Rose was the daughter of a successful novelist and a television writer. Her intellectual father had been nominated for the Pulitzer twice and her mother created and wrote a popular crime series for television. Rose moved amongst the society crowd at her private day school and her brief relationship with a minor European royal gave her enough social currency to be named the most eligible girl in England by Tatler magazine. Appearing on the cover in a dress handmade by Lacroix himself from fresh rose petals, the headline read ‘A Rose by any Other Name’. Rose could have then married well and faded away from fame with an occasional photo in the social pages of Jennifer’s Diary .
But Rose was no wallflower or country wife and she decided on a more precarious road, successfully auditioning for acting school in London. She worked hard at the school to be more than just the beautiful girl, but never overcame the stigma of being close to perfect.
It was the other women on her course who were the worst in their treatment of Rose. Deliberately excluding her from parties and events and even at one point calling a group meeting with her where they each told her what they disliked about her in a round circle as a way of ‘helping her fit in more’. Rose despaired, her self-esteem was gone, her confidence shot, and she hated herself and the way she looked.
It was Kelly who saved Rose from losing her mind. Students from The London School of Make-up Artistry were to create the make-up for the third year students’ production of William Congreve’s Love for Love . Rose had the lead role and Kelly, the best student in the course, was given Rose as her subject.
The heavy Restoration make-up required for the play meant Rose was in the chair earlier than the other actors. Even though Kelly liked to call herself psychic, it didn’t take much to realize that Rose was ostracized from the rest of the cast. Kelly thought Rose seemed pleasant enough, if not a little quiet.
As the play’s short run went on, Kelly realized that Rose was on the outside of the circle, deliberately punished for her beauty and her background. A shared joint at the cast party between Rose and Kelly bonded them. Kelly made an effort to include Rose in her group of interesting and creative friends from the make-up school and Rose was grateful for the company. Kelly’s friends were without the affectations of her school friends and without the competitiveness of her acting school peers. They celebrated Rose’s beauty and encouraged her to try new looks and styles with her face and even her clothes.
Kelly’s belief in new age philosophies was at odds at her country upbringing and it was something that Rose was interested in. She wasn’t sure she believed in it, but was always surprised at Kelly’s ability to intuit what another person was feeling.
‘You are a rose in a field of onion grass,’ Kelly said to her best friend after she graduated. ‘You need to go to America where they will appreciate you more.’
Rose ended up taking the US by storm and when it was Rose’s turn to help Kelly after she had made her mark in Hollywood she did it without a moment’s doubt. Rose got Kelly a job as an extra’s make-up artist on her next film, and soon Kelly was on her way to becoming the most sought after make-up artist in Hollywood.
Bringing her thoughts back to the present, Rose tuned in to Kelly’s voice on the other end of the phone.
‘Hey, are Wendy and Bruce coming over to stay?’ asked Kelly.
‘I don’t know. They’re being weird about it. I think Mum thinks it all a bit much, you know, Italy and flights for her and Dad. I asked Martin and Fiona and the kids too. I just think it would be nice to spend some time together. It’s not like I’m heading back to London anytime soon.’
‘I’m going back for Christmas,’ said Kelly.
‘Really?’ said Rose, not noticing the surprised faces looking at her.
‘I want to show him Skipton.’
‘Well, that should take half a day, what else will you do while you’re back in your old stomping ground?’ Rose teased.
‘Piss off, big city girl,’ laughed Kelly. ‘We’re going to visit my family and then head to London for a few days, you should come back with us,’ Kelly asked impulsively, although she already knew the answer.
Rose smiled thinking of her and Kelly in London. Drinking, dancing, more drinking. God, they had had so much fun until Rose moved to Hollywood.
‘I don’t think so, the English paps are relentless.’ Rose claimed it was too much hassle on her family to come back to London with the constant media intrusion. The truth was that Rose had only been back a handful of times in fifteen years and only then for fleeting visits, staying in a suite at The Dorchester.
Shooting The Italian Dream would give her the perfect opportunity to bring the Nightingales together in Italy on her own terms. When her agent was negotiating the deal, she had a number of villas to choose from. Rose chose the one with the most bedrooms on offer for her family and their brood.
Lauren, her trusted assistant, had organized a myriad of inflatable toys to be FedExed over, so Rose’s nieces and nephews could play in the infinity pool looking over the endless hills of Umbria. She had also sent board games, dolls and books and had a Wii installed in the den, with a large flat screen TV and a huge selection of DVDs.
‘No, I can’t come back to London, I’m booked up till the middle of next year, so that’s why I wanted them to come to see me,’ said Rose. ‘Hey, I’m really looking forward to working with TG,’ she said, in an effort to change the subject quickly.
‘TG’s really excited to work with you too, he told Chris,’ said Kelly.
‘He’s a great guy, I’m surprised we’ve never worked together till now,’ said Rose.
‘TG’, as everyone in the industry called him, was Tim Galvin, the hottest young gun director in Hollywood. A teenage skateboarding world champion who became an NYC film graduate, he made his mark directing videos for some of the LA garage band scene. He shot his films quickly, used quick edits and loud soundtracks, he possessed a rare gift: he could create a happy film set. His best friend and Director of Photography was Chris Berman, Kelly’s husband.
‘He’s a good egg,’ said Kelly, ‘although he’s been around a lot since he and Lisa broke up. He’s a bit mopey, I need to find him a root.’
‘She was a piece of work,’ said Rose, mentioning TG’s ambitious actress girlfriend. ‘He’s better off without her. I only met her at your place but she was scary, like a reptile. He seemed sad at the audition, more low-key than usual although maybe he was nervous.’
‘Probably. I think he was amazed you agreed to audition but he said the studio wanted to see all the women.’
‘Oh God, I don’t mind auditioning,’ laughed Rose. ‘Puts me back in my box, reminds me that the fame is fleeting.’
‘’Tis true, ’tis true,’ said Kelly. ‘So, call me when you arrive, yeah? I miss you like crazy, Tosser.’
‘Love you too, Slapper. Call me every five minutes,’ said Rose, giggling at the use of their old names for each other.
Rose settled down in the chair and opened her script. She already knew her lines but she always liked to do as much work as possible. As she read the scenes between her and her on-screen lover, she wondered who it would be. Her agent Randy said that the role wasn’t cast yet but she was so keen to be a part of the film, she signed on without knowing who would take the role opposite her. For a brief moment she panicked it might be Paul but then she dismissed it with a silent laugh. There was no way the universe or TG would be cruel enough to cast her ex-husband, she thought.
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