Haven Kimmel - The Used World

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Narrated with warmth and intelligence, ‘The Used World’ is the third novel from the bestselling author of ‘The Solace of Leaving Early’ and explores the interconnected lives of three women who work in an antiques emporium in IndianaHazel Hunnicutt is the proprietor of The Used World Emporium, a cavernous antiques store filled with the cast-offs of countless lives in the town of Jonah, Indiana. Knowing, witty and often infuriatingly stubborn, Hazel has lived in the town her whole life, daughter of the local doctor, and is keeper of many of its secrets. Working with her in the store are Claudia, a solitary soul since the death of her beloved parents and, at over 6 feet, an oddity to all who see her; and Rebekah, a young woman forced to leave the suffocating Christian sect she was born into, but adrift in the outside world.It is shortly before Christmas and the lives of these three women are about to change irrevocably: for Claudia, who has hidden away from life since the death of her mother, a new arrival – which comes to her in the most unexpected of ways – will give her a second chance at happiness and a family to replace the one she has lost. Meanwhile Rebekah, abandoned by her feckless first boyfriend, must face up to an unplanned pregnancy and exile from her family home. Watching over Claudia and Rebekah is Hazel, whose own story of lost love is revealed in flashbacks. As their lives intertwine in ways they could never have imagined, and a dark chapter of history is revealed, the three women are forced to confront their pasts and face up to the future as this gripping and heart-warming novel reaches its dramatic climax.Peopled with a delightfully idiosynchratic cast of characters and with a love story at its centre, ‘The Used World’ is a beautifully written and brilliantly told story, in the tradition of Fannie Flagg, Garrison Keillor and Ann Patchett.

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“She’s at a…” Jerome had been here yesterday with Lorraine, that much was true, and while her father was at his Jaycees meeting. Her mother had asked Hazel to take over at reception for an hour or so, and Hazel had taken three phone messages. Lorraine was pretty, a cheerleader at the all-Negro high school.

“She’s at a Christmas party at the Cannadays’,” Finney said, stepping around Hazel. “She won’t be home for quite a while.”

“Miss?” Jerome wiped his mouth with the back of his hand. “You’ve got to help me.”

Hazel and Finney ran the length of the porch, took the stairs two at a time. The passenger door of the old Chrysler opened with a groan, and the overhead light didn’t work. Jerome reached for a flashlight on the floorboard and shined it on Lorraine. Her head was tipped back against the seat, her lips pale. Her coat was unbuttoned and her hands hung limp at her sides. She was wearing a black flannel skirt, pulled up around her thighs, and in between her legs was a stack of blood-soaked towels.

Hazel pulled her head back so hard and swiftly she smacked her scalp on the doorframe. “Finney, there are five hooks on a board next to the door leading to the clinic. On the second are the clinic keys. Unlock the inner door, then go through and unlock this door we’re facing. Jerome, can you lift her?”

“Yes, ma’am.” He handed Lorraine the flashlight and reached into the car, his arms so long they slid under Lorraine’s knees and behind her back and came out the other side. Lorraine let out a tight breath, not quite a moan, and Jerome did the same. He straightened up to his full height, kissed her forehead, whispered something against her hair.

Lights came on in the clinic, and then the light outside the door was burning and Finney was holding the door open. Jerome walked quickly, trying not to jostle Lorraine, and Hazel ran ahead. She wasn’t thinking or praying or making note; only hoping in a vague way that Edna stayed asleep and that there would be room to get out of this, somehow.

“Take her in where you were yesterday, Jerome, and put her on the examining table. Finney, I need you to call Mother.”

“Do you know the number?” Finney’s face was pale, her eyes bright.

“Jesus Christ. Try the phone book.” A line of sweat ran down Hazel’s neck and into her sweater. Finney turned and headed for the outer office.

Lorraine was on the examination table, nearly panting, her eyes glassy and her lips chapped. Jerome leaned over her, running his thumb over her forehead and whispering the same thing he’d been saying walking in.

“Help me get her feet in these stirrups. Lorraine, cooperate with us, we’re going to elevate your legs.”

“I found a Cannaday on Riley Road, is that it?”

