Huan Hsu - The Porcelain Thief

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In 1938, with the Japanese army approaching from Nanking, Huan Hsu’s great-great grandfather, Liu, and his five granddaughters, were forced to flee their hometown on the banks of the Yangtze River. But before they left a hole was dug as deep as a man, and as wide as a bedroom, in which was stowed the family heirlooms.The longer I looked at that red chrysanthemum plate, the more I wanted to touch it, feel its weight, and run my fingers over its edge, which, like its country’s – and my family’s – history, was anything but smooth.1938. The Japanese army were fast approaching Xingang, the Yangtze River hometown of Huan Hsu’s great-great-grandfather, Liu. Along with his five granddaughters, Liu prepares to flee. Before they leave, they dig a hole and fill it to the brim with family heirlooms. Amongst their antique furniture, jade and scrolls, was Liu’s vast collection of prized antique porcelain.A decades-long flight across war-torn China splintered the family over thousands of miles. Grandfather Liu’s treasure remained buried along with a time that no one wished to speak of. And no one returned to find it – until now.Huan Hsu, a journalist raised in America and armed only with curiosity, returned to China many years later. Wanting to learn more about not only his lost ancestral heirlooms but also porcelain itself, Hsu set out to separate the layers of fact and fiction that have obscured both China and his heritage and finally completed his family’s long march back home.Melding memoir and travelogue with social and political history, The Porcelain Thief is an intimate and unforgettable way to understand the bloody, tragic and largely forgotten events that defined Chinese history in the nineteenth and twentieth centuries.

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For many Chinese, Cixi’s legacy, beyond her overprotectiveness, vindictiveness, xenophobia, and paranoia, was excess. Instead of imposing austerity while the government battled the Taiping and other existential crises, she oversaw the production of vast amounts of brightly colored porcelain from the imperial kilns for personal use. To commemorate each of her fiftieth, sixtieth, and seventieth birthdays, she commissioned dinnerware sets and matching boxes. Unsatisfied with her tomb, she ordered it reconstructed from scratch during the First Sino-Japanese War. She was said to have diverted funds designated for modernizing China’s outdated navy—which had been embarrassed again and again in engagements with foreign forces—to pay for the renovation and expansion of the Summer Palace, which became her personal retreat.

FAR REMOVED FROM BEIJING, Liu built the finest residence in Xingang, a sprawling complex of stone buildings arranged around a courtyard and encircled by a brick wall. The estate fronted the dirt road to Jiujiang and featured three pine trees, traditional symbols of longevity, friendship, and steadfastness, under which Liu often set out a bucket of cool water and jars of herbal medicine for travelers resting in the shade during the sweltering summers.

He married the daughter of a rich peasant family that had made its money selling Yangtze River fish. The Yangtze was full of fish back then, shad and herring and Chinese sturgeon, an ancient species that grew to more than ten feet long and a thousand pounds and is now nearly extinct. Each spring fish migrated up the river past Jiangxi to lay their eggs. The fertilized eggs hatched as they floated back down the river. By the time the fry reached Jiujiang, they were transparent needles, and the patriarch of the Yao clan went out around the fifth day of the fifth lunar month and collected these fry, which he sold to buyers from all over the country. His business grew until it became an area industry, but the man remained so thrifty that he would eat three bites of rice for every piece of salted black bean.

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