Heather Graham - The Killing Edge

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Chloe Marin was lucky. She was just a teenager when a beachside party mansion turned into a bloodbath.According to authorities, the killers were later found dead in the swamp. Chloe's not so sure. Ten years later, as a psychologist consulting with the cops, she gets drawn in to the disappearance of a swimsuit model. Everyone assumes the girl ran off for some fun in the sun—everyone but Chloe, who's been visited by the model's ghost.Someone else is interested in the dead girl: Luke Cane, a P. I. investigating the disappearance for her father. Chloe and Luke barely trust one another, but they agree on the important things—they will bend the law to catch these killers, and there is an undeniable attraction between them. When another mass murder occurs, Chloe's beginning to think her presence is no longer a coincidence….

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“Don’t you think I’d stop them if I could?” Stuckey demanded.

“Is that really why you called me?”

Stuckey shook his head. “No. I called you because one girl’s missing and another girl’s parents are scared. And I sent you in undercover because there’s a strong possibility an insider is involved. And does it bother me that two women I know, women who have already been through more than their share of torment, may be in danger, even when no one can put a finger on what that danger might be …? Of course it does. But I’m a cop—I have to act like a cop. I have to follow the letter of the law, not to mention that this isn’t even my investigation. My hands are tied precisely because I’m a cop.”

“Stuckey, what exactly do you want from me?”

Stuckey paused for a moment, then said, “I pulled you in because you’re not a cop, but you’re no-nonsense and you have integrity. I want you to do whatever you have to do to discover the truth. Without warrants. Without reading anyone their rights. Just do me a favor, huh? Don’t go getting caught—or shot up or sliced to ribbons—when you’re doing whatever illegal thing it is you need to do to get to the truth.”

FOUR

She should have been expecting him.

And maybe, in a way, she had been.

When Victoria drove into the cul-de-sac to drop her off at her house, Chloe saw Luke Cane leaning against his car just outside her driveway. She was annoyed to realize that just seeing him made her heart start pounding a little too quickly. She had never seen anyone who appeared to be so relaxed and at ease, and yet ready to spring. She rationalized that it was the tension in the man that made him so sexually attractive, though it didn’t hurt that he had the whole rugged-good-looks thing down pat.

“Odd car for a designer, don’t you think?” Victoria asked.

It was a Subaru Forester, a few years old, though not in bad shape; in fact, it looked as if he even washed it regularly. Lots of people in south Florida—including herself, on occasion—believed that the rain came just to keep cars clean.

“Maybe he likes driving up mountains,” Chloe said.

Victoria stared at her. “Right. The mountains of Miami.”

“Okay, so maybe he rides out to the Everglades to spy on the Miccosukees and Seminoles so he can work their traditional designs into his clothing line,” Chloe suggested.

Victoria laughed. “I guess he could be a sportsman. He looks like one. Odd for a designer, but I suppose you can be artistic and … masculine. Anyway, he’s hot, and he’s obviously into you. I mean, you guys already took off for a walk on the beach.”

“Oh, yeah. Right. He’s into me,” Chloe murmured dryly.

Victoria waved to the man she knew as Jack Smith, smiling. He smiled, too, and returned her wave, as she suggested sagely, “Give him a chance. Even Lacy was drooling over him last night.”

“Lacy has been known to drool over a correctly proportioned blow-up doll,” Chloe pointed out, grinning. She didn’t intend the words viciously—Lacy readily admitted that she was interested only in sleek, muscle-bound men. Arm candy, of the male variety.

“Hey, he might be arm candy,” Victoria said, as if reading her mind, “but he was polite, and he didn’t get sloshed. You’re pickier than Lacy. It’s like you’re looking for a superhero. You’re such a do-gooder yourself, it’s like you have tunnel vision. If a guy isn’t trying to save the world, you’re not interested.”

“That’s not true.”

“Then you should go for him. I think he’s perfect,” Victoria said.

Except that he’s a liar and a sham.

“Get out, go. He’s waiting,” Victoria said.

Chloe climbed out of the car, waving goodbye to Victoria, who waved back and drove away.

Chloe stood without speaking and stared at Luke Cane.

“May we talk?” he asked her.

Chloe lifted her hands. “I suppose so. You know where I live, so I can’t exactly hide from you. And you’re safe enough, according to Stuckey.”

“I’m really sorry we got off to a bad start. I’d like to try again,” he told her.

She was sure he wasn’t actually sorry, that he just thought it was the right thing to say, but she offered him a dry smile and said, “Okay, talk.”

“I need your help,” he said flatly.

She looked up at him, suddenly wanting to say no, and run into her house and hide, but she knew that wasn’t a response to what he’d said but to her own response to him. She tried analyzing her feelings toward him, then gave up. It was chemistry. Just pheromones, aroused by his face, his eyes, the way he moved, the sound of his voice.

“Please. I really need your help,” he repeated, and she could tell he meant it.

She forced herself to shrug casually. “All right. Come on in and we’ll talk.”

“Nice place,” he said, looking admiringly at the main house.

“I don’t live there—I’m over on the side, in the carriage house. The main house is my uncle Leo’s.”

“So at least it’s all in the family, right?”

“Yes, it’s all in the family.”

He waited as she keyed in the code for the gate, then followed her along the tile walkway that led to the entrance of the refurbished carriage house. She could feel him behind her all the way.

She opened her door and keyed another code into the alarm pad.

“It’s a good setup, after what you’ve been through,” he said, nodding. “All the security, and your uncle living right next door.”

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