Barbara Taylor Bradford - The Ravenscar Dynasty

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The Ravenscar Dynasty, introducing the house of DeRavenel, launches Barbara Taylor Bradford’s epic new series spanning a century.Ravenscar: A house, a legacy and a dynasty.On a bitterly cold day in 1904, the DeRavenel family's future changes for ever. When Cecily DeRavenel tells her 18-year-old son Edward of the death of his father, brother and cousins in a fire, a part of him dies as well.Edward is comforted by his cousin Neville Watkins, who is suspicious of the deaths. The two men vow to seek the truth, avenge the deaths and take control of the business empire usurped from Edward's great uncle sixty years before. And so begins an epic saga about an astonishing family, set in extraordinary times.Handsome, charismatic and a notorious womaniser, Edward battles his cousin, Henry Grant, for control of the family empire. Elizabeth Wyland, a young widow and a great beauty, stands by his side, and they are secretly married. She is power hungry, and ambitious. But Edward also has a mistress: Jane Shaw, a constant in his life. And as Elizabeth's jealousy damages their marriage, Edward's only solace is his work and Jane.Edward's position as the glamorous head of the DeRavenels is fatally rocked when betrayal comes from within. Soon, catastrophe threatens to destroy the family and the business…Power and money, passion and adultery, ambition and treachery – all illuminate a dramatic saga set against the backdrop of the Edwardian Era and the Belle Epoque, just before the First World War.

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She sighed under her breath. He could be wild, even reckless at times, acting impulsively, without considered thought. And, women of all ages found him utterly irresistible.

It had long ago occurred to Cecily that temptation was always under his feet and in his way; in fact, poor Edward was forever stumbling over temptation, more so than the average man.

It would take a saint to resist everything thrown in his face, she muttered to herself, as she stepped into the Long Hall, still thinking about her son.

Cecily was a tall and regal woman in her mid-forties, handsome, graceful and elegant. She was usually dressed in fashionable clothes even when she was here at Ravenscar, the family’s country seat.

This morning she was wearing a navy-blue wool day suit with a long skirt slightly flared from the calf, and a matching tailored jacket over a white cambric blouse with a high neck and frilled jabot. The jacket was short, ended at her narrow waist; it was cut in the style of the moment, with puffed sleeves which became narrow and tight from elbow to wrist.

Cecily’s hair was one of her loveliest features, a glossy chestnut which she wore upswept on top of her head; arranged in a mass of curls, these moved forward to the front, just above her smooth, wide brow. This was the latest and most fashionable style, as every woman in England, from every station in life, was copying Queen Alexandra. Ever since Queen Victoria’s son, Albert Edward, had ascended to the throne as Edward VII, his queen had become the arbiter of fashion, style and taste. Edward’s wife, a Danish princess by birth, was much admired by the public as well as those in the top echelons of society.

When Cecily was living at Ravenscar she wore little or no jewellery, unless there were house guests in residence or she and her husband were entertaining members of the local gentry. Today was no exception. Her choices were simple: small pearl earrings, her gold wedding ring and a fob watch on the lapel of her jacket.

Now Cecily looked at the watch and smiled. The small hand was just moving onto eleven. Her husband forever teased her, insisted that he could set his pocket watch by her, and in this assertion he was absolutely correct. She was the most punctual of women, and every morning at precisely this hour she set out on her tour of the downstairs rooms at Ravenscar.

What had begun when she was a young bride had, over the years, turned into a daily ritual when she was in residence here. She needed to be certain that all the rooms in this grand old house were warm and comfortable, that everything was in order with not one thing out of place. She was fastidious about this, as in most things.

Over twenty-six years ago, when she had come to Ravenscar as Richard Deravenel’s wife and the new mistress of the manor, she had at first been startled, then terribly saddened to find this Tudor jewel, glorious in its overall architecture and design, to be so utterly unwelcoming, so uninviting. The sight of it had filled her with dismay and she had baulked, momentarily.

