Scott G. Mariani - The Cross

The Cross

SCOTT G. MARIANI

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

AVON

A division of HarperCollins Publishers Ltd.

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Copyright © Scott G. Mariani 2011

Scott G. Mariani asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9781847562135

Ebook edition © SEPTEMBER 2011 ISBN: 9780007342792

Version 2018-06-26

Epigraph

As ever, thanks to my intrepid and tireless editor at Avon, Keshini Naidoo, who luckily for me enjoys the blood and gore of a vampire story even more than I do . . .

Thanks also to Nathan Shallcross at Armed Combat and Tactics UK for expert coaching in some particularly effective and nasty fighting techniques with the European longsword. Learning how to whip an opponent’s head off their shoulders with a four-foot blade is definitely the most fun I’ve ever had researching a novel.

Contents

Title Page

Copyright

Epigraph

Nearly thirty years

Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

Chapter Forty-Eight

Chapter Forty-Nine

Chapter Fifty

Chapter Fifty-One

Chapter Fifty-Two

Chapter Fifty-Three

Chapter Fifty-Four

Chapter Fifty-Five

Chapter Fifty-Six

Chapter Fifty-Seven

Chapter Fifty-Eight

Chapter Fifty-Nine

Chapter Sixty

Chapter Sixty-One

Chapter Sixty-Two

Chapter Sixty-Three

Chapter Sixty-Four

Chapter Sixty-Five

Chapter Sixty-Six

Chapter Sixty-Seven

Chapter Sixty-Eight

Chapter Sixty-Nine

Chapter Seventy

Chapter Seventy-One

Chapter Seventy-Two

An extract from Vampire Federation series, Uprising

Prologue

Chapter One

Also by Scott G. Mariani

About the Publisher

Nearly thirty years

Nearly thirty years of domination ensured that the hallowed traditions of the vampire race were all but eradicated under the rule of the Vampire Federation. Gone were the days when vampires were free to claim the blood of human victims at will, leaving their exsanguinated remains for the crows or turning them into vampires like themselves. Strict laws were laid down by Federation rulers and enforced by VIA, the Vampire Intelligence Agency, with agents like Alex Bishop licensed to hunt down and destroy vampires who flouted the rules.

It seemed as if the vampire way of life had changed forever. Until, that is, the uprising led by rebel vampire Gabriel Stone attempted to drive a stake into the very heart of its hated enemy the Federation. Only the chance intervention of a human, Joel Solomon, wielding an ancient and powerful anti-vampire weapon the legends call the Cross of Ardaich, prevented the complete annihilation of the Federation leaders and a resounding victory for the Traditionalist rebellion.

In the wake of the battle on the ramparts of Gabriel Stone’s Romanian castle hideaway, the rebellion has been crushed, the Cross of Ardaich destroyed and the Federation left in tatters. Surviving Federation leaders like Supremo Olympia Angelopolis will declare a victory . . .

But not everyone within the Federation is so sure . . .

Prologue

The village of St Elowen

South-west Cornwall

Where two quiet lanes crossed, just a stone’s throw from the edge of the village, the grey stone church had stood more or less unchanged since not long after Henry V had ascended to the throne of England. The glow from its leaded windows haloed out into the frosty November night. From behind its ancient iron-studded, ivy-framed door, the sound of singing drifted on the wind.

Just another Thursday evening’s choir practice.

Although that night would be remembered quite differently by those villagers who would survive the events soon to become infamous as ‘The St Elowen Massacre’.

Inside the church, Reverend Keith Perry beamed with pride as the harmonies of his fourteen singers soared up to the vaulted ceiling. What many of them lacked in vocal ability, they more than made up for with their enthusiasm. Rick Souter, the village butcher, was the loudest, with a deep baritone voice that was only a little rough and almost in tune. Then there was young Lucy Blakely, just seventeen, giving it all she had. The most naturally talented of them all was little Sam Drinkwater, who in a few weeks’ time was set to audition for a place as boy soprano at King’s College, Cambridge. Sam’s parents, Liz and Brian, were there too, sharing a hymn book as they all belted out ‘All Things Bright and Beautiful’ to the strains of the electronic organ played by Mrs Hudson, the local music teacher.

The only face missing was that of Charlie Fitch, the plumber. Charlie was normally punctual, but his elderly mother had been quite ill lately; Perry prayed that nothing awful had happened.