“Umm.” Hazel thought she might faint. She grasped the table and swallowed, waiting for her vision to clear. Lorraine was wearing polished saddle oxfords and rolled white socks flecked with blood. Her legs were as smooth and chilled as glass. “Yes, I think so. Tell Mother that I need her. You can say Edie’s got a fever or that I have a feminine problem, whichever will get her here without my father. Make sure she understands she needs to come alone.”

Finney left without another word, closing the examining room door quietly. Hazel turned the black handle that raised the stirrups and a trickle of blood dropped onto the floor. In the silence she could hear Jerome whispering, We’ll get married, we’ll get married, we’ll get married.

In bed that night Hazel knew she could buy the heart necklaces or not, it no longer mattered. There were gestures stronger than vows, secrets that contained more momentum than a tall girl skating backward, and she and Finney had such a secret. In part they all—Hazel and Finney and Caroline—had become bound by the shared labor, and by Caroline’s cool response (which both girls had tried to imitate), how she had unpacked the towels so calmly and given Lorraine injections of antibiotics and pain medication, then finished what she’d started the day before. No one suggested Finney leave, as if Caroline had taken Finney as a daughter in a dark hour. But they were also united by the honesty of the lawless—Finney might love any boy and never speak the words again: I understand, I will never tell, I will never.

Hazel slept, finally, and dreamed of a foreign place where many objects were stored. She wandered through alone, picking up things she didn’t recognize, and then there was an old man standing next to her, his hair gone white, his back bent like a crone’s. She remembered he had once been beautiful, and was sad for him. He handed her something—a candlestick, a broken bell, a hairbrush—and Hazel knew that it was hers to keep. She hated it, whatever it was, it felt like death itself in her hand, but she couldn’t give it back and she couldn’t put it down, and in the morning she was still holding it, in all the ways that matter.

By five o’clock the sky was fully dark and a light snow was falling; Claudia sat in her sister Millie’s kitchen and watched the wind swirl the flakes into white tunnels. The snow fell on the barn, the new garage, the empty chicken house—all were lit up and vivid in the yellow glow of the security light.

“You’re probably sitting there thinking about Mom,” Millie said, taking one container out of the microwave and putting another in.

“No, I’m not,” Claudia said, but she was.

“I bet you’re thinking how Mom would have been snapping beans or grinding corn or whatever for dinner.”

“You don’t snap beans in December.”

“You know what I mean.”

There, then, was Ludie, standing in the warm kitchen, listening to gospel music on the AM radio, and outside there was a snow falling like this one, and Millie was probably upstairs in her bedroom, on her way to becoming the person she was now but not yet there, and Claudia was in the kitchen, with her mother.

“It’s no crime to enjoy the time-saving devices of the modern world, Claude.”

“I never said.”

“I happen to like microwaved food, and I happen to like not having to do dishes.”

Millie happened also to like not eating, although she never said as much. She was tall (but not too tall) and thin, what Hazel called Warning Label Thin, or Sack of Hangers Thin. Hazel sometimes referred to Millie simply as Death’s-head, and it was true that in certain lights you could see Millie’s skull as surely as if she were being used in an anatomy class. At thirty-eight she was pinched and severe; the lack of body fat, combined with years of tanning, had left her with a web of fine lines on her face and neck. She wore her hair so short it stood up straight at the crown, and she did something to it she called ‘frosting’—which she would do to her head, but not a cake—so that the roots were black and the ends were a creamy orange.

Millie’s two children, Brandon and Tracy, came and went from the kitchen, speaking to neither their mother nor their aunt. Brandon, a junior in high school, took a soda from the refrigerator, then went back into the living room, where he slumped down on the couch to watch TV. A few minutes later he came back and got a bag of chips.

“We’re going to eat in about fifteen minutes, Bran,” his mother said.

Tracy, a year younger than her brother, ran into the kitchen, a cordless phone against her ear, and copied a phone number off the chalkboard, where she’d written TRACY + TIM 4EVER! Claudia had never heard of Tim, and doubted she’d ever make his acquaintance.

“We’re going to eat in fifteen minutes, Tracy,” her mother said.

“You are, maybe,” Tracy said, and slid across the linoleum in her socks, out of the room.

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