Литагент HarperCollins - Thriller - Stories To Keep You Up All Night

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Lock the doors, draw the curtains, pull up the covers and be prepared for "Thriller: Stories to Keep You Up All Night". Featuring the biggest names in fiction, "Thriller" is the first collection of pure thriller stories ever published. Offering heart-pumping tales of suspense in all its guises are thirty of the most critically acclaimed and award-winning names in the business.

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He didn’t move.

She remained still, desperately thinking. She loathed a movie wherein the victim had the attacker down—then just ran, eschewing the idea that a killer might rise again. She lifted the pan to strike again, then gritted her teeth in agony.

What if she was wrong? What if he was just a drugged-out musician?

She looked around the kitchen, desperate to find something. She saw what she needed. A bottom cabinet was just slightly ajar. She saw an extension cord. The good thing about spending her life around the water and boats was that she could tie one sturdy knot.

She scrambled for the extension cord and turned back to tie up her victim. To her astonishment, he had risen.

He was staring at her again.

His eyes were no longer dazed.

They were deadly.

The elements were still raging. The area in front of the house looked like a lake. Keith knew if he left the old lady in the car, he might well be signing her death certificate. He fought the temptation to leave her, to rush out in a panic, thinking only of his wife.

The dog was yapping.

“Cocoa, if you don’t shut up…!” Keith warned.

To his astonishment, the Yorkie sat still, staring at him gravely. Keith opened the door, reached into the back, picked up his human burden. Cocoa barked once—just reminding Keith he was there. “Come on, then!” he said, and Cocoa jumped up, landing on the old woman’s stomach. Keith hurried toward the house. Was the man in the trailer really just the old woman’s nephew—who had run because of him? Or was he a killer? What if he were in the house, if he had come upon Beth…?

Keith made his way to the front door.

Run . There was no other option.

The rear door was at the back of the kitchen. She ran; he was right behind her.

When she opened the door, the wind rushed in with a rage. She had been ready. He hadn’t. The door slammed shut in his face.

Beth ran out into the storm.

Keith burst into the house, Mrs. Peterson in his arms, Cocoa on top of her.

“Beth?”

To his astonishment, a man staggered out of the kitchen. Wearing his clothes. The fellow stared at him like an escapee from the nearest mental institute.

He was unarmed.

Keith quickly strode to the sofa to deposit Mrs. Peterson. Cocoa stayed on her stomach—growling.

Keith pulled his gun from his waistband.

“Whoa!” the man said.

“Where’s my wife?” Keith barked.

“She hit me with a frying pan and ran out!” the man said. “Oh my God, I’ve been rescued by loonies!” he wailed. “She hits me—now you’re going to shoot me?”

“Who the hell are you?” Keith barked.

“Mark Egan.” He sighed, rubbing his hand. “I’m a musician. What is the matter with you people?”

Holding his gun on the intruder, loath to take his eyes from him, Keith draped a throw, tossed on the back of the rocker, over Mrs. Peterson. “Get in there,” he ordered, indicating the guest room. “Now!”

“I’m going!” the man said, lifting a hand. He sidled against the wall, heading for the room. The lantern caused ominous shadows to invade the house.

“You know, you’re crazy,” he said softly. “You’re both crazy!”

“If you’ve hurt her, I’m going to take you apart piece by piece.”

“She attacked me!” the fellow protested.

“Get in there!”

It was then they both heard the scream, long and sharp, rising above the lashing sound of wind and rain.

The shed had seemed to offer the only escape from the violent elements, and she could arm herself there. Their shed held scuba equipment; she could grab a diving knife.

She couldn’t get the door to open at first because of the wind. At last, it gave.

An ebony darkness greeted her.

She slipped inside, reaching in her pocket for the matches with which she had lit the Sterno. Her hands were shaking, wet and cold.

Her first attempt was futile. She was wet; she had to stop dripping on the matches.

At last, she got a match lit.

There, in the brief illumination of flame, was a face.

Eyes red-rimmed.

Flesh pasty white.

Hand gripping a diver’s knife.

“Don’t scream!” she heard.

Too late.

She screamed.

Keith sped out of the house.

He was forced to pause, slightly disoriented. The wind and rain were loud, skewing sounds around him. Then he realized that the scream had to have come from the shed, and he raced in that direction, his gun drawn. He wrenched the door open.

There was darkness within.

“Beth!”

“Put the gun down!” came a throaty, masculine reply.

Beth appeared. Soaked, hair plastered around her beautiful face. There was a man behind her. The fellow who had claimed to be Joe Peterson. He had a knife, and it was against Beth’s throat as he emerged.

“Put the gun down!” Peterson raged again.

“Let go of my wife,” Keith commanded, forcing himself to be calm.

“You’ll kill me. He’s not sane at all, did you know that?” the man demanded of Beth.

She stared hard at Keith, eyes wide on his. He frowned. She seemed to be trying to tell him she was all right. Insane, yes, it was all insane, there was a knife against her throat.

“We’re all getting soaked out here. Let’s go back to the house. Keith, did you know we had another visitor?” she asked, as if there wasn’t honed steel pressing her flesh.

“I’ve seen him.”

“Where’s Mrs. Peterson?” she asked.

“He tried to kill her—stuffed her into the trunk of her car,” Keith said. “She’s on our sofa now. And, uh, your guest is in the house. I imagine.”

“I did not try to kill Aunt Dot! You had to be the one!” Peterson protested, the knife twitching in his hand.

“Let’s get to the house,” Beth said again. “Mr. Peterson, I’ll walk ahead of you, and Keith will walk ahead of us.”

Keith frowned fiercely at her.

“Yeah, all right, go!” Peterson said.

Keith started forward uneasily. There was one man in the house, and another behind him with a knife to Beth’s throat. There was no doubt one of them was a murderer.

He entered the house. The door had been left open. Rain had blown in.

He was followed by Beth.

And the man with the knife.

Mrs. Peterson remained as a lump on the sofa; nothing more than a dark blob in the shadows. Cocoa, however, was no longer with her. He had run to the far side of the room, and wasn’t even yapping. He hugged the wall, near the guest-room door, whining pathetically as they entered.

“There was another fellow with us, too, a musician. Plays for a group called Ultra C,” Beth said to Peterson. She swallowed carefully before looking at Keith again. “What happened to him? He was, uh, in the house when I left.”

“Gone—I hope!”

They heard a sound of distress. It was Joe Peterson. He was staring at the lump on the sofa.

“Mr. Peterson,” Keith said softly. “I’m not going to shoot you. But you are going to get that knife away from my wife’s throat this instant.”

Beth pushed Peterson’s arm, stepping away from him. Peterson barely reacted. He stared at the sofa. “God! Is she dead?” he asked.

Cocoa whined. Beth stared at Keith, shaking but relieved. “Cocoa,” she said softly. “Well, I could have been wrong, but if this man had attacked Mrs. Peterson, the dog would be barking right now.”

“Aunt Dot!” Peterson said numbly.

“She isn’t dead—wasn’t dead,” Keith said. He looked at Beth. “So it’s your musician.”

“You realized it, too…But—”

“He’s out there somewhere. And we’ll have that to deal with. But for the moment…we’ve got to try to keep Mrs. Peterson alive.”

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