Jill Barnett - New Beginnings

“Great. He can help us during the contractions. I can hear him now, calling out of my uterus: One! Two! Three! Breathe…Push!”

“March. This is serious. What if it’s true? We have to try this.”

She snapped her fingers. “I have an idea. Let’s teach him algebra. Geometry? Trig? You took calculus, didn’t you? Or we could always call my dad over to teach him. Maybe by the time the baby is a toddler he will do polynomial equations with rational coefficients and even draw sketches of the seven continents.”

But despite all of her sarcasm and teasing, Mike had been undaunted. At night he read to her belly, which was fine because he often read some kind of classic literature, Call of the Wild, David Copperfield, The Grapes of Wrath , which made her fall asleep more easily. For the first three months she could have slept twenty hours a day without being read to.

She loved it when he read poetry. Mike’s deep voice reading the metaphysical poets, or Beat poets like Cohen and Ferlinghetti. It was sexy as hell. The only real argument they’d had was when Mike decided to read a popular contemporary fiction novel and for some unknown reason picked Rosemary’s Baby.

Every day there was something new. He moved the radio by the bed and played the classical stations, old standards, musical soundtracks and the Beatles. The eight-track tape player in the car had everything from Bach to Bob Dylan, the Smothers Brothers to Hair. One night she awoke to him hovering above her protracted stomach, counting in Spanish.

About three weeks before Phillip was born, Mike was sound asleep after one Spanish lesson, two Wagner arias, Peter, Paul, and Mary and multiplying the sevens. She was wide awake at two thirty in the morning, the baby tumbling and kicking her ribs like crazy.

Since it was partially her husband’s fault she was sleepless, she leaned over and punched him in the arm. “Quick. Mike. Wake up.”

“What?” He sat up, disoriented. “Is it the baby? Don’t move. I’ll call the doctor.”

“No…no…It’s not the baby. I want you to get the protractor, honey, and draw an isosceles triangle on my stomach, then later we can go over to the Castro District and I’ll get pi, 3.1416, tattooed right here.”

Groaning, Mike flopped back on the bed, “Funny. You wake me up for jokes.” He stretched and yawned. “You can’t sleep again, right? What time is it?” He glanced at the clock, turned and faced her. “You laugh at me, sunshine, but wait and see. This kid’s going to be Nobel Prize material.”

Months and months later, when their wonderful son Phillip finally spoke something other than baby gibberish (much later than Scott since Scott spoke for him most of the time, a fact that drove Mike crazy), Phillip’s first word was “Mama.”

For two long and wickedly hilarious months he called Mike “Mama.” To March, the only way it would have been even funnier was if the baby had called Mike “mamacita.”

Eventually, from their Nobel prodigy came his second word: “shit.” His first sentence? “You idiot,” which he shouted after March had honked the car horn and waved at a neighbor. Yes, Mike had educated Phillip. Their Pavlovian child had learned from his father that whenever you honked the horn, you had to holler out “you idiot.”

Mike had always made his skiboards in his parents’ garage. At March’s insistence, he’d applied for a patent not long after that winter so long ago, when he’d first taken her skiboarding and long before they ever got married. But with marriage and family and work, he hadn’t made a skiboard in too long for him to remember.

After Phillip was born, Mike went over to his folks’ place one day to find his dad had put all of his board materials and equipment into the shed because, “Son, you have more responsibility now. You aren’t a teenager anymore.”

No one argued with Don Cantrell, so whenever March asked Mike about his boards, he blew her off with some lie.

He came home one night from the job he hated, stepping over baby toys into an apartment that smelled like spaghetti sauce and baby powder. He tossed his tie and sport coat on the sofa in the living room and headed for the kitchen.

March met him with an icy beer in one hand, waving a letter from the Department of Commerce in the other. “We have something to celebrate. The patent came through.”

He took a sip of the beer, sat down and read the letter with mixed emotions.

“I have more news. I weaned Phillip early and took a job today.”

That got his attention. He set down the beer. “Why? I make good money. You don’t need to work.”

“Yes. I need to work, not only for me. For you, Mike.”

“You don’t have to work for me. I thought we decided that we didn’t want to farm out the kids.”

“We don’t have to. I can work from home. Dave Wilkerson, you remember him from when I was still at the Art Institute? He called last week. Would you believe he’s with the biggest ad agency in the city? Stone Morgan and they want me to do some of their graphics. Most of the time, I can work from home, but they have day care onsite—the company’s run by a woman—so when I have to go to the office, it won’t be a problem. The pay is less than you make, but it comes with full benefits and it’s enough for us to get by.”

She knelt down in front of him and put her hands on his knees. “Quit your job. You hate what you’re doing. I don’t want it sapping all the joy from you. It kills me to see you give up on the skiboards. I know you have, by the way. I can’t get you to talk about them. You’re trying to hide it. What you can’t hide is that giving up your dreams is slowly killing you.

“I talked to your mom. She told me your dad packed up all your boards and tools months and months back. You never told me, Mike. You’re supposed to talk to me. You don’t have to protect me.”

“I’m fine. Dad was right. Chasing after some dream doesn’t make practical sense with the boys.”

“It makes more sense with the boys. It’s their future. The pregnancies, the marriage and babies, all of it got in the way of what we wanted. The kids are gifts. They are certainly not a reason to turn our lives into our parents’ lives.” She gave a short laugh. “It’s not just you who is changing.” She lowered her voice. “A month ago I actually bought three Butterick patterns.”

“You? Sew?”

“Happy-Hands-At-Home March. If I start to play bridge it’s all over for me.”

He wanted to believe they could shuck everything practical and shoot for the moon. He wanted to work at a job that made him want to set the alarm clock, that made him want to work long hours and take pride in what money he made. But he was a father with two young sons. To chase his dreams felt irresponsible.

“Look, honey,” March went on. “I believe this letter is a sign. It’s telling us something. Let’s move back to the city. Get a place with space for you to work on your boards. I’ve been thinking all day. Maybe a warehouse or a place where we can live above a shop? It’s only two hours up to the mountains. We can go up to the ski resorts on weekends and you can try to sell your boards. The boys are young now. They’re not in school yet. When they are in school, that’s when we will be tied down.

“Look. I’d be willing to bet we can get some kind of exhibition meet organized with Rob and his local connections. I can see if we can get support for some kind of race, a special run. Maybe at Northstar? The resort is new. They need publicity. I can get ad sponsors. What if I could get some good sponsors through my new job? This is our time. Our chance.” She took his hands. “This may be our only chance. Do you really want to look back and think if only?”