MICHELE CAMPBELLis a graduate of Harvard University and Stanford Law School. She worked at a prestigious Manhattan law firm before spending eight years fighting crime in NYC as a federal prosecutor. Her debut novel It’s Always The Husband was a Sunday Times top ten bestseller.
Copyright
An imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2019
Copyright © Michele Rebecca Martinez Campbell 2019
Michele Campbell asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © January 2019 ISBN: 9780008301828
Praise for Michele Campbell
‘A page-turning whodunnit that will speak to anyone who’s ever had a frenemy.’
Ruth Ware
‘A gripping, tangled web of a novel – it pulls you in and doesn’t let you go. I loved it!
Shari Lapena
‘Secrets and scandals in an ivy league setting. What could be more riveting?’
Tess Gerritsen
‘A skillful and addictive story of friendship, betrayal and ultimately love, It’s Always The Husband will keep you turning the pages until its dramatic end.’
B A Paris
‘A brilliantly layered, utterly compelling, clever mystery story that crackles with poisoned friendships and dirty secrets… Twisted, shocking and sharply observed. It’s Always The Husband has blockbuster movie written all over it!’
Samantha King
‘A gripping page-turner…will suit fans of Liane Moriarty.’
Hello!
‘Readers will… be drawn in to the novel’s intricate exploration of divided loyalties and the brittleness of trust.’
Publishers Weekly
For Meg
The only quiet woman is a dead one.
—SYLVIA PLATH
Contents
Cover
About the Author
Title Page
Copyright
Praise
Dedication
Epigraph
part one
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
part two
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Epilogue
Acknowledgements
Extract
About the Publisher
part
one
1
February
They locked her in the infirmary and took away her phone and anything she might use to harm herself—or someone else. The school didn’t tout this in its glossy brochures, but that’s how it handled kids suspected of breaking the rules. Lock them in the infirmary, isolate them, interrogate them until they crack. Usually you got locked up for cheating on a test or smoking weed in the woods. In the worst-case scenario, hazing. Not murder.
She lay on the narrow bed and stared at the ceiling. They’d given her sedatives at first, and then something for the pain. But her head still pounded, and her mind was restless and foggy all at once. A large lump protruded from the back of her skull. She explored it with her fingers, trying to remember what had caused it. At the edge of her consciousness, something terrible stirred, and she pushed it away. If she turned off the light, she would see it, that thing at the edge of the lake.
That thing. Her sister. Her twin.
All across campus on this cold, dead night, silence reigned. She was being accused of a terrible crime, and there was nobody to speak in her defense. They’d called her grandmother to come defend her. But her grandmother believed she was guilty. Even her closest friends suspected her, and she had to admit, they had reason to. She and her sister were close once, but this awful school had changed that. They’d come to doubt each other, to talk behind each other’s backs, to rat on each other for crimes large and small, to steal from one another. Mere days earlier, they’d gotten into a physical fight so intense that the girl who interceded wound up with a black eye. That girl hadn’t told— yet. But she would now.
It wasn’t fair. Just because they’d had a fight didn’t mean she would kill her sister. How could she? Her sister was the only family she had left. Everybody else had died, or abandoned her. Why would she hurt her only family, her only friend? But every time she closed her eyes, she saw the blood on her hands, the stab wounds, the long hair fanned out. Her sister’s face, white and still in the moonlight. She was there when it happened. Why? It couldn’t be because she was the killer. That wasn’t true. She was innocent. She knew it in her heart.
But nobody believed her.
2
The September Before
Sarah Donovan was a bundle of nerves as she fed her kids a rushed breakfast of instant oatmeal and apple juice. Four-year-old Harper and two-year-old Scottie were still in their pajamas, their good clothes hidden away among half-unpacked boxes. Today was opening day at Odell Academy, the prestigious old boarding school in New Hampshire, and Sarah and her husband, Heath, had just been appointed the dorm heads of Moreland Hall. They’d been laboring in the trenches as teachers for the past five years, and this new job was a vote of confidence, a step up into the school’s administration. It came with a raise and faculty housing and the promise of more to come. Sarah ought to be thrilled. Heath certainly was. Yet she couldn’t shake a sneaking feeling of dread.
“Hurry up, sweetie, two more bites,” Sarah said to Scottie, who sat in his high chair playing with his food, a solemn expression on his funny little face. Scottie was like Sarah—quiet, observant, a worrier, with a lot going on behind his eyes—whereas Harper was an open book. She met life head-on, ready to dominate it, just like her dad.
“If you’re done, Harps, go brush your teeth.”
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