Daniel Silva - The English Girl

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Gabriel Allon, master art restorer and assassin, returns in a spellbinding new thriller from No.1 bestselling author Daniel Silva. For all fans of Robert Ludlum.
When a beautiful young British woman vanishes on the island of Corsica, a prime minister’s career is threatened with destruction. And Gabriel Allon, master art restorer, spy, and assassin, is thrust into a game of shadows where nothing is what it seems and where the only thing more dangerous than his enemies might be the truth…

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Initially, he was assigned to a Sabre squadron specializing in mobile desert warfare, but his career soon took another turn when a man from military intelligence came calling. The man was looking for a unique brand of soldier capable of performing close observation and other special tasks in Northern Ireland. He said he was impressed by Keller’s linguistic skills and his ability to improvise and think on his feet. Was Keller interested? That same night Keller packed his kit and moved from Hereford to a secret base in the Scottish Highlands.

During his training, Keller displayed yet another remarkable gift. For years the British security and intelligence forces had struggled with the myriad of accents in Northern Ireland. In Ulster the opposing communities could identify each other by the sound of a voice, and the way a man uttered a few simple phrases could mean the difference between life and an appalling death. Keller developed the ability to mimic the intonations perfectly. He could even shift accents at a moment’s notice—a Catholic from Armagh one minute, a Protestant from Belfast’s Shankill Road the next, then a Catholic from the Ballymurphy housing estates. He operated in Belfast for more than a year, tracking known members of the IRA, picking up bits of useful gossip from the surrounding community. The nature of his work meant that he would sometimes go several weeks without contacting his control officers.

His assignment in Northern Ireland came to an abrupt end late one night when he was kidnapped in West Belfast and driven to a remote farmhouse in County Armagh. There he was accused of being a British spy. Keller knew the situation was hopeless, so he decided to fight his way out. By the time he left the farmhouse, four hardened terrorists from the Provisional Irish Republican Army were dead. Two had been virtually cut to pieces.

Keller returned to Hereford for what he thought would be a long rest and a stint as an instructor. But his stay ended in August 1990, when Saddam Hussein invaded Kuwait. Keller quickly rejoined his old Sabre unit and by January 1991 was in the western desert of Iraq, searching out the Scud missile launchers that were raining terror on Tel Aviv. On the night of January 28, Keller and his team located a launcher about one hundred miles northwest of Baghdad and radioed the coordinates to their commanders in Saudi Arabia. Ninety minutes later a formation of Coalition fighter-bombers streaked low over the desert. But in a disastrous case of friendly fire, the aircraft attacked the SAS squadron instead of the Scud site. British officials concluded the entire unit was lost, including Keller. His obituaries made no mention of his intelligence work in Northern Ireland, or of the four IRA fighters he had butchered in the farmhouse in County Armagh.

What British military officials did not realize, however, was that Keller had survived the incident without a scratch. His first instinct was to radio his base and request an extraction. Instead, enraged by the incompetence of his superiors, he started walking. Concealed beneath the robe and headdress of a desert Arab, and highly trained in the art of clandestine movement, Keller made his way through the Coalition forces and slipped undetected into Syria. From there, he hiked westward across Turkey, Greece, and Italy until he finally washed ashore in Corsica, where he fell into the waiting arms of Don Orsati. The don gave Keller a villa and a woman to help heal his many wounds. Then, when Keller was rested, the don gave him work. With his northern European looks and SAS training, Keller was able to fulfill contracts that were far beyond the capabilities of Orsati’s Corsican-born taddunaghiu . One such contract had borne the names Anna Rolfe and Gabriel Allon. For reasons of conscience, Keller had been unable to carry it out, but professional pride had compelled him to leave behind the talisman—the talisman that Gabriel now held in the palm of his hand.

Remarkably, the two men had met once before, many years earlier, when Keller and several other SAS officers had come to Israel for training in the techniques of counterterrorism. On the final day of their stay, Gabriel had reluctantly agreed to deliver a classified lecture on one of his most daring operations—the 1988 assassination of Abu Jihad, the PLO’s second-in-command, at his villa in Tunis. Keller had sat in the front row, hanging on Gabriel’s every word; and afterward, during a group photo session, he had positioned himself at Gabriel’s side. Gabriel had worn sunglasses and a hat to shield his identity, but Keller had stared directly into the camera. It was one of the last photographs ever taken of him.

Now, as Gabriel alighted from his rented car, the man who had once spared his life was standing in the open doorway of his Corsican hideaway. He was taller than Gabriel by a chiseled head and much thicker through the chest and shoulders. Twenty years in the Corsican sun had done much to alter his appearance. His skin was now the color of saddle leather, and his cropped hair was bleached from the sea. Only his blue eyes seemed to have remained unchanged. They were the same eyes that had watched Gabriel so intently as he had recounted the death of Abu Jihad. And the same eyes that had once granted him mercy on a rainy night in Venice, in another lifetime.

“I’d offer you lunch,” Keller said in his clipped English accent, “but I hear you’ve already dined at Chez Orsati.”

When Keller extended his hand toward Gabriel, the muscles of his arm coiled and bunched beneath his white pullover. Gabriel hesitated for an instant before finally grasping it. Everything about Christopher Keller, from his hatchet-like hands to his powerful spring-loaded legs, seemed to have been expressly designed for the purpose of killing.

“How much did the don tell you?” asked Gabriel.

“Enough to know that you have no business approaching a man like Marcel Lacroix without backup.”

“I take it you know him?”

“He gave me a ride once.”

“Before or after?”

“Both,” said Keller. “Lacroix did a stretch in the French army. He’s also spent time in some of the toughest prisons in the country.”

“Am I supposed to be impressed?”

“‘If you know your enemies and know yourself, you can win a hundred battles without a single loss.’”

“Sun Tzu,” said Gabriel.

“You cited that passage during your lecture in Tel Aviv.”

“So you were listening after all.”

Gabriel slipped past Keller and entered the large great room of the villa. The furnishings were rustic and, like Keller, covered in white fabric. Piles of books stood on every flat surface, and on the walls hung several quality paintings, including lesser works by Cézanne, Matisse, and Monet.

“No security system?” asked Gabriel, looking around the room.

“None needed.”

Gabriel walked over to the Cézanne, a landscape painted in the hills near Aix-en-Provence, and ran his fingertip gently over the surface.

“You’ve done very well for yourself, Keller.”

“It pays the bills.”

Gabriel said nothing.

“You disapprove of the way I earn my living?”

“You kill people for money.”

“So do you.”

“I kill for my country,” replied Gabriel. “And only as a last resort.”

“Is that why you blew Ivan Kharkov’s brains all over that street in Saint-Tropez? For your country?”

Gabriel turned from the Cézanne and stared directly into Keller’s eyes. Any other man would have wilted under the intensity of Gabriel’s gaze, but not Keller. His powerful arms were folded casually across his chest, and one corner of his mouth was lifted into a half smile.

“Maybe this isn’t such a good idea after all,” said Gabriel.

“I know the players and I know the terrain. You’d be a fool not to use me.”

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