The rooms themselves were of fine proportions, with many windows that flooded the interiors with that lovely crystalline Northern light. But unfortunately these rooms were icy cold and impossible to occupy for long without freezing to death. Even in summer the cold penetrated the thick stone walls, and because of the nearness of the North Sea there was a feeling of dampness, especially in the wet weather.

Richard had explained to her that the house was basically only suffering from neglect, that its bones were good, as was its structure. In effect, his widowed mother had grown parsimonious in her old age. She had closed off most of the house, since her children lived in London, and had occupied a suite of rooms which were easy and cheap to keep heated. The remainder of the house had been ignored, and for some years.

When walking through it, that day long ago, Cecily had quickly discovered that the warmest place to be was the huge kitchen, along with the small rooms which adjoined. It was in these rooms that the cook and staff lived, because of the warmth that emanated from the kitchen fire and ovens. All the other rooms were covered in dustsheets, closed off to the world.

Richard, trusting Cecily’s judgement, had told his young wife to do what she wanted. Within a week of her arrival she made sweeping changes. Every room was thoroughly cleaned as was every window; the walls were repainted, the wood floors polished. Fires were soon blazing in every hearth, and great quantities of wood were chopped, the logs stored in the cellars, so that fires could burn throughout the year if necessary.

In London, Cecily purchased beautiful Turkey carpets and the finest Persian and Oriental rugs from the most reputable importers, as well as beautiful velvets, brocades and other luxuriant fabrics in rich jewel colours. The rugs went down on the hardwood floors, the fabrics were cut and sewn into handsome draperies for the many windows, furniture was polished and reupholstered if necessary. Because she had fine taste, a sense of style and a good eye, within a few months Ravenscar had been transformed, brought back to vibrant life through Cecily’s tireless and loving ministrations.

In a certain sense, none of this happened by accident. Cecily Watkins Deravenel was accustomed to homes of great splendour, as the daughter of a titan of industry who had made an immense fortune in the industrial revolution of the Victorian age. She had grown up in a world of stunning beauty, amidst priceless objects of art, sculpture, great paintings, and fine furniture, as well as tremendous, almost overwhelming, luxury. And so it was these particular elements which Cecily sought to introduce at Ravenscar, because she herself loved them and was comfortable with them. She succeeded, although only in part in the beginning, because it took a great deal of effort and time to collect unique and beautiful artifacts. Only now, after twenty-five years of painstaking work, had she finally accomplished what she had set out to do so long ago.

One of Cecily’s latest innovations had been the introduction of electric light throughout Ravenscar, which she had installed several years earlier. Gone were the gas lamps at long last, finally abandoned and replaced with shimmering crystal chandeliers and bronze wall sconces which bathed the rooms in a refulgent glow during the day as well as at night.

Today, as she walked down the Long Hall, glancing around as she did, Cecily noticed damp patches near a line of windows facing the sea. She made a mental note to point them out to the handyman, so that they could be dealt with promptly.

Entering the corridor off the hall she opened doors to different rooms, looking inside, checking the fires, the state of the furniture, and the general appearance of everything. Sometimes she went inside, straightened a floor-length cloth, or corrected the way a curtain fell. And her eye, always keen, sought the slightest imperfections.

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Half an hour later Cecily found herself standing outside the Morning Room, hesitating, debating whether to go in or not. Finally making up her mind, she turned the knob.

Three heads swung to face the door as she stepped inside…three of her four sons…three of her seven children. She had borne twelve babies but only seven had lived and grown up.

George, at eleven, was more irrepressible than ever, and failed to hide his feelings. He was grinning at her now, his face open and revealing. He came to see her constantly…to confide, even to admit his misdeeds and mistakes, but also to carry tales, and frequently she had thought he had a touch of envy in his nature, and perhaps even treachery as well. But this morning he looked positively angelic; with hair the colour of wheat, he was the blondest of all her children.

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