Will Wiles - The Way Inn

The bus was off the access road now, onto the MetaCentre’s own road network: bright yellow signs pointed to freight loading, exhibitors’ entrances, bus and coach drop-off. Flowerbeds planted with immature shrubs were wrapped in shiny black plastic, a fetishist’s garden. There, again, was the ascending loop and expressive steel and glass of the unfinished pedestrian bridge. A handshake the size of a basketball court dominated the white membrane of the façade, overwritten with the words WELCOME MEETEX: TOMORROW’S CONVENTIONS TODAY. This was accompanied by multi-storey exhortations from a telepresence software company: JOIN EVERYONE EVERYWHERE.

A zigzag kerb, coaches nosing up to it diagonally. We dropped out of the front door one by one in the stunned way common to bus passengers, however long their journey. But we recovered quickly – no one lingered in the half-rain – and we scurried towards the endless glass doors of the MetaCentre, past an inflatable credit card that shuddered and jerked against the ropes securing it to the concrete forecourt.

Hot air blasted me from above, a welcoming blessing from the centre’s environmental controls. Thinking about my hair, I ran a hand through it, a wholly involuntary action. Grey carpet flecked with yellow. Behind me, someone said, ‘Next year we’re going to Tenerife, but I don’t want it to be just a box-ticking exercise.’ Queues navigated ribboned routes to registration and information desks. Memory-jogged, I fished my credentials out of my jacket pocket and slipped the vile lanyard over my head. Door staff approved me with a flicker of their eyes.

A broad ramp poured people down into the main hall of the MetaCentre. Gravity-assisted, like components on a production line or animals in a slaughter-house, we descended, enormous numbers of us – a whole landscape shaped to cope with insect quantities of people. Hundreds of miles of vile yellow lanyard had been woven, stitched with METACENTRE METACENTRE METACENTRE thousands of times to be draped around thousands of necks now prickling in the bright light and outside-inside air of the hall. Ahead of us, and already around us, were the exhibitors, in their hundreds, waiting for all those eyes and credentials and job titles to sluice past them. There is the expectant first-day sense that business must be transacted, contacts must be forged, advantages must be gleaned, trends must be identified, value must be added, the whole enterprise must be made worthwhile. Everyone is at the point where investment has ceased and the benefits must accrue. A shared hunger, now within reach of the means of fulfilment. Like religion, but better; provable, practical, purposeful, profitable.

At another fair, in other company, these thoughts might have been mine alone. Not here. All those thousands of conferences, expos and trade fairs around the world, of which I have attended scores if not hundreds – their squadrons of organisers comprise, naturally enough, an industry in itself. And, also naturally enough, this industry revels in get-togethers. It wants, it truly needs, its own conferences, meetings, summits and expos. Its people spend their lives selling face-to-face, handshake, eye contact, touch and feel, up close and personal, in the flesh, meet and greet. They believe their own pitch – of course they do. They actually think they are telling the truth, rather than just hawking a product. ( Our pitch is very different.)

A conference of conference organisers. A meeting of the meetings industry. And they all knew the recursive nature of their gathering here – they all joked about it, essentially telling the same joke over and over, draining it of meaning until it is nothing more than a ritualised husk, but they laugh all the same. Just a conference of conference organisers, one among many – Meetex joins EIBTM, IMEX, ICOMEX, EMIF and Confex on the calendar, and all of those will include the same jokes and the same small talk, redundancy piled on redundancy, spread out across the globe. This repetition proliferating year after year was enough to bring on a headache. And indeed a headache had stirred since I left the hotel, accelerated perhaps by the stuffy bus and its throbbing engine, its boomerang route, the swinging 360-degree turn it had made around the motorway junction.

Hosting Meetex was a smart move by the MetaCentre – this space, which could swallow aircraft hangars whole, was in a way the biggest stall at the fair, advertising its services to the people who, captivated by its quality as a venue, would fill it with gatherings of other industries in the coming years. The airport! The motorway! The convenience! The state-of-the-art facilities! The thousands of enclosed square metres! A space without architecture, without nature, where everything outside is held at bay and there is no inside – no edges, the breezeblock walls too distant to see, a blankness above the steel frame supporting scores of lights. But inside this hall was a space with too much design. The fair, the exhibitors, all exhibiting . It was an assault on the eyes, a chaos of detail, several hundred simultaneous demands on your attention. And it was active, it came to you with bleached teeth and a tight T-shirt. Many stands were attended by attractive young women, brightly dressed and full of vim; there must be an inoffensive technical term for them, perhaps along the lines of ‘brand image enhancement agents’, but they are mostly referred to as booth babes. They jump out at you, try to coax you to try a game or join a list, or they hand you a flier or a low-value freebie like a USB stick or a tote bag.

Combined, these multitudinous pleas – each an invitation to enter a different corporate mental universe and devote yourself to it; invitations that are the product of enormous investments of time and money and creativity – formed a barrage of imagery and information and signs and symbols that at first challenged the brain’s ability to process its surroundings, becoming an undifferentiated blaze of visual abundance, overwhelming our monkey apparatus like lens flare. Which was precisely the point – it was in the interest of the organisers and the host to dazzle you, to leave the impression that there’s not just enough on show, there’s more than enough, far more than enough, a stupefying level of surplus. For a fair to imply that it might have limits is anathema – that’s why they rain down the stats and the superlatives, the square metres and the daily footfall, the record numbers of this and that. What other industry stressed that its product was near-impossible to consume? No wonder my services were needed. Adam was a genius.

It wasn’t impossible to see a whole show on this scale, but it was difficult. It took work. You had to be systematic, go aisle by aisle, moving up the hall in a zigzag, giving every stand some time but not so much time that it diminished the time given to others. That used to be my approach, but I found that route planning and time management occupied more of my thoughts than the content of the show itself. I was lost in the game of trying to see every stand, note every new product and expose myself to every scrap of stimuli – the show as a whole left only a shallow track on my memory. And my reports were similarly shallow. They were even-handed but lacked any texture; they were mere aggregations of data. In being systematic, I saw only my own system. Completism was blindness: it yielded only a partial view.

After a year of trudging around fairs in this manner, I realised my reports were formulaic and stale, full of ritual phrases and repeated structures. And the entire point of the endeavour was to spare clients that endless repetition. They employed me because they already knew the routine aspects of these fairs or didn’t care to know them – what they wanted was something else. So I threw away my diligent systems and timetables and started to truly explore. Today was typical of my current method of not having a method – I would strike out into the centre of the hall, ignoring all pleas and distractions, and from there walk without direction. I would try to drift, to allow myself to be carried by the current and eddies of the hall, thinking only in the moment, watching and following the people around me. Beyond that, I tried to think as little as possible about my overall aims and as much as possible about what was in front of me at any given time. I would give myself to the experience, keep my notes sparse, take a few photos. It’s not easy to be purposefully random, but it pays. Once I started taking this approach, my reports became colourful and impressionistic. They were filled with telling details and quirky insights. The imperfection of memory became a strength.