Neha Sharma - Total Siyapaa

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Sum of Two Wholes TOTAL SIYAPAA Aasha Singh, fiery and confident, can't wait to get her hands dirty with hard news, and uncover scandals and controversies. A Punjabi desi in London, from India. Aman Ali, smart-aleck and suave, a promising musician, has left the security of a career in finance to follow his passion in music.A different kind of a Punjabi desi in London, from Pakistan. When Aasha meets Aman during her last assignment at the South Asian Hour before moving onto the news beat, they start off at loggerheads. Then fate and friends nudge them together. Their sassy banter blossoms into a delicious romance. But will reality manage to keep them together? From Edinburgh to London and onwards to Udaipur, friendship, love, family and geographical boundaries make their journey a mix of emotions and delight. Sum of Two Wholes – Total Siyapaa is an extension of the screenplay of the Hindi film, Total Siyapaa, Written by Neeraj Pandey, Directed by Eshvar Niwas.

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And that had been it. Even as Aasha settled back down in her cubicle she wondered if there was an argument she left out, if there was a line of thought that would have finally convinced Jenny. She wondered if she’d given in too quickly. She picked up the itinerary docket she had dropped on the table – Edinburg Music Festival, her next destination, not 10 Downing Street, or the Home Office, but Edinburg Music Festival. If Jenny wanted her there, she’d have to go there, there was no way around it.

Aasha had been fourteen when she decided she was going to be an investigative journalist. “Papa, I’m going to be a reporter,” she had announced one evening over dinner. “Shabash, beta!” had been her father’s response, while her mother beamed on, serving a large helping of aaloo-gobi and promising to make her kheer later. “My daughter. Reporter. I like it!”

And once it was agreed upon, Aasha had approached it like a mathematical equation. She went about assembling all the parts, and that too with honours, till she got the desired result. The day she’d graduated from the London School of Journalism, her family was present in the crowd, proud and beaming, and being very Punjabi. They had whistled when she got on stage and her father’s voice could be heard ringing around the hall, “Most well done, beta! Most well done!”

“You should have brought a dhol, na ,” she had complained sarcastically over the celebratory family dinner at Bangalore Express, her favourite Indian restaurant in London.

“Hain! Pehele bola hota, beta, toh we would have arranged for a dhol. Dhol kya, we would have arranged for a whole band-baja!

Haan bhai. Why not, why not?” her mother had chipped in while digging into her crab curry. “Our daughter. Reporter! I like it!”

When the BBC came calling with a job offer, the high-pitched phone calls to Mumbai, Delhi, and Amritsar could be heard across half of London.

“Our Aasha, biji , our Aasha will be on BBC!”

Word had spread quickly from aunt to uncle to cousin to aunt-in-law to great grandmother to the family priest to the ayah who once took care of her during a family trip to India. With each retelling, the family distributed mithai : her parents ran up and down their apartment block, going door to door with a box of sweets in their hand, much to the amusement of the predominantly Nigerian and Korean families living in the building; her relatives in India reached out to every passerby, yelling, “Ye lo! Our daughter will soon be on BBC! Aap bhi lo ji .”

Even though Aasha tried to downplay it all, she had been incredibly excited; she had secretly enjoyed the family’s excitement. Soon she’d be trudging through trenches, uncovering conspiracies and cover-ups; soon she’d change the world in her own little way as an investigative journalist.

Now when she thought back to those first few months, she realized her mistake. She should have held out for the right profile instead of signing up with the first option presented to her. If she had held back then, she’d be where she wanted to be now.

“Aasha, we’re thinking of putting your community knowledge to use on one of our new shows, South Asia Hour. Is that something you’d be interested in?”

“Yeah, why not? It’ll be a good learning curve. A good stepping stone.”

She figured this was the ‘paying her dues’ play. Once she proved her worth, they’d move her to the real news. Instead she proved to be so good at her role, she found herself running the entire segment in no time.

Her show aired every Thursday. Every week her parents rushed through their chores, particularly her mother, leaving enough time to dress up smart for the show. As soon as the title track of South Asia Hour – a typically dated composition of tablas and a sitar, started, Mr. and Mrs. Singh would pull the armchairs towards the TV, dragging them noisily against the flooring, leaving faint scratch marks resembling tiny razor nicks, and plant themselves in front of the box for the next hour, including the breaks.

This was the only time Mrs. Singh let go of the housework. Usually she’d watch movies or her TV shows (mostly on Zee TV) while shelling peas, or cleaning herbs, or cutting vegetables, but not during South Asia Hour. Similarly, her father would put on his reading glasses, fold away all distractions, including his cell phone – which he didn’t fold away but he did turn down the ringer to silent, to watch the show. No one was allowed to talk during the show – her brother bore many a thwacks for breaking that sacred rule; it was second only to the one where you got things thrown at you if you ‘made a ruckus’ when Tendulkar was in the 90s.

It always amused her how they’d insist on sitting right in front of the TV. “ Arre , it is so that I can concentrate fully,” her father argued each time she bought it up. No amount of coaxing could get them to alter the arrangement. This is how they did it come rain or sun or Karva Chauth.

Each show received the same feedback, “It was too good, beta. First class show tha .” A little down the line as Aasha began to tire of her profile, she mentioned her frustrations to her parents. They were baffled.

“But, beta , you are working for the community. You are on TV and that too on BBC every week, what more do we need?”

Except it was always ‘camunity’ – they uttered the word as if in an incredible rush, each syllable meshed into the preceding one. Like if they didn’t get it out soon enough, a part of it would be left behind. It bothered her no end. When she was in school, she’d try to correct their diction, partly out of embarrassment and partly out of duty, but it never did any good. If anything their accent simply got worse with age. She figured it was time to give up.

“Why you want to work in a war zone, with bombs and terrorists, and all those terrible things when you can work right here, being so comfortable and so very safe?” her mother asked, a deep-set frown swallowing her entire forehead. “Besides,” she’d add, “This way all those eligible Punjabi boys and their mothers get to see you every week, looking so beautiful, and so smart; it’s so much better than a matrimonial agency ad or one of those marriage websites. This way they will come to us. And we will choose hain.

Unfortunately for Aasha, and much to her mother’s joy, there were many of those Punjabi boys – more so Punjabi mothers, calling for Aasha. In those first six to eight months there was a flood of profiles awaiting their weekly Sunday lunches. Jia, her sister, always laughed the hardest; she loved ripping open the letters, reading them out loud around the table and dissolving into fits midway through. Aasha found the letters, some dabbed with a bit of attar , others carrying a hint of rose water, equally ridiculous. But every now and then her mother got serious about one of the matches – ooh, look how handsome this fellow is, and a doctor too! Or, hai , so nice-looking na, Aasha, and look he has such a big house in Cardiff. When such pests popped up, Aasha promptly went out and found a short-term fling to ward off any unnecessary drama. The conversation that followed was typical:

“Are you with someone, Aasha?” she would ask without fail. “Who is this boy? Bring him home. We must meet him.”

“It’s still very new, Ma. I like him very much, but I am not bringing him home yet. I don’t want to scare him off so quickly.”

“What is there to scare? It is simply a meeting, where are we asking him to marry you on the spot? If you are seeing someone, we should know if he is a good person, isn’t it?” her mother had stopped abruptly mid-conversation as a revelation lit up the insides of her mind. Aasha could sense the worry ooze into every part of her body, turning the conversation from carefree to tense. “He isn’t Gora is he, Aasha?” she’s asked as her face lost more colour, ironically making her look as gora as a ghost, “or Gujarati?”

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