Stephen Baxter - Phase Space

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Phase Space: краткое содержание, описание и аннотация

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2025. Tied in to Baxter’s masterful Manifold trilogy, these thematically linked stories are drawn from the vast graph of possibilities across which the lives of hero Reid Malenfant have been scattered.Reid Malenfant is the commander of a NASA earth-orbiting science platform. The platform is intended to probe the planets of the nearest star system by bouncing laser pulses off them. But no echoes are returned … and Reid's reality begins to crumble around him. Huddling with his family, awaiting the end – or an unknown new beginning – Reid tells stories of other possibilities, other realities.The linked stories encompass the myriad possibilities that might govern our relationship with the universe: are we truly alone, or will we eventually meet other lifeforms? The final possibility – that the Universe as we know it is in fact an elaborate illusion designed to protect us from the fearful reality – is brilliantly explored in the tour de force novella that ends the volume.

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‘You see,’ Himmelfarb said to Philmus, ‘ I succeeded. I found computation – information processing – going on in the junk DNA. And more. I found evidence that assemblages of DNA within our cells have receptors, so they can observe the external world in some form, that they store and process data, and even that they are self-referential.’

‘Natural DNA computers?’

‘More than that. These assemblages are aware of their own existence, officer. They think.’

Suspended in the air, disoriented, Philmus held up her free hand. ‘Woah. Are you telling me our cells are sentient ?’

‘Not the cells,’ the priest said patiently. ‘Organelles, assemblages of macromolecules inside the cells. The organelles are –’

‘Dreaming?’

The priest smiled. ‘You do understand.’

Philmus shivered, and looked down at her hand. Could this be true? ‘I feel as if I’ve woken up in a haunted house.’

‘Except that, with your network of fizzing neurones, your clumsily constructed meta-consciousness, you are the ghost.’

‘How come nobody before ever noticed such a fundamental aspect of our DNA?’

Himmelfarb shrugged. ‘We weren’t looking. And besides, the basic purpose of human DNA is construction. Its sequences of nucleotides are job orders and blueprints for making molecular machine tools. Proteins, built by DNA, built you, officer, who learned, fortuitously, to think, and question your origins.’ She winked at Philmus. ‘Here is a prediction. In environments where resources for building, for growing, are scarce – the deep sea vents, or even the volcanic seams of Mars where life might be clinging, trapped by five billion years of ice – we will find much stronger evidence of macromolecular sentience. Rocky dreams on Mars, officer!’

The Monsignor said dryly, ‘If we ever get to Mars we can check that. And if you’d bothered to write up your progress in an orderly manner we might have a way to verify your conclusions.’

The dead priest smiled indulgently. ‘I am not – was not – a very good reductionist, I am afraid. In my arrogance, officer, I took the step which has damned me.’

‘Which was?’

Her face was open, youthful, too smooth. ‘Studying minds in test tubes wasn’t enough. I wanted to contact the latent consciousness embedded in my own DNA. I was curious. I wanted to share its oceanic dream. I injected myself with a solution consisting of a buffer solution and certain receptor mechanisms which –’

‘And did it work?’

She smiled. ‘Does it matter? Perhaps now you have your answer, Monsignor. I am Faust; I am Frankenstein. I even have the right accent! I am the obsessed scientist, driven by her greed for godless knowledge, who allowed her own creation to destroy her. There is your story –’

Philmus said, ‘I’ll decide that … Eva, what did it feel like?’

Himmelfarb hesitated, and her face clouded with pixels. ‘Frustrating. Like trying to glimpse a wonderful landscape through a pinhole. The organelles operate at a deep, fundamental level … And perhaps they enjoy a continuous consciousness that reaches back to their formation in the primeval sea five billion years ago. Think of that. They are part of the universe as I can never be, behind the misty walls of my senses; they know the universe as I never could. All I could do – like Dante – is interpret their vision with my own limited language and mathematics.’

So here’s where Dante fits in. ‘You’re saying Dante went through this experience?’

‘It was the source of the Comedy. Yes.’

‘But Dante was not injected with receptors. How could he –’

‘But we all share the deeper mystery, the DNA molecule itself. Perhaps in some of us it awakens naturally, as I forced in my own body … And now, I will show you the central mystery of Dante’s vision.’

Boyle said, ‘I think we’re slowing.’

Himmelfarb said, ‘We’re approaching the ninth sphere.’

‘The Primum Mobile,’ said the Monsignor.

‘Yes. The “first moving part”, the root of time and space. Turned by angels, expressing their love for God … Look up,’ Himmelfarb said to Philmus. ‘What do you see?’

At first, only structureless light. But then, a texture …

Suddenly Philmus was looking, up beyond the Primum Mobile, into another glass onion, a nesting of transparent spheres that surrounded – not a dull lump of clay like Earth – but a brilliant point of light. The nearest spheres were huge, like curving wings, as large as the spheres of the outer planets.

Himmelfarb said, ‘They are the spheres of the angels, which surround the universe’s other pole, which is God. Like a mirror image of Hell. Counting out from here we have the angels, archangels, principalities, powers –’

‘I don’t get it,’ Philmus said. ‘ What other pole? How can a sphere have two centres?’

‘Think about the equator,’ whispered Himmelfarb. ‘The globe of Earth, remember? As you travel north, as you pass the equator, the concentric circles of latitude start to grow smaller, while still enclosing those to the south …’

‘We aren’t on the surface of a globe.’

But we are on the surface of a 3-sphere – the three-dimensional surface of a four-dimensional hypersphere. Do you see? The concentric spheres you see are exactly analogous to the lines of latitude on the two-dimensional surface of a globe. And just as, if you stand on the equator of Earth, you can look back to the south pole or forward to the north pole, so here, at the universe’s equator, we can look towards the poles of Earth or God. The Primum Mobile, the equator of the universe, curves around the Earth, below us, and at the same time it curves around God, above us.’

Philmus looked back and forth, from God to Earth, and she saw, incredibly, that Himmelfarb was right. The Primum Mobile curved two ways at once.

The Monsignor’s jaw seemed to be hanging open. ‘And Dante saw this? A four-dimensional artefact? He described it?’

‘As remarkable as it seems – yes,’ said Himmelfarb. ‘Read the poem again if you don’t believe it: around the year 1320 Dante Alighiero wrote down a precise description of the experience of travelling through a 3-sphere. When I figured this out, I couldn’t believe it myself. It was like finding a revolver in a layer of dinosaur fossils.’

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