Tom Knox - The Deceit

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The Deceit: краткое содержание, описание и аннотация

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High-concept adventure thriller set in Egypt and Cornwall. What connects a lost hoard of ancient religious texts with a revival in satanic rituals? Perfect for fans of Wilbur Smith.AN ANCIENT SECRETWhen a renowned historian is found dead in a cave in the Sahara, his former student Ryan Harper vows to find out what happened. Rumour suggests he’d uncovered a priceless religious text, obsessively hidden for centuries by a network of holy men.BROUGHT TO LIGHTMeanwhile, on Cornwall’s remote western moorlands disturbing rituals are taking place – rituals that appear to have Egyptian connections. Working the case, DI Karen Trevithick is caught up in a dangerous mystery that will threaten the person she loves most.WILL SHAKE THE WORLDWith the help of filmmaker Helen Fassbinder, Ryan finds himself in a race against time to decipher the ancient text. Pursued across Egypt by those who would use its secrets to devastating effect, Ryan draws ever closer to an unspeakable truth. A truth that will expose the most shocking deceit the world has ever known…

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Yes, the smoke and scuzz of Cairo disgusted Sassoon. It was time to go home, and to give up. It was never going to happen; it had all been a foolish dream.

‘You can positively smell the smoke from the TV centre. N’est ce pas?

Sassoon swivelled, letting the velvet curtains fall.

Standing behind him was a slightly paunchy man in his mid-forties, wearing a perfect yet worn Savile Row suit, with a beautiful faded Milanese silk tie, and a moustache that curved down to a goatee.

It was Albert Hanna.

The man was unmistakeable. Sassoon had seen this face in Egyptological websites. It was his first stroke of luck: five tedious days of patient waiting had paid off. At the very last moment.

‘The Islamic students, in their vulgar fury, are burning everything . One can only pray that the Sphinx is inflammable.’ The man sighed, and pulled himself a seat. ‘You know the Arabic name for the Sphinx, Mister Sassoon? It is Abu al-Hol , the Father of Terror . ’ The dealer smiled, politely. ‘And yes, of course I know who you are. You are quite famous.’

Sassoon slumped into his own chair, and set down his Scotch. He realized his demeanour probably seemed defeated, yet inside he was secretly delighted.

‘I also know, Mr Sassoon, that you have been searching for me. My apologies if my delay in contacting you seems rude: I have been distracted by the troubles. Soon the fundamentalists may make it impossible for us Copts to live , let alone drink .’ Hanna swirled his glass of cognac. ‘You know Egypt was once renowned for its wines? Tutankhamun was buried with several jars of a fine dry white. But now, ahhh, où sont les vins d’antan?

He stroked his dyed goatee, which had indubitably been dyed pitch-black, and added, ‘There is no hope for us, there is no hope for the drinkers, for the Copts. But we will stay here anyway! We are the true descendants of ancient Egypt, after all. Now tell me. Why are you in Egypt? A famous Anglo-Jewish scholar like you, visiting Egypt amidst this turmoil, when Tahrir is engulfed in flames? Why do you want to talk to me?’

This was Victor’s chance. ‘The Sokar Hoard.’

Hanna looked at Victor, darkly, and his eyes flashed with thought. ‘Why did you not mention this in your emails? I might have responded sooner.’

‘Because …’ Victor paused. ‘Because this is a delicate issue. I know there are severe laws regarding antiquities. If the Sokar Hoard exists it belongs to the Egyptian state and people.’

‘You were being discreet? That is well advised.’ Hanna picked up his balloon glass of cognac and swirled it again. ‘So. The Sokar Hoard. Hmm. The rumours are ripe, are they not? Exuding a heady perfume of promise? Just imagine: a cache of ancient documents that make Nag Hammadi look like …’ Hanna closed his small and sparkling brown eyes while he summoned the words ‘… like a cheap photocopy of Harold Potter and the Prisoner of Azkaban . Yes, the Sokar Hoard, if it exists, would be an unexampled prize. If you could decipher such a thing, this would eclipse your spectacular work on the Dead Sea Scrolls. You would finally have your statue in the sunlit plaza of greatness, for pigeons to soil.’

