Iain Pears - The Immaculate Deception

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Clever and witty art history-mystery featuring Jonathon Argyll, scholar and sleuth, from the bestselling author of ‘An Instance of the Fingerpost’.How do you resolve a scandalous kidnapping without paying the ransom or attracting any attention? It's not a question Flavia di Stefano, acting head of the Italian Art Theft Squad, would normally need to answer. Unfortunately, the Italian prime minister is asking it.As Flavia begins a desperate search for the Claude Lorrain landscape, snatched while on loan from the Louvre, her husband embarks on a rather more leisurely quest. Jonathan Argyll is keen to discover the provenance of a small Renaissance painting, titled The Immaculate Conception, as a favour to its owner. His enthusiasm wanes when the investigation brings him into unexpected danger. There's no turning back, though, and soon husband and wife are uncovering shocking secrets that will bring them into the path of some very dangerous enemies indeed…

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Flavia felt her heart sinking as he spoke. Everything he said she had known, of course; having it spelled out in quite such a bald fashion did not raise her morale.

‘Recommendations?’

Bottando grunted. ‘More difficult. What are your options, now? A strategic but untraceable leak to the press, followed by a public promise on your part to leave no stone unturned, etcetera? It would eliminate the prospect of going to gaol at some future date, but pretty much ensure that prime ministerial wrath would descend on you with full force. End of a promising career. Do as you are told? Bad idea, for obvious reasons, especially as Macchioli would say on oath that you had been specifically instructed not to pay a penny.’

‘Doesn’t leave much, does it?’

‘Not at the moment, no. Tell me, this ransom money, where is it to come from?’

‘I have no idea. Maybe an extremely wealthy patriot will suddenly wander through the door with a chequebook.’

‘Stranger things have happened. Let us assume that the money turns up. What then?’

‘Get the picture back. Then go after whoever was responsible. They might do it again, after all.’

Bottando shook his head. ‘Bad idea. What you must do is keep your head down. Do as you are told, and nothing else.’

‘But I’m not sure what I have been told to do. That’s the trouble.’

‘I am merely trying to indicate that, when faced with deviousness, you must be devious yourself. You might also consider the wisdom of putting everything down on paper in front of a lawyer, so that, if necessary, your understanding of the meeting is clear.’

Flavia grunted, in exactly the same manner as Bottando used to do himself when she had proposed a distasteful idea and he had acted the part of cautious superior. The general noticed the sound, and all it implied, and smiled gently. For he also, in his way, felt slightly sorry for Flavia. Position and authority were not without their disadvantages, and having to be careful and responsible were among the biggest.

‘I don’t suppose you would like to help …’

‘Me?’ Bottando chuckled. ‘Dear me no. I most certainly would not. I am too old, my dear, to be running around with suitcases full of money under my arm. Besides, I must plead self-interest.’

‘What do you mean?’

‘I am bored, Flavia,’ he said mournfully. ‘Bored out of my head. I have been sitting here pushing little bits of paper around for a year. I give orders to people who give orders to people who do some policing occasionally but spend most of their time constructing international directives. So I have decided that enough is enough. I am going to retire. My pension will be very much less than I had anticipated but quite sufficient. And I do not want to risk it at the moment. I will willingly give you any advice you want. And when I am finally retired any assistance you want as well. But at the moment, I must keep my head down as much as you.’

‘I’m really sorry you’re going,’ she said, suddenly afflicted by an enormous sense of panic and loss.

‘You’ll survive without me, I dare say. And my mind is quite made up. Even the most fascinating job palls after a while and, as you may have noticed, what I’m doing at the moment is not especially fascinating. By the way, those chocolates. Did you say Belgian?’

‘Yes.’

‘Ah.’

‘Why?’

‘No reason. Merely a detail. Always thought them overrated, myself.’

She stood up, looking at her watch. Late, late, late. Was it always to be like this now? Constant meetings, constant rush? Never time to sit and talk any more? After several decades of it, she’d be ready to give it all up as well. She gave Bottando a brief embrace, told him to keep himself ready to give more advice, and headed back to her car. The driver was sound asleep on the back seat, waiting for her. Lucky man, she thought as she prodded him awake.

3

She was home early, even before Jonathan, and drank a glass of wine on the terrace – her promotion, their marriage and the fact that even Jonathan now had a regular salary of a sort meant that, finally, they could afford an apartment they were happy to be in. Still in Trastevere, but four whole rooms now, high ceilings, and a terrace overlooking a quiet square. If you stretched you could just see a bit of Santa Maria. Flavia was too short, but Jonathan could see it, and it gave him a twinge of pleasure just to know it was there. Although the least houseproud of people, even she made something of an effort to keep it neat and tidy. A sign of age, perhaps.

She had left early because she wanted some time to think, and there were always too many distractions in her office. Phones, secretaries, people popping in and out to ask her opinion, or to get her to sign something. She loved it all, most of the time, but it made it difficult to reflect and consider. That was best done looking out at the ochre-coloured buildings opposite, watching people doing their shopping, listening to the quiet murmur of a city going about its business.

Bottando’s lack of practical advice had given her more than a little to think about. She had gone through it all, backwards and forwards, considering every option and possibility in a methodical way, and come up with nothing better. However, the essence of it – keep your head down, do nothing, but avoid any involvement – appalled her. And struck her as almost as dangerous as doing something. Her head was on the block, come what may. If something, anything, went wrong, she would be the one to take the blame. Acting head. Never yet confirmed in her post, even after a year. A matter of a moment to get rid of her; no noise, no fuss. Simply an announcement that a new and permanent chief, more experienced and fitted for the job, was being drafted in over her.

But what could she do? It was certainly the case that she couldn’t do anything practical without somebody finding out quickly. Nor could she go trotting round the wealthy of Italy asking if they had a spare suitcase full of unwanted dollars lying around. Fund-raising was hardly her job. If anyone could do it, it should have been Macchioli’s task. That’s what museum curators did these days. Or were supposed to. Alas, his talents notoriously did not lie in this direction at all. Still, it might be worth while having a serious talk with him, just in case a ransom note arrived.

Argyll came home an hour later, in a relatively good mood considering he’d spent the day trying to din the rudiments of art historical knowledge into his students, and plonked himself down beside her to admire the view. Once it had been as admired as was possible, he asked about the meeting with the prime minister. She didn’t want to talk about it yet, so she fended him off.

‘How’s the paper?’ she asked mischievously to take her mind off things. This was a sore point with Argyll. He had been taken on in his current job to teach baroque art to foreign students passing a year in Rome, a task he was eminently fitted to do. Then the administration – a baroque organization itself – had decided for reasons that no one really understood that salary levels would be partly determined by academic production as well as hours put in at the coal-face. Raise the reputation of the institution. Must be taken seriously as a university, not dismissed as a finishing school for rich kids. Which, of course, it was. The essence of the edict, however, was that if you want more money, produce articles. Papers. Better still, a book or two.

Not really that easy, and Argyll was of a stubborn disposition. The idea of being forced into writing things made his hackles rise. However, a bit more money would be agreeable. He was nearly there; he had ruthlessly exploited his old footnotes and conjured up two articles of extraordinary banality for minor journals, and had also been invited to give a paper at a conference in Ferrara in a few weeks’ time, and that would put him over the required limit.

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