Michele Campbell - She Was the Quiet One

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The gripping new novel from Sunday Times bestselling author Michele CampbellBecause murderers are never who you expect…She was the quiet one… but is she guilty?For twin sisters Rose and Bel, enrolling at the prestigious new boarding school should have been a fresh start. But with its sinister rituals and traditions, Odell soon brings out a deadly rivalry between the sisters.For Sarah and husband Heath, the chance to teach at Odell seems like the best thing that ever happened to their small family – a chance to rise through the ranks and put the past behind them.Until one dark night ends in murder.But who’s guilty and who’s telling the truth? And who’s been in on it all along..?From the Sunday Times bestselling author Michele Campbell comes the breathtaking new thriller SHE WAS THE QUIET ONE.PRAISE FOR MICHELE CAMBPELL:‘A gripping page-tuner…will suit fans of Liane Moriarty’ Hello‘A page-turning whodunnit that will speak to anyone who's ever had a frenemy.’Ruth Ware, bestselling author of The Woman in Cabin Ten‘A gripping, tangled web of a novel―it pulls you in and doesn’t let you go. I loved it!Shari Lapena, author of The Couple Next Door‘A cracking whodunit that will keep you guessing’ Woman’s Own‘Secrets and scandals in an ivy league setting. What could be more riveting?’Tess Gerritsen, Sunday Times bestselling author‘A skillful and addictive story of friendship, betrayal and ultimately love, IT’S ALWAYS THE HUSBAND will keep you turning the pages until its dramatic end.’B A Paris, bestselling author of Behind Closed Doors‘A brilliantly layered, utterly compelling, clever mystery story that crackles with poisoned friendships and dirty secrets… Twisted, shocking and sharply observed. IT'S ALWAYS THE HUSBAND has blockbuster movie written all over it!’ Samantha King

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MICHELE CAMPBELLis a graduate of Harvard University and Stanford Law School. She worked at a prestigious Manhattan law firm before spending eight years fighting crime in NYC as a federal prosecutor. Her debut novel It’s Always The Husband was a Sunday Times top ten bestseller.

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Copyright

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An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2019

Copyright © Michele Rebecca Martinez Campbell 2019

Michele Campbell asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © January 2019 ISBN: 9780008301828

Praise for Michele Campbell

‘A page-turning whodunnit that will speak to anyone who’s ever had a frenemy.’

Ruth Ware

‘A gripping, tangled web of a novel – it pulls you in and doesn’t let you go. I loved it!

Shari Lapena

‘Secrets and scandals in an ivy league setting. What could be more riveting?’

Tess Gerritsen

‘A skillful and addictive story of friendship, betrayal and ultimately love, It’s Always The Husband will keep you turning the pages until its dramatic end.’

B A Paris

‘A brilliantly layered, utterly compelling, clever mystery story that crackles with poisoned friendships and dirty secrets… Twisted, shocking and sharply observed. It’s Always The Husband has blockbuster movie written all over it!’

Samantha King

‘A gripping page-turner…will suit fans of Liane Moriarty.’

Hello!

‘Readers will… be drawn in to the novel’s intricate exploration of divided loyalties and the brittleness of trust.’

Publishers Weekly

For Meg

The only quiet woman is a dead one.

—SYLVIA PLATH

Contents

Cover

About the Author

Title Page

Copyright

Praise

Dedication

Epigraph

part one

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

part two

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Epilogue

Acknowledgements

Extract

About the Publisher

part

one

1

February

They locked her in the infirmary and took away her phone and anything she might use to harm herself—or someone else. The school didn’t tout this in its glossy brochures, but that’s how it handled kids suspected of breaking the rules. Lock them in the infirmary, isolate them, interrogate them until they crack. Usually you got locked up for cheating on a test or smoking weed in the woods. In the worst-case scenario, hazing. Not murder.

She lay on the narrow bed and stared at the ceiling. They’d given her sedatives at first, and then something for the pain. But her head still pounded, and her mind was restless and foggy all at once. A large lump protruded from the back of her skull. She explored it with her fingers, trying to remember what had caused it. At the edge of her consciousness, something terrible stirred, and she pushed it away. If she turned off the light, she would see it, that thing at the edge of the lake.

That thing. Her sister. Her twin.

All across campus on this cold, dead night, silence reigned. She was being accused of a terrible crime, and there was nobody to speak in her defense. They’d called her grandmother to come defend her. But her grandmother believed she was guilty. Even her closest friends suspected her, and she had to admit, they had reason to. She and her sister were close once, but this awful school had changed that. They’d come to doubt each other, to talk behind each other’s backs, to rat on each other for crimes large and small, to steal from one another. Mere days earlier, they’d gotten into a physical fight so intense that the girl who interceded wound up with a black eye. That girl hadn’t told— yet. But she would now.

It wasn’t fair. Just because they’d had a fight didn’t mean she would kill her sister. How could she? Her sister was the only family she had left. Everybody else had died, or abandoned her. Why would she hurt her only family, her only friend? But every time she closed her eyes, she saw the blood on her hands, the stab wounds, the long hair fanned out. Her sister’s face, white and still in the moonlight. She was there when it happened. Why? It couldn’t be because she was the killer. That wasn’t true. She was innocent. She knew it in her heart.

But nobody believed her.

2

The September Before

Sarah Donovan was a bundle of nerves as she fed her kids a rushed breakfast of instant oatmeal and apple juice. Four-year-old Harper and two-year-old Scottie were still in their pajamas, their good clothes hidden away among half-unpacked boxes. Today was opening day at Odell Academy, the prestigious old boarding school in New Hampshire, and Sarah and her husband, Heath, had just been appointed the dorm heads of Moreland Hall. They’d been laboring in the trenches as teachers for the past five years, and this new job was a vote of confidence, a step up into the school’s administration. It came with a raise and faculty housing and the promise of more to come. Sarah ought to be thrilled. Heath certainly was. Yet she couldn’t shake a sneaking feeling of dread.

“Hurry up, sweetie, two more bites,” Sarah said to Scottie, who sat in his high chair playing with his food, a solemn expression on his funny little face. Scottie was like Sarah—quiet, observant, a worrier, with a lot going on behind his eyes—whereas Harper was an open book. She met life head-on, ready to dominate it, just like her dad.

“If you’re done, Harps, go brush your teeth.”

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