Was he trying to insult? Or merely provoke? Sassoon didn’t care. ‘I’m not hunting for academic glory, Mr Hanna. As I understand it, the Sokar Hoard contains evidence that alters our perception of Jewish history. The exploration of Jewish history and theology has been my life’s calling. As such, if there is a deeper truth, I want to know it – before …’

‘It is too late?’

‘What do you know, Mr Hanna?’

‘Call me Albert. Like the German–English prince. You know he used to couple with Queen Victoria three or four times a day? It is a surprise she looks so grumpy in her photos.’

‘Please. What do you know of the Sokar Hoard?’

Hanna smiled his moist and thoughtful smile. ‘First tell me what you know of the Hoard.’

Victor Sassoon finished his whisky, and impatiently recounted his own story. ‘It all derives from Wasef Qulta. Brother Wasef Qulta was something of a fixture in circles of Egyptology and biblical history. For instance he corresponded, occasionally, with a colleague of mine in London, a professor at the Flinders Petrie collection.’

‘Ah yes, one of the finest, the Flinders Petrie, a very excellent museum – I always loved that adorable faience cat from Amarna. I have sold similar.’

‘Last month my London friend got a rather emotional email from Qulta. Telling him that the Coptic church was in possession of an astonishing discovery of crucial early Christian texts which had been unearthed in Middle Egypt. Qulta claimed the texts were comparable to the Dead Sea Scrolls or the Oxyrhynchus papyri: maybe even more important, more exciting. My friend told others, and the rumours and speculations spread.’

‘Indeed. I have also heard these rumours. The late Wasef Qulta started quite a fracas .’

‘A week later Qulta emailed again. He told my friend the Coptic church was keeping the Hoard close and hidden, and that he was being told to say no more, and stay silent. And then the emails stopped.’

Hanna was quiet.

Victor concluded, ‘I felt I had no choice but to come to Cairo and seek out Qulta for myself. Last week I went to the Monastery of the Cave in Moqqatam.’

‘You went alone to Moqqatam?’

‘Yes.’

Hanna tittered. A couple of ex-pats – white businessmen – glanced over. ‘Well, well. How did you deal with the Zabaleen, Mr Sassoon? Did you fight them off with your walking stick?’

‘Sorry?’

‘The Zabaleen are perfectly mad. The poorest of our Coptic brethren. They brawl and they fornicate and they live in their palaces of swine and rubbish. They say life there is getting worse, the madness and the diseases, the mental afflictions, the suicides, all that horrible trash.’

‘I saw Qulta. I saw his body. I know he was murdered .’

Hanna stroked his goatee. Patiently waiting, like a cat that is confident of being fed.

Victor went on, ‘Do you know why he was killed, Mr Hanna? Albert? I know you have intimate connections across Coptic society. Was the Hoard stolen, is that why he was killed? Was it a violent robbery? The papers say nothing.’

The ex-pat white men were telling coarse jokes; and chortling.

At last Hanna spoke, leaning close. ‘Ah, but Mr Sassoon, does the Hoard even exist? What can I say? I can barely speak. My throat is quite dry. Parched as the Qattara Depression.’ Hanna looked at his empty glass, then at Victor.

The message was clear. Sassoon ordered the most expensive cognac for his companion.

Hanna accepted the glass, and sniffed the liquor, and tasted it with a wince of pleasure. Then he gazed around the quiet old bar. ‘God bless the old Bodega. One of the very last oases of civilization in Cairo,’ he said. ‘You know the British Satanist Aleister Crowley had his famous thelemic revelation here?’

‘In 1904, the Book of the Law.’

‘Quite so! You really are the scholar of your reputation. Crowley’s wife saw the so-called stele of revealing, the stele of Ankh-ef-en-Khonsu, in the Bulaq Museum.’

‘Item number 666.’

‘Then she began raving, and he repaired to his apartment, probably in this building, and had his moment of intimacy with the divine, his theophany – or perhaps some more opium? Crowley was so very fond of opium. My grandfather knew him. Apparently he liked to be sodomised by Nubians. But this is true of many.’

‘I don’t have much time , Mr Hanna. Please tell me: how much do you know about Qulta and the Sokar Hoard? I can pay, and I have a lot of money.’

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