Dean Koontz - The Good Guy

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The Good Guy: краткое содержание, описание и аннотация

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A stunning new thriller in the vein of Velocity and The Husband from one of the world’s bestselling authors.After a day's work hefting brick and stone, Tim Carrier slakes his thirst at The Lamplighter Tavern. Nothing heavy happens there. It's a friendly workingman's bar run by his good friend Rooney, who enjoys gathering eccentric customers. Working his deadpan humour on strangers is, for Tim, all part of the entertainment.But how could Tim have imagined that the stranger who sits down next to him one evening is about to unmake his world and enmesh him in a web of murder and deceit? The man has come there to meet someone and he thinks it's Tim. Tim's wayward sense of humour lets the misconception stand for a moment and that's all it takes: the stranger hands Tim a fat manila envelope, saying, 'Half of it's there; the rest when she's gone,' and then he's out the door.In the envelope Tim finds the photograph of a woman, her name and address written on the back; and several thick packets of hundred-dollar bills.When an intense-looking man sits down where the first stranger sat and glances at the manila envelope, Tim knows he's the one who was supposed to get it. Shaken, thinking fast, Tim says he's had a change of heart. He removes the picture of the woman and then hands the envelope to the stranger. 'Half what we agreed,' he says. 'For doing nothing. Call it a no-kill fee.'Tim is left holding a photo of a pretty woman, but his sense of fun has led him into a very dangerous world from which there is no way back. The company of strangers has cost him his peace of mind, and possibly his life.

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“Maybe he used to.”

“More likely, he’s never seen this place.”

“So what’re we doing here?”

“Housebreaking.”

Eleven

Linda drove while Tim sat with her open purse on his lap, the gun in the purse. He was on the phone with Pete Santo.

Having gone back into the DMV database as they spoke, Pete said, “Actually, the car that’s registered to Kravet isn’t at the Anaheim address. In that case, it’s Santa Ana.”

Tim repeated the address aloud as he wrote it on the printout of Kravet’s driver’s license. “It’s no more real than the other one.”

“You ready to tell me what this is about?” Pete asked.

“It’s not about anything that happened in your jurisdiction.”

“I think of myself as a detective to the world.”

“Nobody’s been killed,” Tim said, and mentally added yet .

“Remember, I’m in the robbery -homicide division.”

“The only thing that’s been stolen is a coffee mug with a ceramic parrot for a handle.”

Scowling, Linda declared, “I loved that mug.”

“What’d she say?” Pete asked.

“She says she loved that mug.”

Pete said, “You want me to believe this is all about a stolen coffee mug?”

“And an egg-custard pie.”

“There was only half a pie left,” she said.

On the phone, Pete said, “What’d she say?”

“She says it was only half a pie.”

“But it’s still not right,” she said.

“She says,” Tim reported, “even half a pie, it’s not right.”

“It’s not just the cost of the ingredients,” she said.

“It’s not the cost of the ingredients,” Tim repeated to Pete.

“He’s stolen my labor, too, and my sense of security.”

“He’s stolen her labor, too, and her sense of security.”

“So you want me to believe,” Pete said, “this is about nothing more than a stolen coffee mug and half an egg-custard pie?”

“No. It’s about something else entirely. The mug and the pie are just associated crimes.”

“What’s the something else entirely?”

“I’m not at liberty to say. Listen, is there any way to find out if Kravet has another driver’s license under a different name?”

“What name?”

“I don’t know. But if the address in Anaheim was bogus, then maybe the name is, too. Does the DMV have any facial-recognition software that could search its files for a repeat of Kravet’s image?”

“This is California, dude. The DMV can’t keep its public restrooms clean.”

“Sometimes,” Tim said, “I wonder if The Incredible Hulk had been a bigger hit on TV, ran a few more years—maybe Lou Ferrigno would be governor. Wouldn’t that be nice?”

“I think I would trust Lou Ferrigno,” Pete said.

To Linda, Tim said, “He says he would trust Lou Ferrigno.”

“I would, too,” she said. “There’s a humility about him.”

“She says Lou Ferrigno has humility.”

