DANUTA REAH
ONLY DARKNESS
Copyright Copyright Dedication 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Keep Reading Acknowledgements About the Author By the Same Author About the Publisher
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollins Publisher 1999
Copyright © Danuta Reah 1999
Danuta Reah asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Source ISBN: 9780006513155
Ebook Edition © OCTOBER 2016 ISBN: 9780007476558
Version: 2016-10-04
Dedication Dedication 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Keep Reading Acknowledgements About the Author By the Same Author About the Publisher
For my mother, Margaret Kot, who died
before this manuscript was accepted for
publication.
Cover
Title Page DANUTA REAH ONLY DARKNESS
Copyright Copyright Copyright Dedication 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Keep Reading Acknowledgements About the Author By the Same Author About the Publisher This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins Publisher 1999 Copyright © Danuta Reah 1999 Danuta Reah asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication Source ISBN: 9780006513155 Ebook Edition © OCTOBER 2016 ISBN: 9780007476558 Version: 2016-10-04
Dedication Dedication Dedication 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Keep Reading Acknowledgements About the Author By the Same Author About the Publisher For my mother, Margaret Kot, who died before this manuscript was accepted for publication.
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Acknowledgements
About the Author
By the Same Author
About the Publisher
It was a Thursday in December, the night that Debbie saw the killer.
She had just finished her evening class and was on her way out of the college. It was late – about nine-thirty. The students had kept her talking after the class was finished, and by the time she had dumped her books in the staff room and grabbed her coat, Les Walker was standing in the entrance lobby waiting to lock up after her.
He jingled his keys as she approached and tapped his watch meaningfully. ‘Not got a home to go to?’
‘Doesn’t seem much point now,’ she said, looking at her watch in response to his gesture. ‘Sorry. Are you on again first thing?’ Debbie hated keeping people waiting. ‘Have I stopped you from going home?’
Les shook his head. He didn’t seem too put out. ‘No, it’s gone ten by the time we’re finished here. Got to check all the rooms on the top yet.’
He opened the heavy entrance door. A gust of wind pushed it in against him, and a spatter of rain hit the floor. ‘Wild night,’ he observed. ‘Got your car in the top car park? We’ve not locked it yet.’
‘No.’ Debbie looked apprehensively at the shiny dark of the pavement. ‘I’m on the train.’
‘You be careful then.’ Les was serious now. ‘Remember those girls …’
Thanks, Les, I needed that. ‘That was way over outside Doncaster.’
‘Not got him yet. He’ll do it again. That kind of nutter, he’ll keep on till he’s caught. They want hanging, doing something like that, I’ll tell you …’
The sound of feet on the steps outside silenced him, and Rob Neave, the security officer, pushed his way through the door. His hair was plastered to his face with the rain, and water was dripping from his jacket. ‘Finished over here?’ he said to Les. He acknowledged Debbie with a nod.
‘Just got the top floor to do.’ As Rob Neave had overall control of the day-to-day running of the building, and a reputation as a bit of a new broom, the caretakers were wary of him. ‘Just seeing Debbie out. I was telling her …’
The wind gusted again, and the sound of a window swinging back against its hinges stopped him. He looked at Debbie. ‘You be careful, now.’ He disappeared up the stairs, leaving her with Rob Neave.
She finished fastening her briefcase and looked towards the door. ‘I’d better be off,’ she said uncertainly as the wind sent rain spattering across the windows.
‘Are you in the top car park? The lights are out. I’ll walk across with you.’ The car park, late in the evening, was dark and deserted.
‘It’s OK,’ she said. ‘Thanks. But I’m on the train.’
He looked at her thoughtfully. She was aware that her mac was only showerproof and her shoes were lightweight for this kind of weather. It was fine this morning! She pulled out her umbrella, and he shook his head and laughed. He held the door open for her and watched her down the steps as she struggled to open her umbrella against the wind, then he closed the door, leaving her to the mercy of the storm.
And it was a storm. The rain was drenching, and the wind carried it round, up, under her umbrella, driving against her, freezing her face as she tried to pull the collar of her coat around her. She hurried down the hill towards the station. She was later than usual, but there was a chance the bad weather might have delayed her train and she had some hope of catching it. If not, she was in for a half-hour wait on a freezing platform. There was a small waiting room, with seats and a wall heater, but it was always locked when the last of the station staff left at nine.
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