Nick Laird - Glover’s Mistake

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From a rising young novelist comes an artful meditation on love and life in contemporary London.When David Pinner introduces his former teacher, the American artist Ruth Marks, to his friend and flatmate James Glover, he unwittingly sets in place a love triangle loaded with tension, guilt and heartbreak. As David plays reluctant witness (and more) to James and Ruth's escalating love affair, he must come to terms with his own blighted emotional life.Set in the London art scene awash with new money and intellectual pretension, in the sleek galleries and posh restaurants of a Britannia resurgent with cultural and economic power, Nick Laird's insightful and drolly satirical novel vividly portrays three people whose world gradually fractures along the fault lines of desire, truth and jealousy. With wit and compassion, Laird explores the very nature of contemporary romance, among damaged souls whose hearts and heads never quite line up long enough for them to achieve true happiness.

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‘You’re certainly not minor.’

‘I’m certainly not a minor.’

Larry gave a loud guffaw and patted the back of her hand. Ruth ignored him and lifted David’s cigarettes; he passed her the lighter and she drew one out of the packet, pinching it in half to break it in a neat, proficient movement. She noticed David noticing.

‘Can’t stop, can only downsize.’

Watching her, David found himself reminded of the finitude of earthly resources. She expected, and the taking was so heedless she had obviously acclimatized to prosperity at an early age. When the time had come for her to order a drink she’d spoken quickly, astonishingly, in a volley of Italian. The reluctant waitress had beamed, revealing one deep dimple, and replied in the same ribboning cadences. Later, when David leant across and told Ruth how much he liked her charcoal-coloured wrap, she said, ‘Well, that’s really something. It’s a bit Raggedy-Ann now, but you know who used to own it? Audrey Hepburn. She was a great friend of my mother’s.’

Men who own banks and Audrey Hepburn. A sheet of black paper for one million dollars. David lifted the edge of the shawl then, and pressed his thumb in the cashmere. It was soft as baby hair, as kitten fur. He thought of the symbolism of the act, touching the hem of her garment. He had a terrible tendency to think in symbols. He knew it made him unrealistic.

Nutter

Blame is complicated but some of it must be David’s. It was a Thursday night weeks later, and as the tube slid alongside the platform Ruth held tight to the bar, bracing herself for the lurch. She noticed a young man suddenly uncoil, a few seats down, and bounce to his feet. He was right behind her at the barrier, when she couldn’t find her ticket, and she stepped aside to let him pass. Outside on the pavement, the man was peering into the window of an estate agent’s, his head almost touching the glass. She walked down the High Street, took the second road on the left and, after a few moments, heard footsteps and looked back. He’d turned the corner too.

Something in her registered his presence as aggressive. But still, it was possible, she told herself, that he hadn’t even noticed her. Or that he hadn’t noticed he was scaring her. This was England. There was a thing called cultural difference. She quickened the percussive step of her boots and clawed round in her bag, locating her keys and jiggling them into her fist, so the sharp parts faced outwards. There was also a thing called sexual assault. Maybe she should stop and let him pass. But then they’d be only a couple of metres apart. Maybe she should knock on the door of a house, somewhere lit up. Further along, brown leather in street light, a man unlocking his car. Just as she tensed herself to shout, he climbed in and the door of the car banged shut. The words died in her throat.

The car’s tail-lights receded, exited right. She glanced back and the man stopped, and she thought of playing Grandmother’s Footsteps with Bridget in the yard on Sherman Street. The grass had almost been hidden by pink cherry blossom. An image of Bridget’s tiny hands, a doll’s hands, pouncing on her, Bridget screaming and giggling. She started walking quickly again and a white cat slinked out from behind some bins. That did it: she broke into a run, her canvas bag slapping awkwardly against her side. Flight heightened her panic. In the noise her motion made, she was convinced she could hear him behind her, running, and if she turned now he would be there, six foot of shadow coming towards her, coming right for her, and would say nothing, do something…

Number 87. She vaulted up the steps and jammed the button for C, the top-floor apartment. David’s. The man was strolling now, thirty, forty metres away. It was fine. Was it fine? As he approached, she managed to pout disdainfully and stare past him, but kept her finger pressed on the buzzer. He was almost at the bottom of the steps, and then he was there, and he stopped. It was real. He was here to harm her. She stared and he stared back, his face a private smirk, the whole world some obscene joke. He was forcing himself into her consciousness, into her life, and she could do nothing about it. She made a shooing gesture at him, and then suddenly she was out of bravery: her knees went. She grabbed at the doorway for support. The man pulled his hands out of his black anorak and held them out, palms up, as if to say Cool it, let’s take it easy. But before he could speak, she cut in, her voice unnaturally high.

‘No—fuck you. I think you should walk on by, sir, and leave me alone.’ The ‘sir’ took even her by surprise. He took a step back and shrugged, still bemused.

‘Well look, I’m sorry but—’

‘If you try anything, I will kick you. I will kick the shit out of you. I’m not interested…’ She trailed off. Her American accent, minimal normally, sounded loud and false and ridiculous to her own ear, but she held his eye and nodded, to assure him she was serious. He sank his hands back into his anorak and leant against a lamppost as if he could quite happily wait there for eternity.

Upstairs David picked up the intercom handset: ‘Hello?’

‘Open the door. A man followed me and he’s right here .’

‘What? The buzzer’s broken. I’m coming down.’

Three floors up, in a steamy kitchen, David grabbed the first heavy thing to hand and descended the stairs three at a time. When he yanked open the front door, Ruth pawed at his arm, pulled him out onto the porch.

‘This man has been—’

David patted the fist that gripped his shirtsleeve. ‘Ruth, meet James,’ he said, there and then corrupting the future. She made a series of fathoming blinks and offered a panicky smile. David repeated: ‘This is James, my lodger.’

Ruth stood stiff with embarrassment, both hands clutching her shoulder bag.

‘Flatmate,’ Glover corrected, signing Don’t shoot, as he came up the steps. Ruth shook his outstretched hand, and noticed his engaging smile, his steady blue eyes.

‘I’m so sorry about freaking you out. I’d no idea…’

David backed against the hallway wall to let her pass, knocking unclaimed post from the radiator. Behind her, Glover widened his eyes at him as if to ask Who the hell’s this nutter? Ruth tugged the weapon David had picked up, a blue oven dish, from his hands.

‘And what’s with this? Were you gonna make him a casserole?’

The intricate machinery

They climbed the stairs to dinner in procession—Ruth, then David, then Glover. It had been some time since the communal hall had seen any love. Handlebars, furniture, umbrellas and shopping bags had scored and scuffed the once-white walls until now they resembled the notepads in stationers used to test pens. The bare bulb hung limply. The radiator had leaked last winter and rust in the pipes had left a dark blotch, Africa-shaped, on the carpet. The man who came to read the meter had asked David if it was a bloodstain.

‘I’m sorry—James—I’m sorry for getting so hysterical down there.’

‘No, not at all. As much my fault as yours.’

‘You really should have said something and reassured her.’

‘I tried but she told me to shut up. In fact she threatened me .’

‘I did, it’s true.’ Ruth laughed. ‘You know what it is? I think it’s that everything’s so terrible everywhere, I’m just waiting for something to happen to me .’

She looked around the kitchen, taking in the slatted calendar for the Fu Hu Chinese takeaway, the cupboard with the missing door, the tannic stains of damp on a corner of the ceiling. David would have felt embarrassed, but he had a hunch that Ruth liked to slum it occasionally. She was privileged enough to feel at home anywhere, and to equate squalor with authenticity.

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