Melanie Golding - Little Darlings

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‘Chilling story, beautiful prose. Little Darlings is stunning’ Clare MackintoshLeila Slimani’s Lullaby meets Rosemary’s Baby in the most unsettling book of the year.THE TWINS ARE CRYING.THE TWINS ARE HUNGRY.LAUREN IS CRYING.LAUREN IS EXHAUSTED.Behind the hospital curtain, someone is waiting . . .After a traumatic birth, Lauren is alone on the maternity ward with her newborn twins. Her husband has gone home. The nurses are doing their rounds. She can’t stop thinking about every danger her babies now face. But all new mothers think like that. Don’t they?A terrifying encounter in the middle of the night leaves Lauren convinced someone or something is trying to steal her children. But with every step she takes to keep her babies safe, Lauren sinks deeper and deeper into paranoia and fear. From the stark loneliness of returning home after birth, to the confines of a psychiatric unit, Lauren’s desperation increases as no one will listen to her. But here’s the question: is she mad, or does she know something we don’t?Loosely inspired by the ghostly folktale The Brewery of Eggshells, where a mother becomes convinced her twins are in danger, Little Darlings offers a fresh perspective on modern motherhood, postnatal psychosis and the roles women play. It has always been thus: folk tales do not spring from whimsy; they warn us and teach us, and speak to the fear in us all.

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‘Come on, Joanna. You’re usually so pragmatic about the job. Just now, you went right up to that poor dead guy and closed his eyes. With your bare hands. I couldn’t have done that.’

‘I guess we all have our soft spots. Suicides, I can just about handle. But anything to do with babies being abducted, well. It gets to me.’

They held each other’s gaze for a moment, and Harper thought, this is it. She’s going to ask me the question, right now. And I’ll spill it, every bit. She’ll say, why does it get to you, Joanna? You don’t have any children, do you? And I’ll say, I did once, but I lost her. I was too young to know what it would mean, or that I even had a choice. I let them take her, and it was like part of me had been taken: a limb, or half of my heart. After that I stopped thinking about it, because I had to, in order to survive. But sometimes I forget to not think about it, and it’s like it happened yesterday. It’s like I have to get her back, and the feeling won’t go away until I do. Even though it’s twenty-six years too late to change anything.

Behind them the van doors slammed shut. Only a couple of officers remained, and they were heading towards their vehicles, speaking into radios, off to the next thing.

Amy said, ‘Look, I just need to have a quick chat with one of these guys before they disappear. How about we meet up for a coffee? Tomorrow? Next week? I’ll be in touch.’

‘Great,’ said Harper, watching as Amy scooted across the road after one of Harper’s colleagues, already clutching the recorder. ‘Text me?’ said Harper, but Amy was too far away to hear.

Chapter 10

Those who are carried away are happy, according to some accounts, having plenty of good living and music and mirth. Others say, however, that they are continually longing for their earthly friends. Lady Wilde gives a gloomy tradition that there are two kinds of fairies – one kind merry and gentle, the other evil, and sacrificing every year a life to Satan, for which purpose they steal mortals.

FROM Fairy and Folk Tales of Ireland

BY W. B. YEATS

July 19th

Six days old

Mid-morning

The house was one of a thousand two-up-two-down stone terraces lined up on one of the city’s eight hills, built a hundred years ago for the families of the steelworkers and the miners. Now it was all students, couples and young professionals, those with a modest budget looking to buy in a nice bit, not in the centre but not too far out.

When they moved in together, Patrick and Lauren had been lucky to bag a house in the area that didn’t face another row of houses; opposite the front window was a cluster of trees and bushes, beyond which the land fell steeply away before levelling out to a small playing field, then dipping down again to a basketball enclosure. Upstairs, the main bedroom had far-reaching views of the other side of the valley, where the derelict ski village dominated the landscape. A pity, but the beauty and variety of the sky made up for it.

From her position on the low couch under the windowsill in the front room, the sky was all Lauren could see, a wild blue, fading dusty at the edges, swept with wisps of white cloud and etched with vapour trails.

