Susan Minot - Thirty Girls

Hours later the table was crowded with plates of grilled meat and glistening bottles and candle flames. There were stories of men falling out of the sky, of cars breaking down crossing streams, of mothers running off with young lovers. A steady rain drummed on the roof above them. Jane sat beside a man in a polo shirt who was pointing out the absurdity of monogamy. Look at the animals, he said. Need I say more?

Annabel stood, pouring wine into everyone’s glasses, her smile showing wine-stained teeth.

You have someone back home? he asked her.

Kind of, she lied. She thought of the painter she’d liked lately though nothing had gone on between them.

Don’t let a man put you in a cage, he said. Ever.

Julia mentioned that it was her birthday as if she’d just remembered it, and everyone shouted and gave her toasts. Some time later Annabel handed her a present wrapped in a banana leaf and tied with a brown Hermès ribbon.

Much later Jane found herself outside in a pitch dark pouring with rain beside strangers pushing a car stuck in the muddy hillside. She gripped the door handle, her bare feet sunk in mud. The car would rev in a great burst, roll forward an inch then rock back down, inert. Try it again! they yelled. Another rev, another group shove, and it wasn’t budging an inch. People shouted, insulting each other, laughing. The rain was loud, slapping on the slick grass, but still Jane could hear the low constant roar of the river. The jaunty thump of music played from a tape inside where lanterns shone from yellow windows, casting dim smudges. Otherwise everything was black.

Jane could hardly see her hands. The shirt of the person beside her showed because it was light-colored. They kept heaving and shoving against the car. Suddenly it jerked forward, pulling out from everyone. Jane stumbled, managing somehow not to fall. A headless figure with a white shirt slid by as if on skis and grabbed her upper arm. Harry pulled her along so she skated at his side for a moment on the slick ground before they both toppled over into spattering mud. His arms were cupped around her, and they rolled in this clasp down the slope, somersaulting. The face was close and dark with darker spots where the eyes were and when its mouth came near she kissed it, kissing water and rain and bits of grit on his lips, thinking, I’m kissing Harry. She felt his chest warm through his soaked shirt. In her mind were images of the dinner and the faces around the candlelit table, of driving that day on the red snaking road, then of Harry lifting up into the orange air over her. They’d had a lot of wine and her thinking was far off and hazy but one thought did come—this is the way you found a person, crashing into him in the dark, without decision, without knowing where you were going—and even in that abandon she still managed to locate little worn areas of worry pulsing, but with no words to them. Worry didn’t stand a chance against this sliding and this person she was holding. The slope of the hill evened out and they stopped rolling and kept kissing and she had a laugh in the back of her throat with the thought, I’m kissing Harry. She kept thinking it as worry faded. She saw his hands on the steering wheel, his profile and his placid masklike face.

Wet hair plastered her forehead and his cheeks and their bodies pressed against the length of each other on the wet ground. She felt triply alive, as if delivered from an austere place where it was now apparent she’d been for a long time. How had she stayed there so long? Now she had his warm arms and her back was chilled. The rain kept streaming over them and behind in the deeper darkness the sound of the river was rushing and thundering. Harry was a close new thing which she knew very little about and yet at this moment found it seemed to offer her everything.

I SIT AMONG the girls in the shade of a tree not so far above my head. It is peaceful with their voices in the air, talking quietly. It might be birdsong for all I understand or care.

I think, I will never be close to anyone again.

We are just now supposed to be drawing pictures of things we would like to forget. You can see why this is strange. We must think, in order to draw them, about those terrible things we would rather remove from our minds. We are told that drawing such things will help us remove them.

Instead I am drawing the tree past the work shed toward the field. It has a curved trunk and resembles a woman twisting to look over her shoulder.

Today I woke with a pressure on my eyes, pulling my forehead. I thought, Perhaps I am getting a cold. Maybe I am.

My mind is uneasy. Since being away, I am used to my thoughts being disrupted. They have cracks in them. I remember in a soft way, as in the distance, how it was to be whole. Nothing. It was like nothing. You just had wholeness, you did not feel it. I would not have known it was there if I had not become as I am now. It has offered me a perspective. It is interesting how one can understand a way that one was only after one is another way.

Beside me the girls’ heads are bent close to the paper. They use ballpoint pens and pencils which are better if you want to erase. Red pencils are often used for the blood and the bullets. At night the bullets were red.

Holly is beside me. She leans on a cardboard cracker box. She has drawn a house with a thatched roof and doorway, her house. Soon she will add men with pangas, a chair on fire, and her lute broken on the ground. She was practicing music when she was taken. Holly’s from the country near Ongoko, not from the town like me. I am from Lira town, which is not far, just a day’s walk.

Past the picnic bench near the shop the boys are together there drawing. I see that one, Simon, with them. His back is to me with his bad leg straight out. When he was shot the bullet was near the bone so his knee is not so good. He swings his foot around when he walks instead of stepping straight. The scar looks like a crack in a window with jagged lines coming out from a shiny pink center against his dark skin. The scars on us are not straight.

Simon is good at drawing so his drawings are tacked up in bicycle repair. One of a car on fire with flames smaller than the smoke, one of a boy with his arm cut off and drips of blood making a puddle. He’s skillful at details, doing three shades of camouflage with one lead pencil. His AK-47s shoot clouds and the soldiers have bouffant hairdos and sideburns as in cartoons. Everyone draws them that way, even though they do not so much look like that. They look like anyone.

A high chain fence follows two sides of the property here and there’s a wooden fence with pieces fallen out of it along the driveway. The playing field has no fence, but one side goes beside a marsh. We are not fenced in. Here is not a prison and still we are not permitted to leave.

I am not so good at drawing. I would rather look at a thing made in nature. I do not finish drawing that tree.

Our camp is called Kiryandongo Rehabilitation Center and we are, during the dry season, a dusty circle cleared in the middle of tangled bush a little ways off the Gulu Road. There are some huts and the office of two sheds connected where Charles our head counselor has an office. The kitchen has a small roof and all sides open to the fire pit and brick oven and there you see Francis cooking. Chickens peck around. We had chickens and when I was small I liked to hold them as pets. They were nervous, but if you keep patient they will calm down and stay in your lap even if their eyes are startled.

We have a parking area for cars. One belongs to Charles and the truck fetches food and supplies. The van is to transport children, but it is broken at this time and has not been used since I have been here.