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Paullina Simons: The Girl in Times Square

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Paullina Simons The Girl in Times Square

The Girl in Times Square: краткое содержание, описание и аннотация

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A stunning and powerful contemporary love story from one of the best storytellers this century. What if everything you believed about your life was a lie?Meet Lily Quinn. She is broke, struggling to finish college, pay her rent, find love. Adrift in bustling New York City, the most interesting things in Lily’s life happen to the people around her. But Lily loves her aimless life … until her best friend and roommate Amy disappears. That’s when Spencer Patrick O’Malley, a cynical, past his prime NYPD detective with demons of his own, enters Lily’s world. And a sudden financial windfall which should bring Lily joy instead becomes an ominous portent of the dark forces gathering around her.But fate isn’t finished with Lily.She finds herself fighting for her life as Spencer’s search for the missing Amy intensifies, leading Lily to question everything she knew about her friend and family. Startling revelations about the people she loves force her to confront truths that will leave her changed forever.From a master storyteller comes a heart-wrenching, magnificent and unputdownable novel.This is the odyssey of two young women, Lily and Amy, roommates and friends on the verge of the rest of their lives.

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No, no. Numbers matched. Date matched, too.

She went into Amy’s room. She and Amy were going to go to the movies today, but Amy wasn’t home, and there was no sign of her; she hadn’t come home from wherever she was yesterday.

Lily waited. Amy always gave the appearance of coming right back.

Lily. Her mother forgot to put the third L into her name. Though she herself was an Allison with a double L. Oh, for God’s sake, what was she thinking about? Was Lilianne jealous of her mother’s double L? Where was her mind going with this? Away from six numbers. Away from 49, 45, 39, 24, 18, 1.

She had a shower. She dried her pleasingly boyish hair, she looked through The Daily News and settled on the 2:15 at the Angelica of The Butcher Boy .

While walking past the grocery store she thought of something, and taking a deep breath, stepped inside.

“Excuse me,” Lily said, coughing from acute discomfort. “What’s the lottery up to at the last drawing?” She felt ridiculous even asking. She was red in the pale face.

“For how many numbers?” the clerk said gruffly.

Not looking at him, Lily thought about not replying. She finally said to the Almond Joy bars, “All of them.”

“All six? Let’s see … ah, yes, eighteen million dollars. But it depends who else wins.”

“Of course.” She backed out of the store.

“Usually a few people win.”

“Uh-huh.”

“Did your numbers come in?”

“No, no.”

Lily got out as fast as she could.

18 was one of the numbers. So was 1.

That was in April. After Joshua, Lily swore off men for life, concluding that there wasn’t a single decent one in the entire tri-state area, except for Paul and he was incontrovertibly (as if there were any other way) gay. Rachel kept offering her somewhat unwelcome matchmaking services, Paul and Amy kept offering their welcome support services. They went to see other movies besides The Butcher Boy , and The Phantom Menace and sat until all hours drinking tequila and discussing Joshua’s various demerits to make Lily feel better. And eventually both the tequila and the discussions did.

Lily—making her lottery ticket into wall art for the time being—affixed it with red thumbtacks to her corkboard that had thumb-tacked to it all sorts of scraps from her life: photos of her together with her brother, some of her two sisters, photos of her grandma, photos of her six nieces, photos of her father, of her cat who died five years ago from feline leukemia, of Amy, report cards from college (not very good) and even from high school (not much better). The wall used to have photos of Joshua, but she took them down, drew over his face, erasing him, leaving a black hole, and then put them back. And now her lottery ticket was scrap art, too.

And Amy, who had prided herself on reading only The New York Times , never read a rag like The Daily News , and because she hadn’t, she didn’t know what Lily’s grandmother knew and brought to Lily’s attention one Thursday when Lily was visiting.

Before she left, she knocked on Amy’s door, and when there was no answer she slightly opened it, saying “Ames?” But the bed was made, the red-heart, white hand-stitched quilt symmetrically spread out in all the corners.

