Brian Patten - The Story Giant

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A magical story which weaves together fifty world tales – of immense appeal to both adults and children.‘One day a story fell from heaven and landed on a giant’s tongue… ’The Story Giant is a master illusionist and the ur-storyteller. In his memory exists every tale ever told in the world – except for one, which has eluded him for millennia.In a last desperate attempt to track down this lost tale, he draws four children from the different corners of the globe into his castle while they sleep, there to exchange the tales they know from their own cultures, to see if between them they can piece together the elusive missing story. For if he cannot track it down and install it in his memory, the whole facade of the castle will crumble and fall, and the Story Giant himself will die. And if he does, so will all the stories, and the world will be a poorer, duller, grimmer place.Fifty tales are told within this magical framework in Brian Patten’s inimitable style – from Bruh Rabbit to the tale of how St George killed the Dragon (except it wasn’t St George – it was his mother, with a pudding…) but none of them are the missing tale. The castle falls; the giant dies. But all is not lost – the four children dream themselves back to the ruins to concoct the missing tale themselves…

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With her delicate hand she beckoned the other children to sit beside her, for that’s how stories were told, she knew, sitting and sharing in a circle.

‘It contains the best stories in the world,’ she said when they’d joined her.

‘What about our stories?’ asked Hasan. ‘Aren’t ours as good?’

‘Tell us, Rani,’ said the Giant. ‘And Hasan, hush.’

‘Well,’ said Rani, ‘in the last story, the soldier is returning home from a war, but in mine a poor man is wondering what the point of wars might be.’

THE TRAMP AND THE OUTCOME OF WAR

A TRAMP HAD BEEN WANDERING LOST FOR WEEKS THROUGH a strange country that had been devastated by war. The war had been over for many years, but it had been so terrible that neither the land nor the population had recovered. Crops had been burned, once-fresh streams had been polluted, and the poor people had fled their homes taking everything they could carry with them. There was nothing for the tramp to eat or drink except the grubs he found under stones and the dew he licked from the grass at dawn. He was going mad with thirst and hunger and knew he would soon die unless he found food.

He had no idea why there had been a war. It was something he brooded over simply to help keep his mind off hunger. Every time his stomach rumbled, every time his lips cracked, he tried to think instead about the reason behind the war.

Wandering beside a small wood one day he heard a noise that disturbed him. Frightened, he crouched in the tangled roots of a giant oak tree and listened. Thump-a-rump-rump, thump-a-rump-rump .

The sound was repeated over and over again, and seemed to be coming from the far side of the wood.

The tramp edged his way slowly and carefully through the wood to investigate the noise. He was amazed at what he found on the other side.

The sound was being made by the seed heads of poppies being blown against the skin of an old war-drum. He had discovered the very place where the last of the country’s great battles had been fought. And on this battlefield, among the worm-eaten butts of rifles and the skeletons of soldiers, was a wonderful sight.

There were apple trees and plum trees, pear trees and cherry trees, wild asparagus, and all manner of strange fruit and vegetables.

When the two armies had fallen, the fruit and other foods they’d carried with them into war had rotted into the earth. The soil had been nourished by the decomposing bodies of the dead, and in time an orchard had sprung up among the ragged skeletons.

The tramp sat on the old war-drum and began eating a delicious plum.

‘I may never discover the reason for the war,’ he thought to himself, ‘but the outcome is obvious. The end result of all this carnage and misery has been to feed a single tramp.’

The Giant was delighted that Rani, the most timid of the children, had suddenly blossomed. He knew the story already – it would have been too much to hope that his unknown tale could turn up so quickly.

He remembered back to when he’d first heard it, when the world had seemed almost new to him. He’d lived elsewhere then. In Kashmir, in a remote region of snow-capped mountains near a tribe that – because in those days he had not been so expert at concealing himself – had spotted him from time to time. They’d called him the Yeti, and thought him still there.

