Philip Hensher - The Northern Clemency

The library filled the morning, but it was short. He sat under the wooden bookshelves that, even in the children’s section, bore the intimidating municipal heading ‘Novels’. It took him a moment to recognize some familiar and favourite books there, and it was a surprise to discover that he had been reading ‘novels’ when he thought he had been reading Enid Blyton, or a book about Uncle, the millionaire elephant in a city of skyscrapers, Beaver Hateman at his heels. Chairs were supplied and, greedily taking five books with him, head down and not acknowledging the look of the librarian, whether approving or sour, he went to sit. At first he could hear his sister: she was talking to someone downstairs, in her ‘mature’ voice, as he called it; maturity, much evoked, had become her favourite virtue, and whenever she thought of it her voice dragged and drawled to the point of a groan. ‘No, we’re moving up here in a few months’ time. Yes, from London. We thought it best to sample the local amenities. I do hope you don’t mind us coming in – my brother’s the real reader in the family…’

And then the voice somehow faded away. The old library, in Kingston, he’d been going to since he was four, and had read every book in their children’s section, except the I-books, which he didn’t like, when people told you a story and said I. Here, there were so many new and different books, and what his sister’s voice had faded into was a book, a little childish but funny, about a bushranger called Midnite, and ‘bushranger’ was the Australian word for ‘highwayman’, with a cat called Khat, and, look, Queen Victoria, and—

It was quite short, and he had almost finished it by the time his sister, hot and bored, came to fetch him. She had left the library to explore the little parade of shops. ‘Come on,’ she said. ‘Time for lunch.’ He followed her, the last five pages abandoned; perhaps he could come back later. And perhaps he could keep the two pounds – you could spend it on books in London, too.

‘We’ve found a house,’ Bernie said, coming into the hotel dining room while they were still eating their lunch. He was glowing with relief and satisfaction. The dining room, hung with velvet wallpaper and dark curtains, had been daytime dingy, and the children had been talking in whispers, not daring to bicker, but there was Francis’s dad, as if he hadn’t noticed anything. ‘You’ll like it, kids.’

‘I’ve found a book,’ Francis wanted to say to complete everyone’s happiness. ‘I’ve found lots of books.’

‘It’s nice,’ Alice said, sitting down in a flop and looking first, with concern, at Francis. She had something to console him with. ‘You’ll like it.’

‘My name is—’

She began to write. But the paper was resting on the lawn. Her pen tore through the paper on the y of ‘my’, and then she was writing on grass through torn paper. Jane was lying on her stomach in a secret part of the garden. She cocked her head and listened. She kicked her heels up, bouncing them against her bum. There was nobody about.

She took the paper and, rolling over, sat up to write properly. At the end of August, the grass was dry and brown, crackling like a fire. Under her legs, it was itchy with gorse droppings, and she could feel a holly leaf or two. The holly tree in the far corner was constantly shedding leaves. Nowhere in the garden was ever completely free of them. She folded the paper, and wrote: ‘My name is Fanny.’

Jane paused. For as long as she could remember, her name had really been Fanny. Her paper-name, the name of the heroine of her book when it should be written. Now she was fourteen, it was time to write it.

It was a great shame, really, that it was the end of August. She’d let so much of the summer holiday go by without writing anything. Now that she had written four words, she regretted it had taken so long. Until now, it had been a running, contiguous commentary in her head, a third voice putting her smallest actions into a sort of prose – Jane left the house, shutting the door behind her. In the garden there were birds singing. Her mood was black – but now she was writing something.

She had switched on the lawn-sprinkler. The wet earth started to smell dense and delicious in the dry heat. The holly tree dripped with a tropical rhythm, irregular, on to the patio. The lawn-spray flung lazily in this direction with a hiss on each revolution, never quite reaching the little nest. A trickle of sweat, like a darting insect, slipped in a tickle from her armpit down her side; she could smell her own faint metallic odour. She was narrating in her head; she turned and began to write again.

‘My name is Fanny. I was born an orphan in the year 1863. My mother’…

It was a hundred years before her own birth. Her eyes filled with the sadness that by now Fanny was certainly dead. But she was Fanny, sweating in a sleeveless dress and no knickers in a patch of a Sheffield garden. Presently, as the cool wave of water in air, a jet of perfumed rain, swept over her head, she was lost in the thrill of authorship.

The garden was not squarely established but, like the whole estate, carved out of country and annexed in opportunistic ways. It swelled at the far corner to take in the substantial holly tree. (‘A hundred years old,’ Jane’s mother said reverently. She had always wanted to live in an old house, with character.) Elsewhere it wavered about in odd directions, claiming and abjuring patches of land. If the features of the garden seemed deceptively aged, like the trees, that was because the gardens had fenced-in patches of country. A moorland tussock, three feet square, brought in, surrounded by a lawn and a garden wall, like a rockery. The patchy lawn, the spindles of trees on the streets, rooted in squares of earth like tea-bags: those told the age of the development more clearly.

You could nest in the roots of the old holly tree where you were invisible from the house. For Jane’s less secret withdrawals, she went to read somewhere she could be discovered. You could sometimes hear a human noise beyond the garden and, in a series of corrections, understand that it was not, after all, one of the neighbours on either side at their pleasure, or a walker hugging the shore of the development before heading off into the wild heather of the country but the child’s-dismay-call made by a sheep, sheltering from the wind beyond the dry-stone wall.

But there was another better gift from the moor, which no one, Jane believed, knew about: three thick gorse bushes, brilliant banana-yellow blossom and always quick to slash at your arms. From the open lawn, it looked as if they went right up to the wall, but if you got down on your belly and wriggled through, a little space of secret untended grass opened up. You could sit there and watch, unnoticed. Her father was always talking about clearing the gorse bushes but he wouldn’t get round to it. Perhaps he was fond of them too. Here she had pressed down a space, clearing it of holly leaves and gorse twigs.

Another hiding-place had been the garden of the house opposite, empty for four months now. All summer it had been the province of her brother after nightfall; there he prowled and roamed, his girls coming to him eagerly. In the daytime, it had been hers. After four months of neglect, it had developed in unexpected, luxuriant ways. At first it was like a room enclosed, left tidy by the owners to await their return, and Jane ventured into it with a sense of intrusion. But quickly it began to grow and dissolve. An inoffensive small plant, a few shoots above the ground, had exploded, leaping through the trellised fence, a few more inches and a few more shoots every day. One day, all at once, a single slap of colour was there: a poppy had burst open, and then, for weeks, there was a relay of flowers, each lasting a day or two. Of course, her mother worked in a shop full of flowers, so they were not strange to Jane; but to watch them work their own stubborn magic, budding and bursting, fading and moulting on the stem, rather than dying, yellow and sour, in someone’s vase was new to her.