James Gleick - The Information - A History, a Theory, a Flood

Chapter Four

To Throw the Powers of Thought into Wheel-Work

(Lo, the Raptured Arithmetician)

Light almost solar has been extracted from the refuse of fish; fire has been sifted by the lamp of Davy; and machinery has been taught arithmetic instead of poetry.

—Charles Babbage (1832)

NO ONE DOUBTED THAT Charles Babbage was brilliant. Nor did anyone quite understand the nature of his genius, which remained out of focus for a long time. What did he hope to achieve? For that matter, what, exactly, was his vocation? On his death in London in 1871 the Times obituarist declared him “one of the most active and original of original thinkers” but seemed to feel he was best known for his long, cranky crusade against street musicians and organ-grinders. He might not have minded. He was multifarious and took pride in it. “He showed great desire to inquire into the causes of things that astonish childish minds,” said an American eulogist. “He eviscerated toys to ascertain their manner of working.” Babbage did not quite belong in his time, which called itself the Steam Age or the Machine Age. He did revel in the uses of steam and machinery and considered himself a thoroughly modern man, but he also pursued an assortment of hobbies and obsessions—cipher cracking, lock picking, lighthouses, tree rings, the post—whose logic became clearer a century later. Examining the economics of the mail, he pursued a counterintuitive insight, that the significant cost comes not from the physical transport of paper packets but from their “verification”—the calculation of distances and the collection of correct fees—and thus he invented the modern idea of standardized postal rates. He loved boating, by which he meant not “the manual labor of rowing but the more intellectual art of sailing.” He was a train buff. He devised a railroad recording device that used inking pens to trace curves on sheets of paper a thousand feet long: a combination seismograph and speedometer, inscribing the history of a train’s velocity and all the bumps and shakes along the way.

As a young man, stopping at an inn in the north of England, he was amused to hear that his fellow travelers had been debating his trade:

“The tall gentleman in the corner,” said my informant, “maintained you were in the hardware line; whilst the fat gentleman who sat next to you at supper was quite sure that you were in the spirit trade. Another of the party declared that they were both mistaken: he said you were travelling for a great iron-master.”

“Well,” said I, “you, I presume, knew my vocation better than our friends.”

“Yes,” said my informant, “I knew perfectly well that you were in the Nottingham lace trade.”

He might have been described as a professional mathematician, yet here he was touring the country’s workshops and manufactories, trying to discover the state of the art in machine tools. He noted, “Those who enjoy leisure can scarcely find a more interesting and instructive pursuit than the examination of the workshops of their own country, which contain within them a rich mine of knowledge, too generally neglected by the wealthier classes.” He himself neglected no vein of knowledge. He did become expert on the manufacture of Nottingham lace; also the use of gunpowder in quarrying limestone; precision glass cutting with diamonds; and all known uses of machinery to produce power, save time, and communicate signals. He analyzed hydraulic presses, air pumps, gas meters, and screw cutters. By the end of his tour he knew as much as anyone in England about the making of pins. His knowledge was practical and methodical. He estimated that a pound of pins required the work of ten men and women for at least seven and a half hours, drawing wire, straightening wire, pointing the wire, twisting and cutting heads from the spiral coils, tinning or whitening, and finally papering. He computed the cost of each phase in millionths of a penny. And he noted that this process, when finally perfected, had reached its last days: an American had invented an automatic machine to accomplish the same task, faster.

Babbage invented his own machine, a great, gleaming engine of brass and pewter, comprising thousands of cranks and rotors, cogs and gearwheels, all tooled with the utmost precision. He spent his long life improving it, first in one and then in another incarnation, but all, mainly, in his mind. It never came to fruition anywhere else. It thus occupies an extreme and peculiar place in the annals of invention: a failure, and also one of humanity’s grandest intellectual achievements. It failed on a colossal scale, as a scientific-industrial project “at the expense of the nation, to be held as national property,” financed by the Treasury for almost twenty years, beginning in 1823 with a Parliamentary appropriation of £1,500 and ending in 1842, when the prime minister shut it down. Later, Babbage’s engine was forgotten. It vanished from the lineage of invention. Later still, however, it was rediscovered, and it became influential in retrospect, to shine as a beacon from the past.

Like the looms, forges, naileries, and glassworks he studied in his travels across northern England, Babbage’s machine was designed to manufacture vast quantities of a certain commodity. The commodity was numbers. The engine opened a channel from the corporeal world of matter to a world of pure abstraction. The engine consumed no raw materials—input and output being weightless—but needed a considerable force to turn the gears. All that wheel-work would fill a room and weigh several tons. Producing numbers, as Babbage conceived it, required a degree of mechanical complexity at the very limit of available technology. Pins were easy, compared with numbers.

It was not natural to think of numbers as a manufactured commodity. They existed in the mind, or in ideal abstraction, in their perfect infinitude. No machine could add to the world’s supply. The numbers produced by Babbage’s engine were meant to be those with significance: numbers with a meaning. For example, 2.096910013 has a meaning, as the logarithm of 125. (Whether every number has a meaning would be a conundrum for the next century.) The meaning of a number could be expressed as a relationship to other numbers, or as the answer to a certain question of arithmetic. Babbage himself did not speak in terms of meaning; he tried to explain his engine pragmatically, in terms of putting numbers into the machine and seeing other numbers come out, or, a bit more fancifully, in terms of posing questions to the machine and expecting an answer. Either way, he had trouble getting the point across. He grumbled:

On two occasions I have been asked,—“Pray, Mr. Babbage, if you put into the machine wrong figures, will the right answers come out?” In one case a member of the Upper, and in the other a member of the Lower, House put this question. I am not able rightly to apprehend the kind of confusion of ideas that could provoke such a question.

Anyway, the machine was not meant to be a sort of oracle, to be consulted by individuals who would travel from far and wide for mathematical answers. The engine’s chief mission was to print out numbers en masse. For portability, the facts of arithmetic could be expressed in tables and bound in books.

To Babbage the world seemed made of such facts. They were the “constants of Nature and Art.” He collected them everywhere. He compiled a Table of Constants of the Class Mammalia: wherever he went he timed the breaths and heartbeats of pigs and cows. He invented a statistical methodology with tables of life expectancy for the somewhat shady business of life insurance. He drew up a table of the weight in Troy grains per square yard of various fabrics: cambric, calico, nankeen, muslins, silk gauze, and “caterpillar veils.” Another table revealed the relative frequencies of all the double-letter combinations in English, French, Italian, German, and Latin. He researched, computed, and published a Table of the Relative Frequency of the Causes of Breaking of Plate Glass Windows, distinguishing 464 different causes, no less than fourteen of which involved “drunken men, women, or boys.” But the tables closest to his heart were the purest: tables of numbers and only numbers, marching neatly across and down the pages in stately rows and columns, patterns for abstract appreciation.