Andrew McGahan - Wonders of a Godless World

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An electrifying, tumultuous story of inner demons, desire and devastation.On an unnamed island, in a Gothic hospital sitting in the shadow of a volcano, a wordless orphan girl works on the wards housing the insane and the incapable. She counts amongst her patients a virgin, an archangel, a duke and a witch.Everything appears fine until a silent, unmoving and unnerving new patient arrives from foreign climes. He claims to be immortal. Suddenly strange phenomena occur, bizarre murders take place, and the lives of the patients and the island's inhabitants are thrown into turmoil. What happens between the orphan and her beguiling new patient is an extraordinary exploration of consciousness, reality and madness.

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Someone then suggested the locked ward. Usually, only violent patients were sent there, to be kept in individual cells, with barred windows, and with strong male nurses on hand. Still, the foreigner would certainly be out of the way. (Indeed, the orphan would never have seen him again.) But the nurses protested. If he had disturbed the otherwise peaceful catatonics and geriatrics so much, what might result if he was placed in proximity to inmates who were already aggressive and unstable?

Somewhere he would do no harm, that’s where he had to go.

In the end, they settled on the crematorium.

3

The crematorium was the nicest of all the back wards. It was somewhat separate from the rest, being contained in a thick-walled bunker that was semi-detached from one end of the main building, accessible only through a single passageway. A large furnace had once been installed there to burn the hospital’s rubbish—including, from time to time, body parts. The stump of a chimney, its upper reaches collapsed, still rose next to one wall. But these days the hospital waste was taken away by truck and the furnace had long ago been removed. The bunker now hosted a cosy little ward with its own dayroom and two small bedrooms.

Such privacy was a rare thing, and reserved for just four lucky patients. They had been placed in the crematorium, these four, mainly because they were the most stable and reliable of the inmates, and thus could be left largely to themselves. Which was not to say they weren’t mad. They assuredly were. It was just that their madness was different. More…coherent. Indeed, the orphan had always found that their particular kind of madness reminded her closely of her own. And the word she had heard used most often to describe the four of them was this— delusional.

It meant, she knew, they believed things that weren’t real. They didn’t spit or rave, but nor did they live in the same world as everyone else. There were two men in one of the bedrooms, and two women in the other. The orphan could never remember their names, of course, but she had titles for each of them, learnt from the nurses.

They were: the duke , the witch , the archangel and the virgin.

Strangely enough, the orphan herself, in her fourteen years at the hospital, had never actually been diagnosed as mad. On the contrary, the nurses had discovered, even when she was a child, that she could be put to good use around the wards. Schoolwork may have been beyond her, but if she was shown how to perform simple tasks, then she was entirely capable. So they had taught her how to mop floors, and how to make beds, and how to bathe the patients and help them change clothes, and how to perform all sorts of other minor but necessary duties about the hospital. The work made the orphan happy, because it was such a relief to be useful to someone at last.

Nevertheless, she knew that there was madness in her.

It wasn’t just that she was retarded. Retarded wasn’t the same as insane, she was sure of that. Her mind was slow maybe, filled with fog, and understanding always came hard, but that wasn’t madness. The madness involved her other senses, her special senses. The things she felt and saw and heard that no one else did. The way she could read the movements of the sky, for example. No one else could do that, and it wasn’t simply a seeing thing or a smelling thing, it was a kind of reaching out from herself into the air—in fact, a way of becoming the air…well, she didn’t know precisely how she did it, she just knew that she could, and had always been able to.

That, of course, had to be a delusion. There was no surer indicator of insanity than the act of seeing or hearing or feeling things that no one else could.

Except…Was it still madness if the supposed delusion was proven real? After all, she genuinely could predict the weather. Everyone knew it.

Ah yes, but there was a madman in one of the wards with an even rarer ability. He could read minds. If someone stood near him and thought of a colour, he could always guess which colour it was. Always. He was never wrong.

But so what? It didn’t make him sane. The same man was incapable of feeding or dressing himself. He was a useless oddity, that was all. Perhaps the orphan herself was no better. Perhaps no one was, in the whole madhouse.

The duke was a straight-backed old gentleman, and his delusion was that he owned the hospital, and that the staff were supposed to take orders from him, not the other way around. He thought he was a rich man. In fact, he claimed to own virtually the entire island, which was why the nurses had laughingly given him his nickname. In reality, though, he was only a poor man. No rich men ever came to the back wards.

The orphan liked the duke very much, for he was always kind to her, and softly spoken. He had been permitted to live unsupervised in the crematorium for years, and she used to wonder why he was in hospital at all, for his madness seemed so benign. But then one day she heard that for the first decade of his confinement, he had been kept in a cell in the locked ward. He had then been considered the most violent and dangerous man on the premises. It was almost impossible to believe, looking at him now. He passed the bulk of his days merely wandering the grounds, or gently working in the gardens.

The orphan too liked wandering the grounds. They were red and bare and dusty in the dry season, and red and bare and muddy in the wet, but still there was a kind of beauty in them. Occasionally she would walk with the duke, and it pleased her that he seemed to see the beauty too, if only through his dementia.

Then there was the witch, who believed that she could cast magic spells. She was a bent old woman, and ugly, and most of her time was spent hunched over her collection of chicken bones, pronouncing curses or blessings upon the world. She wasn’t supposed to have the bones, the orphan knew, and now and then the nurses would confiscate her collection, but she always managed to forage more from the kitchen rubbish.

But if it was only a matter of chicken bones and spells, the witch wouldn’t have been in hospital, let alone the back wards. The real problem was that long ago in the outside world, as a young woman, she had started to dig up human graves. Apparently, for her purposes, human bones were best. The authorities had committed her, and she had lived at the hospital ever since, nearly as long as the duke.

Some of the staff believed she really did have powers, and went to her for charms. The orphan, however, knew full well there was no such thing as magic—there were only magic tricks . She’d seen magicians perform in the town square, and had always been able to detect the sleight of hand by which they achieved their marvels. So the old woman could glare and mutter and point bones and frighten people all she liked, it was only nonsense. In fact, it made the orphan laugh. And yet, sometimes, when she caught the witch’s eye, there was a sly sense of recognition between them, as if the witch knew what the orphan was thinking and laughed in return. That wasn’t so amusing.

Next was the archangel. He was a young man, close to the orphan’s own age, and very handsome—striking even—if a little too thin. For the orphan though he was a far more alien figure than the duke or the witch. This was, partly, because his madness was so centred around the book he always carried.

The orphan was wary of books. They embarrassed her, for the black marks on the paper conveyed nothing to her mind. Even children’s books, which she was told contained pretty things to look at, simple things, were impossible to decipher. She could never see the dogs or cats that were supposedly there, she saw only shapeless blobs—and anyway, how could a dog or a cat be flat on a page? Books were an ordeal.

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