He had heard a very different version of the story back in those days. He tried to remember exactly how long ago it had been, alarmed at how moth-eaten his memory was becoming.

Had it been two – or even three thousand years ago? Whichever, the story had existed before then, even before written language as the world now knew it had been invented. His second memory of the story was seeing a Himalayan priest copying it down from a local tribesman. And how long ago had that been? Two or three hundred years before the birth of Christ? About that. Copying it had been a laborious task for the priest. The poor peasant had had a stutter.

And had it been only eleven centuries ago that he himself had passed the story on to a travelling scholar, some of whose texts still existed in Islamic museums to this day? The man had written in Sanskrit, an ancient language the Giant loved. And now here was the same story again, tripping lightly off a child’s tongue, mangled, simplified, but recognizable all the same.

Rani telling her story re-affirmed for him his belief that the Castle he had created was indeed a special place. If children like Rani were not able to tell their stories, how would any stories survive? Without re-telling they would stagnate and die, or be entombed forever in a forgotten language. All things perish if they are left unnourished, he thought: stories without retelling, humans without love.

His delight in hearing the story again lifted his spirits, and he began to remember some of his own favourite tales. There were four in particular that shone in his imagination. He cleared his throat.

‘I’ve four small jewels to share with you,’ he announced. He closed his eyes, and resting his head back in the chair he addressed the room.

THE DIFFERENCE BETWEEN HEAVEN AND HELL

A YOUNG PANDA WAS SITTING UNDER A TREE CHEWING A bamboo shoot. It was a very inquisitive panda and like many very young creatures was always asking questions that were almost impossible to answer. Questions such as, ‘Why is water wet?’ and ‘Why does fire burn us?’

One day it wondered what the difference was between Heaven and Hell, and because there was no one around to ask, it decided to find out for itself.

The young panda went to Hell first. It was like a gigantic café, full of round tables. At the tables were groups of pandas, snarling and screaming at each other across bowls of the most delicious bamboo shoots imaginable. In their paws they held chopsticks so long they found it impossible to feed themselves. Whenever they tried to pick up some food all they managed to do was poke each other in the eye. They were all starving and miserable.

Next the young panda visited Heaven to see what that place was like. It was surprised to see the same tables, and the same bowls of delicious bamboo shoots. These pandas also had very long chopsticks, but instead of looking miserable they were all smiling and licking their lips. They were having the most wonderful time imaginable, for instead of trying to feed themselves, which was impossible with such long chopsticks, they were feeding each other.

When it returned home the young panda decided Heaven and Hell looked pretty much the same, and that selfish pandas created their own Hell, and generous pandas created their own Heaven.

WHEN IMMORTALITY WAS LOST

DIFFERENT CREATURES HAVE ENDED UP LIVING THE WAY they do because of something that’s happened in their past. The dove, for example, leads a comfortable enough life in a dove-cote, being fed seed and coming and going at will. Presumably this is because it was so helpful to Noah when he was on the Ark.

Other creatures didn’t have such good luck in the past. Take the owl, the mole, the frog and the moth. Once they had lived together in a large orchard and wanted for nothing. Then one night a traveller came asking for shelter, and they offered him the use of a silver tent they kept for guests down by the river. Now, this guest was rather special, for with him he carried a jar that contained the Elixir of Life – immortality itself.

Some say the stranger was an angel, others are not so sure. Whichever way it was, he was a restless sleeper and that night, without knowing it, he knocked his precious jar into the river, and immortality was lost forever.

In the morning everyone was horrified to find the jar gone. Not knowing it had been carried away by the river, they all set about searching for it. The owl searched amongst moss-quiet ruins and in gloomy woods. The mole burrowed under the earth. The frog looked down dank wells and under stones. The moth searched in cupboards, looking up the sleeves of suits and in the folds of dresses. It even searched for the Elixir of Life in flames. None of them ever found it. But they still live the same way today; they are still searching.

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