Stephen Miller - The Last Train to Kazan

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Intelligent thriller set against the backdrop of Tsarist Russia.As World War One rumbles to a close Russia is wracked by bloody civil war. Communist control on the country is slipping, and in the struggle the Imperial family have become a very valuable commodity, a trump card to be played at an opportune moment. When ex-Tsarist agent Pyotr Ryzhkov is picked up by the Bolshevik secret police, he has two choices: find the Romanovs, or face the firing squad. It appears that one choice is little better than the other as he ventures into the war-torn city where they are rumoured to be held.Yekaterinburg is at the end of the line, a frontier town cut off from Moscow by the White Russians and their allies. It is a nest of foreign spies armed with gold and guns, Bolsheviks determined to sell the family to the highest bidder, and local soviets desperate to kill them. Whispers and rumour flood the city, but in the fog of war Ryzhkov knows that only the last man to see the Romanovs can ever know the truth.

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‘I need to speak to him. It’s important.’

‘He’s not here, Excellency.’

‘When he comes back, maybe you can give him this.’ Ryzhkov set the rucksack down, groped in the pockets for some paper. All he had was an envelope with his train schedule written on it. He wrote ‘Ryzhkov, #3 Hotel American.’

‘Shall I say what it is concerning?’ the woman said. She was busily scrubbing out the great cavity that had been made by extracting the entrails of the animal.

Ryzhkov looked around the little street. The houses here were much older than the workers’ factory houses at the end of the block. ‘Eikhe is a German name, isn’t it?’ he asked.

‘Yes, the family were Volga Germans. Here since the 1700s, so he claimed,’ the woman said. She was older, but still strong, with her hair bound up in a series of towels that made her look like some sort of peasant queen, wearing a large apron, her sleeves rolled up to her armpits.

‘I just want to talk to him, and I want to talk to someone who can put me in touch with the soviet.’

‘They’re all gone,’ she said with finality.

‘You’re sure? There has to be someone around.’

‘They’re gone. I’m sure.’

‘What about his friends? Maybe someone knows where I can find him.’

‘He doesn’t have any friends,’ she said flatly.

‘What about the Tsar?’

She looked up at him, shook the bloody rag out and dumped it in a dish beside the table. ‘All of them are dead.’

‘How do you know?’

‘Oh, everybody knows it. It happened at the weekend. I know one of the women who mopped up the blood.’

‘Who was that?’

‘Just a woman. Someone I know. Look, they’re dead, comrade. When he comes back I’ll give him your message. What does it say?’

‘Ryzhkov. Number 3, American Hotel.’

‘Is that where you’re staying?’ Her eyebrows went up at the cost of it.

‘No. It’s just to let him know who I am. You make sure and tell him. It’s important. And I’ll come back, eh?’ he said, jabbing his finger at her.

At the bottom of the hill he waited to catch the tram, but gave up and walked past the long façade of the factory into the city. There was another distant crash and Ryzhkov realized that the artillery had stopped for some hours and only just begun firing again. A few minutes later an automobile blew past him with several Red Guard officers packed into the seats.

When he had walked another block, at the corner he could see a stream of citizens entering the Civic Theatre. The fast car that had passed him on the slope was sitting there, with steam coming out of the radiator cap. Several carriages and military wagons were drawn up in the lane and soldiers were milling about the entrance. Ryzhkov let himself be funnelled through the great doors to the theatre with everyone else. The windows had been thrown open and the curtains pulled shut against the sun. The whole room was a stew of dust motes and muttered conversations.

He found himself standing in the aisle at the back of the house. A squad of soldiers marched in, split into two ranks, and half of them passed right behind him, eyes alert and looking around for assassins. They went down the aisles and took positions with their rifles at rest at the foot of the stage.

Immediately a man came out from the wings, clutching a yellow sheet of paper in his hand. He was in his thirties, with dark hair slicked back and combed neatly behind his ears. He had a pince-nez that he wedged onto his nose and he moved to the centre of the stage and began to read before half the crowd noticed he was even there. He had to wait for the room to quieten and then began again. His voice was light, and someone called from the back rows for him to speak up.

‘My name is…’ It was still noisy in the room; they were letting people come upstairs onto the balcony and they were all still talking, not aware that the show had begun. The man backtracked yet again.

‘My name is Fillip Goloschokin, military commissar of the Ural Soviet, and I announce today that, by order of the regional Ural Soviet, in the awareness that the Czecho-Slovak soldiers, those hirelings of French and British capitalists, are now close at hand, and in view of the fact that a White Guard plot to carry off the whole Imperial Family has been discovered, and that all the old Imperial generals are in it with them, that the Cossacks are also coming, and they all think that they will get their Emperor back, but they never shall –’ His thin voice hung in the hall. ‘We shot him three nights ago!’

There was a pause. Goloschokin repeated the last line again and looked off stage. Someone was speaking to him, but the words were distorted.

‘Three nights ago!’ Goloschokin repeated, and walked off into the wings.

The theatre was immediately filled with a torrent of conversation. A great crash of applause began which was almost immediately stifled by a series of shouts. Several women were in tears and were being assisted by their friends. ‘Where is the body?’ someone screamed from the balcony over and over. A group had rushed forward and were being held back by the young soldiers who had lifted their rifles to the ready and were guarding the two approaches to the stage. There was a rush for the exits.

Ryzhkov joined the flow out onto the street. The military trucks were already speeding down Glavni Prospekt in the direction of the station.

Now that Goloschokin had gone with the rest of the Ural Soviet and all that was left was the echo of the official announcement, Ryzhkov thought he ought to make for the station and telegraph NOSMOC4, but what would he say? The announcement would be wired back to the Kremlin by the Ural Soviet themselves; everything else was rumour.

He walked along the embankment of the pond that occupied the centre of the city, heading for the station. All around him people were moving, like ants that had been driven out of their hiding places. Several lorries rushed past him, and people ran across the street, hurrying to hoard anything that their fantasies suggested they might need before they dashed off to crouch behind shuttered windows.

At the station he wrote to Zezulin:

NOSMOC4 – MOSCOW

RUMOURS EVERYWHERE. OFFICIAL ANNOUNCEMENT BUT NO

PROOF. CANNOT FIND E. WILL CONTINUE.

RYZHKOV

The telegrapher shook his head, but a wave of the Cheka card drew a grimace and Ryzhkov’s telegraph form moved to the top of the queue. Steam whistles startled the birds, and the last of the trains were pulling out, heading west for safety.

He walked out of the station, out onto the wide expanse of the square. The wind was blustery, the sky had cleared and the sun was drying the puddles into crusts and sending the flies buzzing out of the gutters. The wind abruptly changed direction and in the distance he could hear gunshots in the hills. In front of the station the square was completely vacant. The Red Guards had vanished, and everything had fallen into a sudden silence.

He headed back into the centre of the city, tore up his Cheka card and travelling documents and dropped fragments into each gutter that he passed by, paying particular attention to the identification page and his photograph. If Eikhe was in town he had probably gone to ground; anyone with connections to the local soviet would either try to escape or go into hiding. He decided to keep the coat, it worked well in the weather, and he might need it again if he ever wanted to get back to Moscow.

When he got closer to the market he walked down the lanes looking into the garbage until he came out with a reasonably clean section of newspaper. He sat down on the steps of the Municipal Hall, folded the newspaper into a long strip and braided it around his sleeve to make an armband.

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