Dexter Petley - White Lies

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White Lies: краткое содержание, описание и аннотация

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‘Dexter Petley perfect writer’s eye gives us a candenced love story…Gripping, dryly hysterical, “White Lies” reeks of beauty and human truth.’ Alan WarnerA brilliant, bittersweet love story set against a corrupt east African landscape.Nobody believes in love at first sight. Norman didn’t until he read about ‘Joy, The Gold Panning Missionary’ in an African magazine and set out to find her. But it isn’t easy to find love in East Africa in the early 1980s. This is a region with a heavy colonial hangover: Obote’s government teeters on the brink of collapse, petty crime and corruption are rife in the streets and Norman, the impressionable young Englishman, makes slow progress towards the woman he intends to marry.A decade on and many thousands of miles from Africa, Norman is trying to shape a new life. Joy has walked out, leaving him to their damp tumbledown farmhouse in a rural corner of northern France. He is a desperate, broken man. Alone, he sifts the wreckage of his marriage from the wreckage of this ramshackle farm and tries to plot a way out, some sort of future.It’s only when Norman decides to go back to Africa – not for love this time, but to settle old scores – that he finally sees what he must do, however dark and terrifying an act that is.In his own unique prose, Dexter Petley carefully laces Norman’s African and French stories together to create a delicate portrait of an Englishman abroad, a brutal depiction of the corruption that colonialism breeds and, above all, a brilliant, bittersweet love story.

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I said I’d just hitch out to Naivasha then. A dispute between neighbours had turned into the serial buggering of chickens by rival gangs in Kakamega. Austen said I couldn’t sell a story like that so why didn’t I go interview a dentist about flouride in the water. And if Wanja came back I could ask her about skin-lightening creams. He said all the prostitutes used them to make their skin go pale. He reckoned it was the mercury in the cream that had turned Wanja mad.

My idea was different. I wanted to visit Joy and do a story on gold panning and cattle rustling. But I wanted to be something first, get the red dirt on my boots and find some connection for myself. Maybe my character would form itself in parallel to the story I found. I didn’t tell him those bits, and I didn’t ask him about Joy either, but I didn’t have to wait long before he mentioned her:

—Hey bloke, I’ve got it. You must go and see this woman Joy up in Amolem …

I could’ve asked him what she was like but he was ratted on Guinness now and I wanted to preserve her welcome like it was a real memory, not a guess or a hope.

The Rooster smoke was coming out his ears as he banged the chair and shouted:

—D’you know what that cunt Mengistu does to the Ethiopian people? Charges the fuckers he shoots for the bullets.

I wasn’t interested enough to listen now. I was picturing Joy in her long months between visitors, the airmail envelopes crisp and yellow and filling with insect pepper, her despair if a guitar string snapped, sewing up the holes in her mosquito net with raffia, listening in the night for cattle raids and aeroplanes, snakes and shooting stars … Listening out for me.

—Hey bloke, Austen said. Zanna give you that bloody jacket for Schick?

It was in the bottom of my pack, a heavyweight camouflaged Barbour which I’d agreed to deliver, new and oily.

—Christ almighty, Austen said when I gave it to him. Bloke’s gonna wear that down the Starlite? Mad bastard.

—Who is this Schick? I said.

—You don’t wanna know bloke. Man should wear a Keep Away sign round his neck.

It took seven bottles of Guinness before Austen was pissed enough to go to sleep.

Next day I set off for Naivasha, fifty miles north, reaching Dagoretti by clapped-out bus. For the settlers of Karen/Nairobi, Dagoretti was where Africa began, with the last white homestead in sight of the township.

The streets stank of raw sewage and barefoot women carried bundles of firewood. Kids queued for water with twenty-litre cooking-oil tins. There were mud houses in the lanes, roofs made of flattened tin cans, doors from packing cases. There were barber shops in the market square and radio repair shops, charcoal sellers, bars and cafes. Women in brilliant white dresses walked home from church.

A few kids followed me up the long hill towards Kikuyu.

—Hey you. Mzungu . Liverpool, Liverpool. Where are you going?

At the top there was open pasture rising to a coffee grove. A gutted white mansion behind the spiked muigoya hedge. A boy was collecting the leaves in a basket so his family could wipe their arses.

—Good morning sir, he said. Have you come to live?

—No, I said, and he was crestfallen.

There were buses and taxis in the shabby township. I asked the boy which bus for Naivasha.

