Vincent Lam - The Headmaster’s Wager

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From internationally acclaimed and bestselling author Vincent Lam comes a superbly crafted, highly suspenseful, and deeply affecting novel set against the turmoil of the Vietnam War.Percival Chen is the headmaster of the most respected English school in Saigon. He is also a bon vivant, a compulsive gambler and an incorrigible womanizer. He is well accustomed to bribing a forever-changing list of government officials in order to maintain the elite status of the Chen Academy. He is fiercely proud of his Chinese heritage, and quick to spot the business opportunities rife in a divided country. He devotedly ignores all news of the fighting that swirls around him, choosing instead to read the faces of his opponents at high-stakes mahjong tables.But when his only son gets in trouble with the Vietnamese authorities, Percival faces the limits of his connections and wealth and is forced to send him away. In the loneliness that follows, Percival finds solace in Jacqueline, a beautiful woman of mixed French and Vietnamese heritage, and Laing Jai, a son born to them on the eve of the Tet offensive. Percival's new-found happiness is precarious, and as the complexities of war encroach further and further into his world, he must confront the tragedy of all he has refused to see.Blessed with intriguingly flawed characters moving through a richly drawn historical and physical landscape, The Headmaster's Wager is a riveting story of love, betrayal and sacrifice.

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As they reached open water, Percival clenched the rail at the edge of the deck, fighting down a sick feeling. The shallow-bottomed freighter began to roll. Had Sai Tai plotted a double victory, calling Cecilia’s bluff and forcing the marriage to show her control of her daughter as well as send her to safety? He stood, unbalanced by the sea, as flecks of black soot drifted from the smoky stack and ruined his one decent white suit.

When Percival made his way unsteadily down below deck, lurching against the growing motion of the boat, he did not know what he would say or do. He appeared in the doorway of their cabin. He spoke from instinct. “Cecilia, we’re married now.”

“Look at your suit. What a mess.”

“Isn’t there something special between us? What about when we were up at the Peak, holding hands and talking.”

“A worthless muddy peasant covered in soot.”

He closed the door, walked up to her, took her shoulders, and pressed his mouth to hers. In the Western films they had seen together, this was what the man did when the woman was upset, and then the beautiful starlet would melt into the man’s embrace. He wasn’t sure what to do with his lips or tongue, but he tried to scoop her towards him with his arms. Cecilia bit his lip, hard. When he pulled back she laughed, “You coward, can’t even stand up to your wife?” He touched his lip, tasted the salt, looked at his red fingertips. She said, “Is that what you call a kiss? It’s like kissing a block of wood.” Percival rushed upon Cecilia, they fell to the floor of the cabin with a lurch of the boat, and Percival forced his hands up her blouse. She struck him with her fists, landed punches on his sides. His lip bled freely, he kissed her through her angry insults, smeared her face red with his blood. Until his jacket was off, trousers, and then her blouse, and now they both struggled from their clothing until they began to move together rather than apart.

Afterwards, he rolled on his back, his sex a wet snail curled up on itself, sated and guilty. What should he say? He felt like crying, but a man must never cry. Had he hurt her? But a husband did not apologize to his wife. The ocean slapped the boat over and over. After a long time listening to the water meeting the hull, he said with regret, “Now that it’s done, it’s not what I thought.”

She turned on her side. Naked, she was more perfectly beautiful and terrifying than he had ever imagined—ivory skin and smooth curves. She said, “It’s not for thinking, then. And you’re not done.” She put her hand between his legs.

The second time, Cecilia straddled his hips and reached down to put him inside her, began to move. Once she was satisfied she draped herself over him like a sleepy cat. Percival was grateful for this quiet space which did not require words. Could this peace contain them, however they had arrived here? Tears welled, streamed down his face. He said, “I may not be what you wanted, but I love you.” The words were exposed, vulnerable on his lips.

Cecilia had an expression he had never seen before. For a moment she was unsure. Then, her face solidified. He couldn’t tell if she had taken a decision or simply defaulted to something in the face of confusion. “Well,” she said, “it seems even a peasant is good for the animal things,” and climbed off him, began to dress. A steaming, humiliated anger clouded Percival’s image of Cecilia. His wife stared at him, defiant, as if demanding that he strike the first blow if he wished to break her shell. He stood, put on his clothes, and went out into the salt spray of the evening.

