Tom Perrotta - The Wishbones

“Fuckin’ Stairway,” mumbled Artie.

Ian glanced at the stage. “Look at that fool.”

Zelack was sparkling in the spotlight, eyes closed, mouth pressed lovingly to the mike as he crooned the immortal gibberish about hedgerows and spring cleaning. Dave pushed his chair away from the table.

“I can't listen to this shit,” he said, to no one in particular.

It Was better outside. The night was quiet and the air seemed reasonably fresh for this part of the world. Dave sat down on the curb by the fire lane and stared at the lopped-off moon glowing dully above the Parkway overpass. He liked being part of the Wishbones, and he liked the other guys in the group, but sometimes the showcase got to him. It was more the atmosphere than anything else, the unmistakable odor of mediocrity that seemed to be as much a part of the Sundown Lounge as the paper tablecloths and the green leatherette menus.

Alan Zelack pissed him off too, and it wasn't just the sequined tuxedo or his idiotic falsetto. Four years earlier, Dave had auditioned for the Misty Mountain Revue. He wasn't a huge Zeppelin fan, but he was unemployed at the time and would've killed for a chance to make some money playing rock ‘n roll on a regular basis. He kicked ass at the audition, nailing the “Heartbreaker” solo note for note, every bend, hammer, and blast of feedback accounted for. But he didn't get the job.

“You've got the chops,” Zelack told him afterward. “There's no doubt about that. But this is show business. You've got to look the part.”

The sad thing was, Dave knew he was right. Zelack looked like a rock star. He was tall and whip thin, with high cheekbones and the mutant jaw of a born singer. Dave, on the other hand, just looked like a regular guy. He was an inch or two shorter than average, maybe a bit on the stocky side. Once, out of curiosity, he'd squeezed himself into a pair of leather pants, and it hadn't been a pretty sight.

Tonight, though, he had bigger things to worry about than his inability to pass for Jimmy Page. The guys could laugh all they wanted; Dave was the one who was going to have to walk into the Müllers’ house and try to conduct some sort of halfway civil chitchat with people who wouldn't have to use their imagination to picture him hopping from foot to foot, naked except for a hot pink condom.

It was ironic in a way. He and Julie had been having sex since they were sixteen. They had been reckless back then—no self-restraint, no birth control, no common sense. They used to screw in the basement rec room with her parents right upstairs, snoring in dreamland. If they were going to be caught, they should have been caught back then, at the height of their passion, back when they used to stare at each other's bodies in stupefied amazement, and compete to see who could say “I love you” more times in a single night. It didn't make any sense to be caught now, when they'd already been through an abortion, four different breakups, mutual infidelities, and so many bitter discussions about the future that they didn't bother to talk about it anymore. Not now, when Julie suffered from a more or less chronic yeast infection that had turned their lovemaking into a polite and tentative activity, full of murmured questions and apologies. Not now, when it was embarrassing enough just to be over thirty and still fucking in the rec room.

But Mr. and Mrs. Müller didn't care about any of that. They were supposed to have been in Atlantic City that afternoon, but Mr. Müller had forgotten his wallet, and hadn't realized it until two hours into the drive. So they'd just turned around and come on home—what else was there to do?— only to find their youngest daughter on her hands and knees on the rec room floor, and Dave kneeling behind her, singing along with the unbearably loud music blasting from the stereo (John Mellencamp, Julie's favorite), the volume of which had apparently concealed the noise of their arrival.

What transpired after that remained mercifully fuzzy in Dave's memory. All he really remembered was the bloodless shock on Julie's mother's face as he scrambled to his feet, his penis shrinking rapidly inside the neon condom (a random selection from a novelty assortment he'd purchased in Greenwich Village), only to discover that his right foot had fallen asleep.

“Mrs. Müller,” he'd assured her, reaching down like Adam to conceal his shame while unsuccessfully trying to balance on his left foot, “this isn't what you think.”

A Car door slammed. Dave looked up and saw a bulky, apparently perturbed man come jogging across the parking lot in a tuxedo. As he drew closer, Dave heard him mumbling to himself as he fumbled with the hooks of his cummerbund.

“Slow down,” he called out. “You're not late.”

Stan stopped running and peered in the direction of the voice, shading his eyes with one hand as though it were daytime.

“Dave?”

“Yeah.”

“What are you doing out here?”

“You got any better ideas?”

Stan's only response was to trudge over to the curb and sit down. After a couple of seconds he exhaled wearily and stretched his legs out in front of him, revealing a pair of battered work boots protruding like loaves from the cuffs of his black trousers.

“Artie's not going to like that,” Dave pointed out.

“I lost my good shoes,” Stan explained. “I turned the damn house upside down trying to find them. That's why I'm late.”

“Don't sweat it. It's only the showcase.”

“I looked everywhere,” Stan continued, an edge of desperation creeping into his voice. “I mean, what did they do? Get up and take a walk without me?”

Stan had been a wreck for the past couple of months, ever since his wife announced that she was leaving him for her boss, a fifty-five-year-old lawyer with strange puffy hair who appeared in his own TV commercials, encouraging viewers to consider legal remedies for a host of everyday mishaps and conditions. Never the most reliable guy to begin with, Stan had lately been screwing up on a scale that was beginning to jeopardize his situation with Artie, who insisted on running the Wishbones like a business. He'd been late for two gigs in the past month (once because he'd locked his keys in his car, and once because he'd driven all the way to the Royal Oak before remembering that the reception was actually at the Blue Spruce); on a third occasion he'd shown up on time, but without drumsticks.

“I don't try to fuck up,” he explained, as if Dave had inquired about this possibility. “I've just got a lot on my mind right now.”

“No problem.” Dave patted him on the shoulder blade. “It happens to everyone.”

Stan nodded for a long time, as though the secrets of the universe were being revealed to him one by one.

“Do me a favor,” he said. “Tell that to Artie.”

Phil Hart and His Heartstring Orchestra were tuning up on stage #2 when Dave returned to the lounge with Stan's hi-hat in one hand and drum stand in the other. Sparkle was breaking down their equipment on stage #1, and when they were finished, the Wishbones would begin setting up. The two stages—one at either end of the lounge—were the key to the smooth operation of the showcase.

As always, Phil and the boys opened with a surprisingly spunky version of “Celebration,” by Kool and the Gang—surprising, because with the exception of the drummer (Phil's grandson, a pockmarked recovering drug addict named Joey), everyone in the combo had more or less vivid memories of the Hoover administration. Walter, the piano player, whose hands shook terribly when he was doing anything but tickling the ivories, was rumored to be eighty-two years old.

Despite their age, powder blue uniforms, and schizoid repertoire, the Heartstring Orchestra was made up of real musicians, old pros from the Big Band era (the reed player's twin brother had apparently toured for a couple of years with Tommy Dorsey). When they shifted away from disco standards to songs that were better suited to their talents—“Chattanooga Choo-Choo,” “Paper Doll,” “Boogie-Woogie Bugle Boy”— you couldn't help but notice a change of weather inside the Sundown Lounge. Fingers started snapping; heads began to bob. It wasn't unusual to see a natty-looking older couple—the Orchestra specialized in second and third marriages—put down their drinks and take a graceful turn around the dance floor.