Holding onto the door handle Lily looked around, and when she didn’t see anything to stop her gaze she closed the door behind her. She left Amy a note on her door. “Ames, are we still on for either The Mummy or The Matrix tomorrow? Call me at Grandma’s, let me know. Luv, Lil.”

She went to Barnes & Noble on Astor Place and bought June issues of Ladies Home Journal , Redbook , Cosmopolitan (her grandmother liked to keep abreast of what the “young people were up to”), and she also picked up copies of National Review , American Spectator , The Week , The Nation , and The Advocate . Her grandmother liked to know what everybody was up to. In her grandmother’s house the TV was always on, picture in picture, CNN on the small screen, C-Span on the big. Grandma didn’t like to listen to CNN, just liked to see their mouths move. When Congress was in session, Grandma sat in her one comfortable chair, her magazines around her, her glasses on, and watched and listened to every vote. “I want to know what your brother is up to.” When Congress was not in session, she was utterly lost and for weeks would putter around in the kitchen or clean obsessively, or drink bottomless cups of strong coffee while she read her news-magazines and occasionally watched C-Span for parliamentary news from Britain. To the question of what she had done with herself before C-Span, Grandma would reply, “I was not alive before C-Span.”

She lived in Brooklyn on Warren Street, between Clinton and Court in an ill-kept brownstone marred further not by the disrepair of the front steps but by the bars on the windows. And not just on the street-level windows. Or just the parlor windows. Or the second floor windows, or the third. But all the windows. All windows in the house, four floors, front and back, were covered in iron bars. The stone façade on the building itself was crumbling but the iron bars were in pristine shape. Her grandmother, for reasons that were never made clear, had not ventured once out of her house—in six years. Not once.

Lily rang the bell.

“Who is it?” a voice barked after a minute.

“It’s me.”

“Me who?” Strident.

“Me, your granddaughter.”

Silence.

“Lily. Lily Quinn.” She paused. “I used to live with you. I come every Thursday.”

A few minutes later there was the noise of the vestibule door unlatching, of three locks unlocking, of the chain coming off, and then came the noise of the front door’s three dead-bolt locks unbolting, of a titanium sliding lock sliding, of another chain coming off, and finally of the front door being opened, just a notch, maybe eight inches, and a voice rushing through, “Come in, come in, don’t dawdle.”

Lily squeezed in through the opening, wondering if her grandmother would open the door wider if Lily herself were wider. Would she, for example, open the door wider for Amanda who’d had four kids?

Inside was cool and dark and smelled as if the place hadn’t been aired out in weeks. “Grandma, why don’t you open the windows? It’s stuffy.”

“It’s not Memorial Day, is it?” replied her grandmother, a white-haired, small woman, portly and of serious mien, who took the bags out of Lily’s hands and carried them briskly to the kitchen at the back of the house.

Grandma’s home was tidy except for the newspapers that were piled on top of the round kitchen table, The New York Times first, then The Observer , then The Wall Street Journal , and then the tabloids, Newsday , Post and News .

“Do you want a cup of tea?”

“No, I’m going to have to get going soon.”

“Get going! You just got here.”

“Last week of finals, Grandma. Perhaps you’ve heard.” Lily smiled just in case her grandmother decided to take offense.

“I’ve heard, I’ve heard plenty. How are the subways this morning?”

“They’re fine—”

“Oh, sure, you can’t even fake a polite answer anymore. Did you stand far from the yellow line?”

“I did better than that,” said Lily, putting milk in the refrigerator. “I sat down on the bench.”

Her grandmother squirmed. “Oh, Lily, how is that better? Sitting on that filth-covered bench, how many of those people who sat on it before washed their clothes that morning? And they’re sitting next to you, breathing on you, watching over your shoulder, seeing what you’re reading, hearing your Walkman songs, such loss of privacy. All the homeless sit on that bench.”

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