Pete said, “That’s probably because he had to overcome deafness and a speech impediment to become an actor.”

“If Lou Ferrigno were governor, the state wouldn’t be bankrupt, DMV restrooms would be clean, and you’d have that facial-recognition software. But since he’s not the governor, is there any other way you can search to see if Kravet has a license under a different name?”

“I’ve been thinking about that while we’ve been talking about Lou Ferrigno,” Pete said.

“I’m impressed.”

“I’ve also been rubbing Zoey’s ears the way she likes.”

“You’re a full-on multitasker.”

“There’s something I can try. It might work. Keep your cell charged, and I’ll get back to you.”

“Ten-four, holy one.”

As Tim terminated the call, Linda said, “Holy one?”

Santo means ‘saint.’ Sometimes we call him holy one.”

“We?”

Tim shrugged. “Some of us guys.”

While Tim had been on the phone, Linda had set out for Santa Ana. They were ten minutes from the address where, according to the DMV, the Chevy sedan registered to Kravet might be found.

“You and Santo,” she said, “you’ve been through something together.”

“We’ve known each other a long time.”

“Yeah, but you’ve been through something, too.”

“It wasn’t college. Neither of us went to college.”

“I didn’t think it was college.”

“It wasn’t an experimental gay relationship, either.”

“I’m absolutely sure it wasn’t a gay relationship.” She stopped at a red traffic light and turned that analytic green gaze on him.

“There you go again with those things,” he said.

“What things?”

“Those eyes. That look. When you go carving at somebody with that look, you should have a medic standing by to sew up the wound.”

“Have I wounded you?”

“Not mortally.”

The traffic light didn’t change. She continued to stare at him.

“Okay,” he said. “Me and Pete, we went to a Peter, Paul and Mary concert once. It was hell. We got through that hell together.”

“If you don’t like Peter, Paul and Mary, why did you go?”

He said, “The holy one was dating this girl, Barbara Ellen, she was into retro-folk groups.”

“Who were you dating?”

“Her cousin. Just that one night. It was hell. They sang ‘Puff, the Magic Dragon’ and ‘Michael, Row the Boat Ashore,’ and ‘Lemon Tree’ and ‘Tom Dooley,’ they just wouldn’t stop. We’re lucky we got out of there with our sanity.”

“I didn’t know Peter, Paul and Mary performed anymore. I didn’t even know they were all still alive.”

“These were Peter, Paul and Mary impersonators. You know, like Beatlemania .” He glanced at the traffic light. “A car could rust waiting for this light to change.”

“What was her name?”

“Whose name?”

“The cousin you were dating.”

“She wasn’t my cousin. She was Barbara Ellen’s cousin.”

“So what was her name?” she persisted.

“Susannah.”

“Did she come from Alabama with a banjo on her knee?”

“I’m just telling you what happened, since you wanted to know.”

“It must be true. You couldn’t make it up.”

“It’s too weird, isn’t it?”

“What I’m saying,” she said, “is I don’t think you could make anything up.”

“All right then. So now you know—me and Pete, our bonding experience, that night of hell. They sang ‘If I Had a Hammer’ twice .” He pointed to the traffic signal. “Light’s green.”

Crossing the intersection, she said, “You’ve been through something together, but it wasn’t just Peter Pauland Marymania .”

He decided to go on the offensive. “So what do you do for a living, besides being self-employed and working at home?”

“I’m a writer.”

“What do you write?”

“Books.”

“What kind of books?”

“Painful books. Depressing, stupid, gut-wrenching books.”

“Just the thing for the beach. Have they been published?”

“Unfortunately. And the critics love them.”

“Would I know any titles?”

“No.”

“You want to try me?”

“No. I’m not going to write them anymore, especially not if I end up dead, but even if I don’t end up dead, I’m going to write something else.”

“What’re you going to write?”

“Something that isn’t full of anger. Something in which the sentences don’t drip with bitterness.”

“Put that quote on the cover. ‘The sentences don’t drip with bitterness.’ I’d buy a book like that in a minute. Do you write under the name Linda Paquette, or do you use a pen name?”

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