—Hey you, he said. You stay here and eat paw-paw. You go that way and those thugs there are the bad men. They will steal your bag.

—I must go to Naivasha, I said.

It was the middle of the afternoon and the township men were already drunk. Over the road, two North Yemenites were getting into a Datsun Cherry. I guessed they didn’t live out here so I waved and ran across.

Salaam .

They greeted me back, we shook hands. They wore brown nylon and smelled of tea rose, their teeth were brown and one of them smoked an imported cigarette.

—Which road are you taking? I said.

—The road to there.

The driver pointed out of town.

—Away? I said.

—Yes, away from here.

—Will you take me?

—Welcome, they said.

They’d been chewing mirrah and were cake-eyed, judging by the pile of stalks on the floor in the back of the car. They asked the usual questions, like was I a tourist? A German? Why did I go to Kikuyu Junction? For the girls? The beer? Had I read the Koran?

In situations like those I usually kept it quiet, head down. I’d met too many travellers on the overland route who turned up the volume and tried to make the cross-over. They chewed the mirrah , grooved on the Koran, in for the ride like pocket Kerouacs, but it always turned bad.

If I was undecided about being in Africa anyway, it was best to keep to dignity, respect, and manners. That was my travelling creed. It avoided confrontation.

My gift, my real talent, was to go through life invisibly. I could be the only white man seen for twenty years but still dilute any interest in my existence. Other travellers were like the Pied Piper or the UN turning up with a lorry-load of aid. The whole district flocks out the bush to see and touch them.

It was my first real day back in Kenya. Since I’d last passed through a couple of years back, an attempted coup had sharpened security. Now I had a year’s open ticket, eighty dollars cash, and a couple of hundred shillings bummed off Austen till the end of the week. Khalid was a careful driver; his friend translated the Day-Glo quotes from the Koran on the fringed pendants hanging round the inside of the car. But we were only three miles out of Kikuyu Junction when Khalid said:

—Police. Alhamdulillahi .

It was a roadblock five hundred yards ahead, a blue Land Rover with light flashing, spikes across the road, rifles in the air. Without a second’s pause, Khalid opened the glovebox, took out two small packets and tossed them onto the back seat beside me.

—I give you one hundred United States dollars for putting these into your pocket and for the talking. In English. No Swahili. Is very important. English. The police are scared of good English. I know this for ten years I live in Kenya.

I put them in my pocket because Khalid’s logic was impeccable. There was no risk to me, whatever happened. I wouldn’t be beaten up, jailed or face extortion, but they would. If the police searched me I’d tell the truth and be believed. The point was, we all wanted to get to Naivasha and this was the best solution. I needed a hundred dollars and they knew it.

The police waved us down. I leaned out.

Jambo , the policeman said.

—Good afternoon, I said. How are you?

I didn’t give him a chance to answer. He tried to lean in and take a look. He stank of millet beer too.

—How are you? he said.

—Very well, thank you. What’s the problem? I’m taking my two friends to Naivasha to have tea with my mother. We’re already late.

—Okay, he said. Go to Naivasha.

—Thank you. Goodbye.

The Yemenites were deadpan for a mile then praised Allah the Merciful. I handed back the packets and didn’t ask what they contained and they didn’t tell me. I saw one contained foreign exchange because they paid me from it, one hundred and fifty dollars US, a bonus of fifty.

—You, lucky charm, Khalid said.

—You could be professional, Jamal said.

—Will you do it again, one day? For us?

I knew exaggerating my own immunity would be dangerous, only the money was a good reason to consider it and I’d be free of Austen’s political hand-me-downs. I still needed a source of foreign exchange to act as a reserve against local shillings. And I’d been given a value by these two Yemenites, the threads of self-definition, the first contour in my personality. I felt anonymous, but anonymity didn’t just mean blending in with the wananchi . And it wasn’t only my skin colour which was opposite, it was my polarity. I always seemed to be travelling or just flowing in the opposite direction to everyone else. I emanated this lack of interest, this laissez-faire . It could’ve made me the perfect smuggler, if I wanted to be one. But my vocation was to drift. I could wait five days sitting on my rucksack at the bus station in Dar es Salaam for the bus to Zambia. Or five hours for my rice and beans in the New World Eating Bar in Wethefuckarwe. I didn’t need profit to eat githeri , just five bob here, five bob there.

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