Glenn Taylor - The Marrowbone Marble Company

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A powerful novel of love and war, righteousness and redemption, and the triumph of the human spirit.1941. Orphan Loyal Ledford lives a very ordinary life in Huntington, West Virginia. By day a History major, by night a glass-blower at the Mann Glass factory where he courts the boss's daughter Rachel. Preferring to read rather than talk about the war raging in Europe, he focuses his mind upon work and study. However when Pearl Harbour is attacked, Ledford, like so many young men of his time, sets his life on a new course.Upon his return from service in the war, Ledford starts a family with Rachel, but he chafes under the authority at Mann Glass. He is a lost man, unconnected from the present and haunted by the memories of war, until he meets his cousins the Bonecutter brothers. Their land, mysterious, elemental Marrowbone Cut, calls to Ledford, and it is there, with help from an unlikely bunch, that The Marrowbone Marble Company is slowly forged. Over the next two decades, the factory town becomes a vanguard of the civil rights movement and the war on poverty, a home for those intent on change. Such a home inevitably invites trouble, and Ledford must not only fight for his family but also the community he has worked so tirelessly to forge.Returning to the West Virginia territory of the critically acclaimed The Ballad of Trenchmouth Taggart, M. Glenn Taylor recounts the transformative journey of a man and his community. A beautifully-written and evocative novel in the tradition of Cormac McCarthy and John Irving, The Marrowbone Marble Company takes a harrowing look at the issues of race and class throughout the tumultuous 1950s and 60s.

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THE MARROWBONE

MARBLE COMPANY

A Novel

GLENN TAYLOR

The Marrowbone Marble Company - изображение 1

Copyright Copyright Epigraph Prologue - January 1969 I - A Line in the Dirt October 1941 November 1941 December 1941 August 1942 September 1942 October 1942 November 1942 August 1945 May 1946 June 1946 September 1947 October 1947 November 1947 February 1948 May 1948 July 1948 September 1948 November 1948 April 1949 October 1951 June 1953 II - A House on the Sand June 1963 August 1963 September 1963 December 1964 February 1965 March 1965 April 1965 May 1966 June 1966 February 1967 June 1967 July 1967 September 1967 October 1967 February 1968 March 1968 April 1968 July 1968 December 1968 January 1969 Acknowledgments About the Author Also by Glenn Taylor Author’s Note About the Publisher

The Borough Press

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

Copyright © Glenn Taylor 2010

Glenn Taylor asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

ISBN: 978-0-00-742328-6 (Hardback)

ISBN: 978-0-00-735907-3 (Trade Paperback)

Ebook Edition © 2010 ISBN: 9780007369393

Version: 2015-10-28

This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Black ground was fenced for men to till. The dead of Gauley own this hill.

—Louise McNeill

Contents

Cover

Title Page THE MARROWBONE MARBLE COMPANY A Novel GLENN TAYLOR

Copyright

Epigraph Black ground was fenced for men to till. The dead of Gauley own this hill. —Louise McNeill

Prologue - January 1969

I - A Line in the Dirt

October 1941

November 1941

December 1941

August 1942

September 1942

October 1942

November 1942

August 1945

May 1946

June 1946

September 1947

October 1947

November 1947

February 1948

May 1948

July 1948

September 1948

November 1948

April 1949

October 1951

June 1953

II - A House on the Sand

June 1963

August 1963

September 1963

December 1964

February 1965

March 1965

April 1965

May 1966

June 1966

February 1967

June 1967

July 1967

September 1967

October 1967

February 1968

March 1968

April 1968

July 1968

December 1968

January 1969

Acknowledgments

About the Author

Also by Glenn Taylor

Author’s Note

About the Publisher Конец ознакомительного фрагмента. Текст предоставлен ООО «ЛитРес». Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес. Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

PrologueJanuary 1969 Prologue - January 1969 I - A Line in the Dirt October 1941 November 1941 December 1941 August 1942 September 1942 October 1942 November 1942 August 1945 May 1946 June 1946 September 1947 October 1947 November 1947 February 1948 May 1948 July 1948 September 1948 November 1948 April 1949 October 1951 June 1953 II - A House on the Sand June 1963 August 1963 September 1963 December 1964 February 1965 March 1965 April 1965 May 1966 June 1966 February 1967 June 1967 July 1967 September 1967 October 1967 February 1968 March 1968 April 1968 July 1968 December 1968 January 1969 Acknowledgments About the Author Also by Glenn Taylor Author’s Note About the Publisher Конец ознакомительного фрагмента. Текст предоставлен ООО «ЛитРес». Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес. Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

T HE GROUND WAS THEcolor of rust. Holes the size of half-dollars were every where, some encircled by tiny mounds of dirt. This was hard earth, nearly frozen. Dried-up leaves and spruce needles turned brown. A hush had befallen the land, as still as the inside of a coffin. Such quiet recalled a time before timber had framed houses and a church, before plumbing hooked in hot and cold, before electricity snaked conduit. The trees slept. The creek was iced over.

At the back of the hollow, there was piled ash and shingle. Sheet metal lengths. Two-by-fours at peculiar angles, their surfaces bubbled and cracked and black. There was a furnace stack, fifty feet high and made from fieldstone. It towered above all that fire had taken, but its mortar was crumbling. A strong wind would soon enough knock it down and stir the ash and frayed black picture-frame wire and lampshade bones below.

Snow came. It landed silent on a thick sheath of glass, the size and shape of a backyard pond. This glass had run molten, but now it was cooled, its edges rounded, frozen in rolls. A woman walked a circle around it. She held in her hands a Bolex 16mm movie camera. She filmed the glass. Thought for a moment she had seen a fish eye looking up at her from beneath.

This tract of land had known many names. Bonecutter Ridge, Marrowbone Cut, the Land of Canaan.

A German hog butcher named Knochenbauer had settled it in 1798. He’d entered into common-law marriage with an Indian woman and they’d raised children and grandchildren and made their surname Bonecutter. The Bonecutters lived on these five hundred West Virginia acres for 150 years. They were hard, proud people who prospered some times and went hungry others. They witnessed love and murder, fire and flood, until only two remained. It was left to them to hold on to the land. They did so with the sure grip that hill people possess.

Loyal Ledford came to this place in 1948, and for a time people again walked the ground. They followed paths beaten by the feet of those who’d walked the same routes before them. House to church to meeting hall to woods’ edge, and back to house. The people here made something real and good. They built with their hands. They put down roots. Ledford put his in deep. But his blood carried memories and his temper ran hot. In his dreams, hollows were flooded and people hid in holes they’d dug in the ground.

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