Julie Kagawa: Shadow Of The Fox: a must read mythical new Japanese adventure from New York Times bestseller Julie Kagawa

“I see myself, Master Isao,” I said, wondering if, this time, it was the right answer. “In my true form. Without illusion or barrier. I see a kitsune .”

Kitsune. Fox. Or half kitsune, more accurately. Wild kitsune, the foxes that roamed the hidden places of Iwagoto, were masters of illusion magic and shapeshifting. While it was true that some kitsune chose to live as normal wild animals, all foxes possessed magic. Kitsune were yokai, creatures of the supernatural. One of their favorite tricks was to take human form—usually in the guise of a beautiful woman—and lure men astray. To the naked eye, I was an ordinary human girl; no tail, pointed ears or yellow eyes. Only in front of mirrors and reflective surfaces was my true nature revealed. Lacquered tables, still water, even the edge of a blade. I had to be very careful where I stood and what I was around, lest an acute observer notice the reflection on the surface did not quite match the girl in front of it.

Or so the monks warned me. They all knew what I was, and made certain to remind me of it often. Half-blood , demon child , fox girl : phrases that were part of my everyday life. Not that any of the monks were cruel or heartless, just practical. I was kitsune, something not quite human, and they saw no reason to pretend otherwise.

I glanced at Master Isao, wondering if he would tell me anything different this time, any hint of what he really wanted me to say. We’d played the what do you see? game numerous times in the past, and none of my answers—be they human, demon, fox or fish—seemed to satisfy him, because I’d always find myself right back here, staring at the kitsune in the mirror.

“How are your lessons progressing?” Master Isao went on, giving no indication that he’d heard my answer, or if it was the right one. I very seriously doubted it.

“Fine, Master Isao.”

“Show me.”

I hesitated, casting about for a suitable target. There weren’t many to be found. The mirror, perhaps. Or the wall scroll. But I had already used both in the past, and Master Isao wouldn’t be impressed with the same tricks over and over again. This, too, was a game we’d played often.

I spotted a yellow maple leaf, caught on the end of my sleeve, and grinned.

Picking it up, I twirled it between fingers and thumb, then carefully put it on my head. Kitsune magic needed an anchor, something of the natural world, to build an illusion around. There were stories of very old, very powerful kitsune who could weave illusions out of thin air, but I needed something to attach the magic to. Focal point in place, I half closed my eyes and called on my powers.

Since before I could remember, magic had come naturally to me, a gift from the yokai side of the family, I was told. Even when I was a toddler, I had shown impressive talent for it, floating little balls of kitsune-bi, the heatless, blue-white foxfire, through the halls of the temple. As I’d gotten older and my magic had grown, a few of the monks thought Master Isao should put a binding on me, sealing away my power so I wouldn’t hurt anyone, or myself. Wild kitsune were notorious troublemakers. They weren’t inherently malicious, but their “pranks” could range from merely annoying—stealing food or hiding small items—to truly dangerous: spooking a horse on a narrow mountain path, or leading someone deep into a marsh or forest, never to be seen again. Better that I didn’t have that temptation, at least according to Denga and a few others. But the master of the Silent Winds temple had adamantly refused. Fox magic was part of a kitsune’s life, he said, something as natural as sleeping or breathing. To deny it would do more harm than good.

Instead, I practiced my magic every day with a monk called Satoshi, in the hopes that I would learn to control my fox-given talent, and not the other way around. The monks had been skeptical at first, but I knew Master Isao trusted that I would not use my powers for mischief, so I tried not to give in to temptation. Even though some days it was very hard not to disguise the cat as a teapot, or to make a closed door look open, or to turn a log invisible in front of the steps. Fox magic was nothing but illusion and trickery, Denga-san had seethed on more than one occasion, usually on the tail end of a prank. Nothing useful could ever come of it.

That might be true , I thought, as the heat of the fox magic rose up inside me. But it certainly is a lot of fun.

A ripple went through me, like my body was made of water that someone had just dropped a pebble into, and a puff of white smoke engulfed me from the ground up. As the tendrils of smoke dissipated, I opened my eyes and smiled at the image in the mirror. Master Isao stared back at me in the reflection, a perfect replica of the man sitting beside the mirror, if you didn’t count the rather smug grin on his weathered face. And the white-tipped tail behind him.

The real Master Isao chuckled and shook his head. “Is this what you and Satoshi have been practicing?” he asked. “I shudder to imagine the day ‘I’ suggest Denga-san should go and catch a monkey.”

“Ooh, do you think he would? That would be hilarious. Um, not that I would ever do something like that, of course.” Reaching up, I plucked the maple leaf from my head, and the illusion frayed apart, fox magic scattering to the wind, until I was just me once more. Twirling the leaf in my fingers, I wondered how much trouble I’d be in if I did disguise myself as Master Isao and told Denga to go jump in the pond. Knowing the monk’s fanatical devotion to his master, he would do it without question. And then he’d probably kill me.

“Sixteen years,” Master Isao remarked in a soft voice. I blinked at him. That was new. Normally by this time, our conversation would be over and he’d be instructing me to return to my duties. “Sixteen years to the day that you have been with us,” he went on, almost wistfully. “Since we found you outside the gate in a fish basket, with nothing but a tattered robe and a note pinned to the cloth.” Forgive me, but I must leave this child in your care , the letter said. Do not judge her harshly, she cannot help what she is, and the road I walk is no place for innocence. Her name is Yumeko, child of dreams. Raise her well, and may the Great Dragon guide your steps, and hers.

I nodded politely, having heard this story dozens of times. I’d never known my father or my mother, and hadn’t given either of them much thought. They weren’t a part of my life, and I saw no point in worrying about things I could not change.

Though there was one very hazy memory, from when I was just a toddler, that continued to haunt my dreams. I’d been wandering the woods outside the temple that day, hiding from the monks and chasing squirrels, when I’d felt eyes on me from behind. I’d turned and seen a white fox staring at me from atop a fallen log, yellow eyes glowing in the shadows. We’d watched each other for a long moment, child and kitsune, and even though I was very young, I’d felt a kinship with this creature, a sense of longing that I didn’t understand. But when I’d taken a step toward it, the fox had disappeared. I’d never glimpsed it again.

“Sixteen years,” Master Isao continued, unaware of my thoughts. “And in that time, we have taught you our ways, steered you down what we hoped was the right path, trained you to seek the balance between human and kitsune. You have always known what you are—we have never hidden the truth. I have witnessed both the fox’s cunning and human compassion within you. I have seen callousness and kindness in equal measure, and I know you are balanced on a very thin edge right now, one of yokai and human. Whatever you choose, whatever path you wish to take, even if you attempt to traverse them both, you must decide for yourself, soon. It is almost time.”