Agatha Christie: The Dead Man’s Mirror: A Hercule Poirot Short Story

‘And originality becomes eccentricity as the years go by?’ suggested Poirot.

‘Very true. That’s exactly what’s happened to poor old Gervase.’

‘He has perhaps, a swollen idea of his own importance?’

‘Absolutely. I should imagine that, in Gervase’s mind, the world has always been divided into two parts – there are the Chevenix-Gores, and the other people!’

‘An exaggerated sense of family!’

‘Yes. The Chevenix-Gores are all arrogant as the devil – a law unto themselves. Gervase, being the last of them, has got it badly. He is – well, really, you know, to hear him talk, you might imagine him to be – er, the Almighty!’

Poirot nodded his head slowly and thoughtfully.

‘Yes, I imagined that. I have had, you see, a letter from him. It was an unusual letter. It did not demand. It summoned!’

‘A royal command,’ said Mr Satterthwaite, tittering a little.

‘Precisely. It did not seem to occur to this Sir Gervase that I, Hercule Poirot, am a man of importance, a man of infinite affairs! That it was extremely unlikely that I should be able to fling everything aside and come hastening like an obedient dog – like a mere nobody, gratified to receive a commission!’

Mr Satterthwaite bit his lip in an effort to suppress a smile. It may have occurred to him that where egoism was concerned, there was not much to choose between Hercule Poirot and Gervase Chevenix-Gore.

He murmured:

‘Of course, if the cause of the summons was urgent –?’

‘It was not!’ Poirot’s hands rose in the air in an emphatic gesture. ‘I was to hold myself at his disposition, that was all, in case he should require me! Enfin, je vous demande! ’

Again the hands rose eloquently, expressing better than words could do M. Hercule Poirot’s sense of utter outrage.

‘I take it,’ said Mr Satterthwaite, ‘that you refused?’

‘I have not yet had the opportunity,’ said Poirot slowly.

‘But you will refuse?’

A new expression passed over the little man’s face. His brow furrowed itself perplexedly.

He said:

‘How can I express myself? To refuse – yes, that was my first instinct. But I do not know … One has, sometimes, a feeling. Faintly, I seem to smell the fish …’

Mr Satterthwaite received this last statement without any sign of amusement.

‘Oh?’ he said. ‘That is interesting …’

‘It seems to me,’ went on Hercule Poirot, ‘that a man such as you have described might be very vulnerable –’

‘Vulnerable?’ queried Mr Satterthwaite. For the moment he was surprised. The word was not one that he would naturally have associated with Gervase Chevenix-Gore. But he was a man of perception, quick in observation. He said slowly:

‘I think I see what you mean.’

‘Such a one is encased, is he not, in an armour – such an armour! The armour of the crusaders was nothing to it – an armour of arrogance, of pride, of complete self-esteem. This armour, it is in some ways a protection, the arrows, the everyday arrows of life glance off it. But there is this danger; Sometimes a man in armour might not even know he was being attacked . He will be slow to see, slow to hear – slower still to feel.’

He paused, then asked with a change of manner:

‘Of what does the family of this Sir Gervase consist?’

‘There’s Vanda – his wife. She was an Arbuthnot – very handsome girl. She’s still quite a handsome woman. Frightfully vague, though. Devoted to Gervase. She’s got a leaning towards the occult, I believe. Wears amulets and scarabs and gives out that she’s the reincarnation of an Egyptian Queen … Then there’s Ruth – she’s their adopted daughter. They’ve no children of their own. Very attractive girl in the modern style. That’s all the family. Except, of course, for Hugo Trent. He’s Gervase’s nephew. Pamela Chevenix-Gore married Reggie Trent and Hugo was their only child. He’s an orphan. He can’t inherit the title, of course, but I imagine he’ll come in for most of Gervase’s money in the end. Good-looking lad, he’s in the Blues.’

Poirot nodded his head thoughtfully. Then he asked:

‘It is a grief to Sir Gervase, yes, that he has no son to inherit his name?’

‘I should imagine that it cuts pretty deep.’

‘The family name, it is a passion with him?’

‘Yes.’

Mr Satterthwaite was silent a moment or two. He was very intrigued. Finally he ventured:

‘You see a definite reason for going down to Hamborough Close?’

Slowly, Poirot shook his head.

‘No,’ he said. ‘As far as I can see, there is no reason at all. But, all the same, I fancy I shall go.’

Hercule Poirot sat in the corner of a first-class carriage speeding through the English countryside.

Meditatively he took from his pocket a neatly-folded telegram, which he opened and re-read:

Take four-thirty from St Pancras instruct guard have express stopped at Whimperley.

CHEVENIX-GORE.

He folded up the telegram again and put it back in his pocket.

The guard on the train had been obsequious. The gentleman was going to Hamborough Close? Oh, yes, Sir Gervase Chevenix-Gore’s guests always had the express stopped at Whimperley. ‘A special kind of prerogative, I think it is, sir.’

Since then the guard had paid two visits to the carriage – the first in order to assure the traveller that everything would be done to keep the carriage for himself, the second to announce that the express was running ten minutes late.

The train was due to arrive at 7.50, but it was exactly two minutes past eight when Hercule Poirot descended on to the platform of the little country station and pressed the expected half-crown into the attentive guard’s hand.

There was a whistle from the engine, and the Northern Express began to move once more. A tall chauffeur in dark green uniform stepped up to Poirot.

‘Mr Poirot? For Hamborough Close?’

He picked up the detective’s neat valise and led the way out of the station. A big Rolls was waiting. The chauffeur held the door open for Poirot to get in, arranged a sumptuous fur rug over his knees, and they drove off.

After some ten minutes of cross-country driving, round sharp corners and down country lanes, the car turned in at a wide gateway flanked with huge stone griffons.

They drove through a park and up to the house. The door of it was opened as they drew up, and a butler of imposing proportions showed himself upon the front step.

‘Mr Poirot? This way, sir.’

He led the way along the hall and threw open a door half-way along it on the right.

‘Mr Hercule Poirot,’ he announced.

The room contained a number of people in evening dress, and as Poirot walked in his quick eyes perceived at once that his appearance was not expected. The eyes of all present rested on him in unfeigned surprise.

Then a tall woman, whose dark hair was threaded with grey, made an uncertain advance towards him.

Poirot bowed over her hand.

‘My apologies, madame,’ he said. ‘I fear that my train was late.’

‘Not at all,’ said Lady Chevenix-Gore vaguely. Her eyes still stared at him in a puzzled fashion. ‘Not at all, Mr – er – I didn’t quite hear –’

‘Hercule Poirot.’

He said the name clearly and distinctly.

Somewhere behind him he heard a sudden sharp intake of breath.

At the same time he realized that clearly his host could not be in the room. He murmured gently:

‘You knew I was coming, madame?’

‘Oh – oh, yes …’ Her manner was not convincing. ‘I think – I mean I suppose so, but I am so terribly impractical, M. Poirot. I forget everything.’ Her tone held a melancholy pleasure in the fact. ‘I am told things. I appear to take them in – but they just pass through my brain and are gone! Vanished! As though they had never been.’