Cecilia stayed in the cabin for most of the journey to Saigon. Percival spent the time pacing the deck. On occasion, Cecilia would appear there and summon him by saying, “There’s something I need from you.” Or she might say, “You’re still here? I thought you had fallen overboard.” He would take her wrist and pull her down to their cabin, the other passengers whispering after them.

Sometimes, he would go below deck telling himself that if only he persisted with tenderness, the peace that came after sex might last. On other occasions, at a snickering glance from a fellow passenger, he’d decide in frustration that he had marital privileges to exercise and storm downstairs. Sometimes, Cecilia led as she had on the dance floor, told him to move his hand or his tongue in a particular way, to go faster or slower. Other times, she alternated between beating him and caressing him. Whether she initiated it or he did, whether he went hoping for peace or to assert himself, their sex often opened a door to a truce, which Cecilia then closed with a torrent of insults.

As the tugboat pulled the Asama Maru up the dull brown thread of the Saigon River, Percival and Cecilia stood on the deck of the freighter, watching the dense tropical foliage drift past, listening to the strange, raucous welcome of the jungle birds. He had been twelve years old when he had last seen his father, on Chen Kai’s visit to Shantou five years earlier. Now, he was married, and would meet his father again as a man. On that trip in 1937, Chen Kai had promised Muy Fa that the next time he returned to China it would be to stay. He had almost enough gold, he told her. Chen Kai did not say whether he would bring Ba Hai to China, and his son silently hoped that the Annamese woman would stay in the Gold Mountain country. Then, just months after Chen Kai had returned to Indochina, the Japanese had occupied Guangdong province. By 1939, they were in Indochina as well. The birds screeched around them, and Percival realized with surprise that there was no mountain here, golden or otherwise. Small local fishing boats with bright-painted eyes on their prows returned his suspicious gaze.

A bored moustached Frenchman glanced at their permits and Percival’s forged laissez-passer , and waved them down the gangplank. Saigon was an awkward jumble of European facades sprawled across a mud flat. Before they were off the gangplank a cyclo driver seized their luggage. He saw that Percival and Cecilia were Chinese and offered to take them to Cholon. Bumping along in the cyclo, which swerved erratically to avoid expansive mud puddles, they left Saigon on the road to Cholon.

Cecilia said, “A wretched hole.”

Percival replied, “There are fewer Japanese here.” Whether it was the collaboration of the French administration, or had something to do with the oppressive heat, the Japanese soldiers they saw seemed slower moving, more calm, than the ravenous troops in Hong Kong.

Upon arrival, despite having seen photos, Percival was surprised at the size of Chen Kai’s house looming over him. Was this it? The red-painted sign announced, “Chen Hap Sing,” the Chen Trade Company. Surely his father must have collected enough gold to return to China if he had built a house like this? Percival knocked on the door and told the servant who he was. The servant vanished inside. Shortly after, it was Ba Hai who appeared in the doorway. In person, she looked even smaller. After Percival introduced himself and Cecilia, Ba Hai stared at them through a long silence in which it was impossible to say whether she was more shocked or angry at their arrival.

She said to Percival, “You must call me ma and treat me with the same respect as you would your mother.” Ba Hai spoke the Teochow dialect, but in a way he had never heard, with the accent of her native Annamese tongue. She turned to Cecilia. “You may be young and beautiful, but if you forget that I am the first woman of this house, I will scratch out those pretty eyes of yours.” With that, she told a houseboy to take Percival to see his father, turned, and disappeared.

The houseboy led Percival up the stairs to the building’s family quarters. The servant opened a door, and Percival peered into the high-ceilinged room. It was well proportioned, the windows tall but shuttered against the daylight. There was a smoky, sweet-scented gloom. Percival recognized the source of the smoke. Some of the old men in his Hong Kong rooming house had been devotees. Why was the houseboy showing him this room? Where was Chen Kai? Then Percival saw that against the far wall, slumped on an ornate bed, was a skeletal figure who wore only a cloth around his middle and whose ribs heaved mightily as he sucked on a pipe of opium.

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