Helen Myers - Final Stand

The bite of gravel at his bare feet irritated as much as curiosity and conscience plagued Gray’s mind, encouraging him to be quick. Upon opening the passenger door, he saw that the van was designed for commercial purposes. There was only the shell of the truck and little else. A suitcase, sleeping bag and pillow were stacked neatly behind the driver’s seat. Anna Diaz was traveling light.

Leaning over the passenger seat, he spotted a black leather purse on the floorboard. Without the slightest twinge of guilt, he lifted out her wallet. Flipping open the buttery-soft flap, he eyed the Louisiana license, then tilted the thing back and forth to get a better look at her photo. No, it wasn’t glare on the plastic that made it so unclear, he realized. The photo was scratched.

His unease growing, he checked the rest of the wallet. All of the credit card slots were empty, and there were no other photos; however, what had him exhaling in a low whistle was the amount of cash she was carrying.

He found yet another stash of bills in a different compartment in the bag. Maybe, he thought with growing bitterness, he would also find the reason for her to have such resources. Simple logic was beginning to offer a few conclusions.

Gray shoved the purse back in place…possibly a bit too roughly because it tipped over. As he reached to straighten it, his fingertips brushed against something in the seat pocket.

Frowning, he eased his hand inside and closed his fingertips around smooth steel. He drew out a Smith & Wesson .9 mm automatic—not the kind of thing a simple working girl relocating toted around with her…unless her work was dangerous.

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DEAD END

LOST

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To Ethan Ellenberg

Acknowledgments

While suspense novels are always and foremost marketed as entertainment, it’s not wholly my approach to writing. Fortunately, I have an agent who both challenges me as he encourages, while I try to transfer today’s social and political issues into scenarios where the Jane and John Does of the world can associate. It was he who pointed out as I developed Final Stand that I’d managed to create the contemporary version of one of his favorite stories, the Western classic High Noon. Seeing the themes of justice and honor, I immediately recognized that we all have mini “high noons” in our lives. To have the opportunity to tell the story with a woman in the courageous role that Gary Cooper made so memorable was both intimidating as it was irresistible.

As usual, Sasha’s nemesis, Melor Borodin, came as a result of disturbing newspaper headlines. That my dialogue with my agent occurred shortly after a fascinating discussion I’d had regarding the Russian Mafia and their growing presence as a result of the World Trade Treaty seemed to me one of those innumerable “gifts” that guide a writer’s way.

In many ways this is once again a personal story. It speaks to a part of my ancestry, and so I’m particularly grateful to my aunt, Pauline Serpas, affectionately known as “The Duchess” by those who have spent any time with her. Without her generosity of sharing her insights into the Russian culture, I couldn’t have gotten beyond my own recollections and textbook agendas. Spasibo, Tante.

Thank you, “Gator,” for being researcher, tour guide and bodyguard as I realized the need to hunt the right location for this story. When you finish building that plane, I want to fly into Sonora with you and watch the field light up.

Gail Reed, you came to my rescue and made the world of the veterinarian a little more clear to this animal lover. Whenever I need a laugh, I will think of the antibiotics line.

Karen Kelley, friend and author, your EMS background was invaluable, even when you had me muttering.

And to Lynette Bagley, who sent the timely bit of inspiration in the epilogue when your own world’s axis was doing a tilt. Once again we learn that timing, intent and heart mean everything.

Readers, please be assured that any inaccuracies that slipped through are completely my error.

Finally, and always, to my friends and family—most of all Robert, for getting us through that five-day, six-hour-and-ten-minute stint without electricity after the ice storm—my love and thanks.

In memory of Jake, who made the title Final Stand literal.

GLOSSARY

Here I stand. I can do no other.

God help me.

Amen.

—Martin Luther

Prologue Prologue Bitters, Texas Thursday, August 24, 2000 10:30 p.m. CST With a sharp strike against the small box’s score, the match ignited. A flash of light, a ghostly puff of smoke, the nose-stinging scent of sulfur, and it was done. The arsonist’s ragged emotions were set free. Instantly, any doubt or anxiety about this decision vanished, replaced by righteous conviction. The flame stayed steady and bright as it was lowered to the mass of dry wood piled on the board stairs leading to the church’s vestibule. Whole lengths of browned evergreen branches and other dead vegetation had been easy to collect, thanks to the wild terrain and yet another year of drought. As expected, the brittle debris caught quickly. Flowing like liquid, the flames spread, advanced and climbed. It wouldn’t be long before they gave birth to a torch, a pyre, a veritable shaking fist against this serene night, this star-studded summer sky, luminous and wide, unmarred by the slightest hint of a cloud. This silent witness to everything. Soon the vestibule doors would catch, and then…maybe the interior. It was possible if help was slow to respond. Tossing the box of matches into the intensifying blaze, escape became the next focus. There might not be anyone on this remote highway tonight, but there was always the chance an alert trucker on I–10, or worse, a state trooper, would spot the distant glow and mention it on his radio, initiating an alarm too soon. However, the arsonist’s escape vehicle was parked facing the road; even that had been thought through. What hadn’t been was the unreliable nature of the vehicle itself. It took try after terrifying try, but just as the smell of gasoline could be detected, the engine finally roared to life and the arsonist peeled out of the lot making a skidding turn west onto the unlit single-lane highway.