Rosie Thomas - The Illusionists

The next night he slept in another barn. The nightmares of fire and Gabe’s screaming were terrible, and when he was awake and walking he was so sure the spectre of the burning boy was following him that he had to keep turning and looking over his shoulder.

The evening after that he was in the heart of London. Grand carriages and hansom cabs and handcarts crowded the streets as money and filth fought for supremacy. Exhausted, he sank down at a street corner and looked up to the gable end of a building across the way. It was painted with elaborate curling letters that read:

In his weary, famished state the word trick took on great significance. This was a message aimed at him. He was going to be a magician, the best on the London stage. He needed a new name, because Hector Crumhall had killed a boy.

Devil Wix.

The black shape outlined in flame ran at him out of dark places. Even when he was wide awake it came at him. The screams still sounded in his ears, louder even than the din of the city. If he was no longer Hector Crumhall, perhaps he could escape the apparition?

Devil Wix.

‘You’re going to drop my china cup.’ Jasper took it from his hand. Devil woke with a shudder. He rubbed his face and looked at the kettle on the hob, and at the bag beside him that contained Carlo’s decapitated head.

‘I’ll be on my way. You’ll come to see the show, Jas, won’t you?’

‘If you give me a ticket.’

‘It’ll be worth a tanner or two of anyone’s money.’

‘Not mine,’ Jasper sniffed.

The two of them briefly embraced, like the old friends they were. Neither of them had spoken of Stanmore for years. Mr Crumhall had followed his wife to the churchyard, the Buttons had drunk themselves to death, and Jasper’s two sisters were gone into service. In their different ways the two boys were doing their best to better themselves.

As Jacko Grady had said it would be, the Palmyra was partly restored. The charred ruins of stage and seating were carted away, the worst of the soot was rinsed from the walls and the pillars. The box fronts were crudely repainted, obliterating the ruined gilding, and carpenters sawed and hammered to create a new stage. Grady obtained a set of curtains, well used on some other stage. The cloth was faded and the folds exuded plumes of acrid dust. The owner was out to make some quick money and he invested as little as possible in his restoration. The theatre was still a shabby place, with none of the colour and opulence its structure called for.

The trapdoors Devil and Carlo required were cut and hinged and tested with care. Backstage on Jacko Grady’s grand opening night, Devil sat on an upturned bucket listening and waiting.

He was obliged to acknowledge disappointment. That it was a poor audience came as no great surprise, although he had hoped for better. It was true that the gallery was filled almost to capacity, but the crowd in these cheapest seats was composed mostly of rowdy young men. They came in search of novelty, spectacle and vulgar comedy, and they were ready to express their dissatisfaction when these were not immediately forthcoming. The act now on stage, only the second on the bill, was a comic vocalist and before this performer could finish his smirking delivery of ‘Kitty and the Old Corner Cupboard’ they were drowning him out by bellowing coarser versions of the chorus. As he struggled to lift his voice over the uproar of singing and guffawing the musicians played louder and faster to help him along. An object flew through the air and landed on the boards close to his feet. It was a ripe peach. The pulp sprayed over the cracked toecaps of his patent leather shoes.

In the better seats were pairs and trios of young gentlemen, sitting with arms akimbo and legs outstretched. At the supper clubs, during the acts which did not appeal to them, they could be diverted by chops and potatoes and by the young women who served them, or else resort to their own talk and cigars, but here they found themselves captive as if they had bought tickets for the opera.

Interspersed with these gentlemen and in one or two of the boxes sat a few families and some young fellows who had brought their wives or sweethearts. Two or three of these had already stood up and escorted their womenfolk to the curtained exit.

Devil dropped his head into his hands. Grady had sent out printed playbills, and he had done that well enough. For their act, all that was promised was:

Devil approved. Keep them guessing, that was the idea. But Grady had ordered the distribution of his bills in the taverns and markets and such places, and this had brought in the gallery crowd. All this was quite wrong, in Devil’s opinion. The desirable audience was composed of the very people who were now leaving. The Palmyra was an elegant theatre and the show should be an elegant affair, to which a gentleman could bring his wife and daughters, his mother or his sisters.

Devil had tried to point this out to Grady but the fat man had rudely dismissed him.

‘It would be of benefit to us all if your act proves to be as big as your mouth, Wix. Anyways, I thought it was supposed to be the Sphinx. What is this monstrous thing? It looks like a damned duke’s tomb.’

In constructing their magic cabinet Carlo and Devil had encouraged each other to pile decoration upon decoration, and the piece was ornamented with golden pinnacles and carved finials, paste jewels and panels painted with stars and suns.

‘This will be better than anything else you’ve got,’ Devil answered.

The vocalist came offstage, mopping his face with a handkerchief. Despairingly he hurried away to the dressing rooms. The next act was ready to go on. It was a pair of acrobats, one of them a supple young woman. The lower half of her face was covered by a spangled scarf and as she edged past Devil their eyes briefly met. There were tiny bells stitched to her clothing and these jingled a mocking accompaniment as her brother grasped her hand and they somersaulted out into the lights.

Devil resumed the contemplation of his own feet. It was warm in the wings and the close air was heavy with sweat and greasepaint. He needed this interval to concentrate and collect his wits. Beside him stood the cabinet and the mirrors, ready to be placed in position when the curtain fell. It was unusual for Devil to feel nervous, whatever lay in store, but there was no other way to explain the damp palms of his hands and the small impediment in his chest that seemed to catch his breathing.