The tide of visitors had ebbed away with the passing of time – a flood on the first day to a trickle yesterday, and this morning, no one. It was quiet in the house. The babies dozed lightly, side by side in their shared Moses basket placed in the middle of the carpet. Flawless, beautiful creatures; the way their lips pursed and smacked as they slept thrilled her, so that she was glowing with pride and adoration. She felt sorry for all those other mothers she’d seen in the hospital whose babies were so average and unremarkable. They were probably jealous. It made sense, when you saw Morgan and Riley, how perfect they were, how desirable.

Exhaustion flooded her then. She allowed her mind to drift, her eyes to drop shut. Though she could have slipped easily into sleep, Lauren forced her stinging eyelids apart. There was danger in falling asleep, especially when the babies were quiet: a silent thief could seize the opportunity to sneak in, lift the basket and be away, with nothing to alert her as she slumbered, peacefully unaware. Then, when the boys opened their eyes it would be to a stranger, and when she opened her own it would be to a blank space where her heart once was. She heaved herself from the couch and up the step to the kitchen, over to the back door to check again that it was locked. For good measure, she took the key out of the lock and placed it in a cupboard. Then, she went back into the front room and checked the bolts on the front door before sitting down again. Her thoughts roamed the windows of the house. None were open downstairs. What about upstairs – was the bathroom window ajar? Could a person, should they go to the trouble of using a ladder, even fit through it? Lauren attempted to have a word with herself. You’re safe now, she told herself. You can sleep. Patrick’s upstairs, anyway. Just a few minutes’ nap. No one can get in. She lay down on the carpet and draped an arm over the Moses basket. Her wrist throbbed where the wounds she’d got in hospital still hadn’t healed, but her body settled. The throbbing receded. Her eyes closed.

Footsteps approached along the pavement outside, and Lauren sighed, knowing she’d soon be making small talk with a neighbour, or accepting gifts from one of Patrick’s office buddies’ wives. She didn’t want to be ungrateful but she really did not feel like being sociable; maybe she’d just ignore the door this time. She stayed very still, listening to the twins breathing, not quite at the same time, in-in, out-out. The footsteps slowed and stopped, and Lauren heard the crinkling of paper. Then, whoever it was must have turned and hurried away; she heard hasty percussive heels on concrete and by the time she unbolted and opened the door there was no one to be seen. Only a gift-wrapped parcel on the step, which she picked up and brought inside.

Patrick appeared and began fussing in the kitchen, looking for something among the mounds of detritus.

‘Have you seen my phone charger?’ he said, finding it a second later under a pizza box.

‘Weird thing just happened,’ said Lauren. ‘Someone left a parcel but didn’t knock. I heard them running away.’ She held up the package, with its blue dinosaur-patterned paper.

‘Let’s see,’ said Patrick, taking it and turning it over, finding a card taped to the underside. While Patrick opened the card, Lauren opened the present.

‘Well,’ she said, examining the gift, ‘that’s, um, different.’

In her hands, there was a model that appeared at first glance to be of the kind her grandmother favoured: a supposed-to-be-quirky scene in which a family of animals dressed up like people were all sitting around a little table having tea. Taking a closer look, she recoiled, held it away from her; the surface of it was tacky with something, and gave off a faint, upsetting smell she thought might have been urine. The modelled animals were rodents, with long sinister faces: rats. The mother-rat wore a pinny with a scalloped edge while the father wore a business suit and smoked a pipe. The mother was caught in the act of serving the father a slice of cake as the child-rats looked on. Matching child-rats. Twin boys. All of them were grinning with sideways eyes, as if they were planning something nasty and were very much looking forward to it. The thing was cast in resin, and the sticker on the bottom had been signed by the artist who’d hand-painted it. A limited edition of one hundred. Not limited enough, thought Lauren.

Patrick was on a chair, reaching up to add the card to the others, arranged like bunting, strung on lengths of fishing line across the far wall.

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