled in a pool of florid light, their bright coats rippling with their lazy, sleepy breath. We come to the llamas and camels.

‘I really love camels,’ says Karen. ‘They’re funny. I love their snooty expressions. You look at all these animals, and you’ve got to think God really had some very odd ideas.’

On impulse, I turn to her.

‘Karen, d’you believe in reincarnation?’

She grins. ‘Coming back as a monkey and all that?’

There’s a red glaze on my vision, the after-image of the sun.

‘Well, yes. Or as another person…’

‘Tell you what,’ she says. ‘I’ve always thought I’d like to come back as a cat. Ideally an indolent pedigree cat with a truly besotted owner. Lots of smoked salmon and lying around by the fire…’ She turns to smile at me; then stares, eyes widening, suddenly appalled. ‘Grace, my God, you’re serious , aren’t you? You mean it.’

‘I read this article,’ I tell her, ‘about kids with problems like Sylvie’s. And someone had this theory that they were remembering a past life.’

There’s a moment of heavy quiet between us. Her lipsticked mouth is a thin, red gash in her face. She shakes her head a little.

‘Grace. This life is the one we’ve got, the only one we’ll get.’ She makes an expansive gesture, her arms opening outward as though to take everything in—the animals and grass and trees, our laughing children, the wide bright arch of the sky. ‘This is it, Grace. This is it, this is all we’ll get, and we just have to make the best of it.’

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