NEIL WHITE
Lost Souls
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
AVON
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Copyright © Neil White 2008
Neil White asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
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Source ISBN: 9781847560186
Ebook Edition © 2008 ISBN: 9780007328987
Version: 2018-07-25
To Alison
Title Page
Copyright
Dedication
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Chapter Thirty-three
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
Chapter Thirty-seven
Chapter Thirty-eight
Chapter Thirty-nine
Chapter Forty
Chapter Forty-one
Chapter Forty-two
Chapter Forty-three
Chapter Forty-four
Chapter Forty-five
Chapter Forty-six
Chapter Forty-seven
Chapter Forty-eight
Chapter Forty-nine
Chapter Fifty
Chapter Fifty-one
Chapter Fifty-two
Chapter Fifty-three
Chapter Fifty-four
Chapter Fifty-five
Chapter Fifty-six
Chapter Fifty-seven
Chapter Fifty-eight
Chapter Fifty-nine
Chapter Sixty
Chapter Sixty-one
Chapter Sixty-two
Chapter Sixty-three
Chapter Sixty-four
Chapter Sixty-five
Acknowledgements
About the Author
Other Works
About the Publisher
The old man turned away and closed his eyes, clamped his hands over his ears, but the images were still there, searing, sickening. He tried to shut them out, screwed up his eyes and started to pace. It was no good. He ended up where he started each time, next to her.
She was tied to a chair, her arms behind her back, her wrists strapped tightly to the thin spindles. Blood covered her face and painted her shirt in splatter patterns. He looked at his hands. They were sticky with her blood.
He closed his eyes again, but the sounds were harder to shut out. Wherever he paced, whenever he couldn’t see her, the noises were still there, like echoes, constant reminders.
He stopped to take some deep breaths. The woman he wanted to remember was the one he had known in life. She had been fun, vibrant, a face full of smiles. That was the image he wanted to keep, not the one in this room, her face a grotesque mask, nothing left of the person he’d known.
He couldn’t shake the image away. He had seen her face in life; and now he had seen it in death. And it was worse than that, because he had seen her die, her eyes wide open, in pain, in fear, the knife getting closer. She had known what lay ahead of her.
He started to walk around the room faster, tears running down his face. He clenched and unclenched his fingers, looked up and then covered his ears as he walked, as he tried to stifle the sounds that once again crashed through his head. He had heard her last word, forced out through clenched teeth. It had come out as a guttural moan, but he had known what it was. It was no. She had tried to say no.
He took a deep breath and stopped pacing. He turned to look at her. She was still the same. He put his head back and sobbed, and then he sank to his knees.
He stayed like that, rocking slightly as he sniffed back the last of his tears.
After a few minutes he stood up and slowly walked over to the chair. He put his hand on the woman’s cheek and gently stroked it, her skin soft under his fingers. But she felt cold. He leaned forward and kissed her on the top of her head.
‘I’m sorry, so very sorry,’ he whispered. ‘I tried to warn you. I really tried.’
The old man stepped away and looked down at his feet. He could feel the tears trickle down his cheeks, his skin parchment-thin, and as he touched them the blood washed away from his fingertips. He muttered a few words to himself, a private prayer, before reaching for the telephone.
‘Police please.’
He waited to be put through, and when he heard the voice at the other end of the line, he calmly said, ‘My name is Eric Randle, and I want to report a murder.’
North or south, murders are the same.
DC Laura McGanity blew into her frozen hands and, just for a moment, dreamt of London. Two weeks earlier it had been her home, but already that seemed like a lifetime ago. She had only moved to Lancashire, a mere two hundred miles from the capital, but it felt like a foreign country as the frigid air blew in from the hills that surrounded the town. She paced along the yellow crime-scene tape and it snapped loudly as it blew in the early-morning wind. She shivered and wrapped her scarf tighter round herself.
It wasn’t just the weather that felt alien. It was the quietness. She was standing by an open-plan lawn in a neat suburban cul-de-sac, with the hills of the West Pennine Moors as a backdrop, painted silver as the rising sun caught the dew-coated grass, just the snap of the crime-scene tape to break her concentration. She missed the London lights, the buzz, even the noise. In comparison, Blackley was like a constant hush.
Laura had been brought up in the south and trained by the Met, but love had brought her north. She had arrived in a small town, concrete and graffiti replaced by moorland grasses and dry-stone walls. She knew she couldn’t afford a mistake. Her transfer north had been a risk, and she didn’t want to destroy her new career so soon. She had seen the looks in the eyes of the other officers in the station. Wariness. Suspicion. She was the girl from the big city, come to tell them their jobs.
She had to be alert now, because there was no time for distraction. With any murder the first twenty-four hours were the most important. After that, evidence on the killer could be lost. Fingernails got scrubbed, hair got cut, cars got burnt out.
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