Diana Palmer - Rough Diamonds - Wyoming Tough / Diamond in the Rough

Morie laughed. “Mom, you’re blushing.”

Shelby chuckled self-consciously. “Yes, well, your father is a class of his own in some ways, and I won’t discuss it. It’s too personal. I just hope that you’re half as lucky as I’ve been in your choice of husbands.”

Morie grimaced. “If I don’t get out of here, I’ll never get married. Everybody wants me because I’ve got a rich father.”

“Some man will want you just for yourself. The traveling accountant was a bad choice. You were vulnerable and he was a predator,” Shelby said with a flash of anger. “He was very lucky that he got out of town before your father could get to him.”

“I’ll say.” She studied Shelby. “Why won’t Dad let me work on the ranch like Cort?”

“He and his father are very similar in some ways,” she replied. “Jim Brannt raised him to have a great respect for women and to understand that they are much too delicate for physical labor.” She shook her head. “I suppose some of that is my fault, too. You know, I lived with my aunt, and she was much the same. She didn’t want me to lift a finger because ladies didn’t do that. On the other hand, she hated my mother. She didn’t want me to turn out like her, either.”

“They play some of Grandmother’s movies on television,” she said. “She really was a wonderful actress. They said she married four men.”

Shelby nodded. “The last was the best…Brad. He died in a car crash just after I married King.”

“Did Grandmother commit suicide or was that just malicious gossip?” she wondered aloud.

“I never knew,” Shelby confided. “Brad said she overdosed because the studio fired her. But my aunt had often said she wasn’t the suicidal kind at all. Maybe she just accidentally took too many pills to help her sleep. I’d like to believe that’s the case.”

“Perhaps it was.”

Shelby had hugged her. “Anyway, you don’t want to go around covered in mud and calf poop, really, do you?” she teased. “Even if you were muddy from archaeology, at least it was clean dirt.”

Morie had burst out laughing.

Her father had come into the room during the conversation. He wore a satisfied expression as he bent to kiss Shelby and hug her close.

“I got tickets,” he told her.

“To The Firebird?” Shelby exclaimed excitedly. “But they were sold out!”

“Old Doc Caldwell was persuaded to part with his. I thought his wife was going to kiss me to death since she hates Stravinsky,” he said, and produced the tickets out of his shirt pocket. He handed them to Shelby.

“When are we going?” she asked.

“Tonight.” He glanced at Morie and patted her cheek affectionately. “Sorry, kid, I couldn’t get an extra ticket.”

“Not a problem, Dad,” she’d replied with a smile. “Debussy is more to my taste. Stravinsky is a little too experimental for my tastes.”

“Want a new dress to wear to it?” King asked Shelby. “We can fly up to Dallas to Neiman Marcus.”

“I have a wonderful new dress in the closet that I’ve been saving.” She pressed close to him and was enfolded hungrily in his arms. “Thanks, sweetheart.”

He kissed her hair. “Nothing’s too good for my best girl.”

Watching them, Morie was suddenly aware that their love for each other had only intensified since they’d been married. They were still like newlyweds, often lost in each other and unaware of anything around them. She’d hoped for that sort of romance in her own life, and she’d never found it. Cort, too, remarked that their parents were exceptionally suited to each other and that he envied that relationship.

Cort, of course, was sweet on the daughter of King’s neighbor and friend, Cole Everett, who had a son and a daughter and lived nearby on the Big Spur Ranch. They frequently traded seed bulls and went to conventions together. Odalie Everett was blonde and blue-eyed like her beautiful mother, and although she wasn’t really pretty, she had a voice that was soulful and clear as a bell. She sounded just like her mother, except that Heather had been a famous contemporary singer before she married her stepbrother, Cole, and Odalie was being groomed for an operatic career. Her parents were dead set against her forming any sort of relationship with a man because of her musical aspirations. It would be difficult for her to pursue such a demanding career and have a family. She had a voice that had been hailed by critics from California to New York and she was training at the Met already. Cort, unsurprisingly, had never made his feelings for her known. In fact, he pretended that he had none. He’d been Odalie’s enemy for years, for reasons that no one understood. Least of all poor Odalie, who adored him.

Morie snapped back to the present. She had her own worries. Her brother would have to find his way to love all by himself. She turned her attention back to the television as the commercial ended and her grandmother came back onto the screen, larger than life.

After the movie ended, Morie looked in the mirror and was surprised to see that she was almost the image of her grandmother. If she’d used makeup and had her hair styled properly, she could have been mistaken for Maria Kane. So it was just as well that she’d neglected her hair and packed away her cosmetics to work on the Rancho Real, she decided. It would never do for people who watched old classic movies to notice that resemblance and start asking questions.

DARBY PRESENTED HER with a cell phone the next morning. “Boss said to get that for you and make sure you carry it when you’re out alone. Still got that pistol I gave you in your saddlebags?”

“I do,” she replied. “Have they caught that escaped killer yet?”

He shook his head. “He’s a hunter. Knows these woods like the back of his hand, and is able to live off the land. It will take them a long time to hunt him down. He’s got kinfolk around here, too, and the sheriff thinks some of them may be helping him hide.”

“I don’t know that I’d help a killer escape the law,” she remarked.

“What if it was your brother or your father?” he asked simply.

She sighed. “That’s a harder choice.”

“Killer’s got a cousin that they think might help him. They’ve got his place staked out. They’re sure Bascomb is getting food and shelter somewhere.” He shook his head. “But the cousin’s place is miles from here. I don’t think Joe Bascomb would turn up on the ranch.”

“He doesn’t have anything against the Kirks, does he?” she asked a little worriedly.

“Not that I know of,” Darby told her. “In fact, Tank testified as a character witness for him during the trial. Tank still thinks he’s innocent.”

“What did he do?”

“Killed a man that he said was beating up his girlfriend. Said he didn’t mean to do it. He hit the man and he fell into a brick wall, hit his head and died. Would have probably been ruled accidental except the girlfriend suddenly testified that he banged the man’s head against the wall and killed him deliberately.”

“Why would she lie?” she asked.

“She was sweet on Bascomb, but he was in love with his late wife and didn’t want anything to do with this girl. Story was, she called him to come help her because she was scared of her new boyfriend. He was fond of her, so he went. The boyfriend had hit her once or twice and Joe Bas-comb intervened to save her.” He sighed. “Noble effort. He saved her and he said she got even with him because he wouldn’t get involved with her, although she denied it in court. It got him convicted. It’s a capital offense, too. He slipped away from the transport deputy, handcuffs and leg irons and all, and hid out in the woods. They found the cuffs and irons later.” He smiled. “Joe’s a blacksmith. Wasn’t hard for him to get free, I expect.”