Beatriz Williams - The House on Cocoa Beach - A sweeping epic love story, perfect for fans of historical romance

“Older or younger?”

“Younger.”

“Are you close?”

“Very much.”

“Well, then. Why the devil should you leave her behind, if you love her?”

“Because I—”

Well. I stopped right there, right there on the edge, right in the split second before I tumbled off. Shocked that I had crept so close without realizing. Or shocked, really, that I had allowed this man to lead me there. Why? Because he was handsome and weary and crammed with easy manners, because he was solid and smoke-scented by my side, because I was breathing the fog of his breath and he was breathing mine, and his big left knee connected with my slender right one. Because he was a doctor, after all, and how could you not trust a doctor with your miseries? That was why doctors existed.

“Because I wanted to help,” I said instead.

He shifted in his seat, and his knee left mine.

“Well,” he said, tilting his head back again, crossing his arms across his ribs, “if you change your mind, I should be glad to serve as your confidant.”

I didn’t reply. I didn’t think I could. I felt sick, perspiring, the way you do when you stand by yourself on the brink of some vertiginous cliff, and the whole world undulates around you, and you’re overcome by the tantalizing power of suicide. The death that lies within your immediate grasp. A single, easy step.

When the silence ripened, and the road flattened, and I felt I could risk a sidelong glance, I saw that Captain Fitzwilliam’s eyes were closed once more.

But I knew he was not asleep.

WHEN WE WALLOWED INTO THE stable-yard entrance at half past ten, the scene had changed from the day before. Two ambulances occupied the corner nearest the barn, and for a moment I couldn’t tell if they were loading patients or unloading them. I pulled the brake and the car lurched and stopped. “We’re here!” I shouted, banging a fist on the wood behind me, and I didn’t wait for Captain Fitzwilliam to stir, I didn’t wait for Corporal Pritchard to wake up and crawl from his stretcher. I jumped out of my seat and into the soft earth, and I floundered around back to toss open the door.

Pritchard was sitting on the floor, dazed and sleepy. He lifted his head and swore. “That was quick.”

I stuck out my hand and lifted him free. The other ambulances, I now saw, were loading men. They were headed for the railway station, for the sanitary trains to the base hospitals. From the east came the sound of artillery, a steady barrage, round after round firing into the German defenses. This time there was no returning fire, no long whistle and low, shattering explosion, but I stuck my head to the crown of my helmet anyway, as if that would protect me, and staggered through the sucking mud back to the front of the ambulance.

Just as I ducked around the corner, a stretcher party charged from the doorway, awash in wet khaki and as urgent and muscular as a set of racehorses. I stopped just in time and flattened myself against the wall. “Watch it, mate!” the orderly said, the one in front, and for some reason this rebuke brought me back from the nauseous precipice. Reminded me, I suppose, of my own unimportance in this place. My insignificance. I was not absolutely essential; I was intruding. I was in the way. There was no impending collision. No Virginia at the center of some fearful, imagined impact. Just wounded men, who were fighting a war.

The stretcher passed. “Go on, then,” said Fitzwilliam’s voice behind me, and I obeyed him. Crossed the threshold into the barn.

Less crowded now. A few of the cots lay stripped and empty, and the orderlies and nursing sisters moved around like people instead of rabbits. But the architecture was the same, the brown walls, the rows of lumpy beds to the right, the curiously identical white faces stuck above each blanket, the curtains to the left that partitioned the operating theater, the recovery room, the mess and the barracks. The smell of disinfectant, of earth and wet wool and old wood, enclosed me in its familiar cloud. If I cared to listen, I could discern the restless moans, the low chatter of a hundred injured men. Like any hospital, I thought. Captain Fitzwilliam pushed past me and caught the elbow of one of the nurses, speaking earnestly, head a little bowed, so that the electric light caught the tender skin of the back of his neck, and I found that I was wrong. That the threat of annihilation didn’t matter.

But that’s how it happens, when you have no defense, no immunity whatsoever. When you thought you were strong, and you were only untested. I made a movement, preparing to turn away, and at that instant Fitzwilliam lifted his gray-speckled head and looked at me, and his lips parted.

“Miss Fortescue—”

A clatter of boots overtook him, a choir of exhausted male shouts, and our heads snapped to the doorway of the barn, where a new stretcher party had arrived, flinging mud and chill onto the floorboards.

“Damn,” said Captain Fitzwilliam. “You’ll excuse me.”

He strode to the door, and I turned to look for Corporal Pritchard. But Pritchard had gone as well, and I was left standing alone near the entrance to the operating theater, a useless obstruction, a thick American branch tossed into the orderly flow of treatment and evacuation, treatment and evacuation. We were two years late, weren’t we? In the early months of invasion and repulsion, the race to the sea—before so many clearing stations were established, before the base hospitals were built on the northern coast, before all the manuals were written and the procedures put in place—when the trains were stuffed with casualties and the depots lined with stretchers and panic, a hospital like ours might have made a difference.

In this brutal, methodical February of 1917, our zeal was nothing but vanity.

I stood there, feet planted on the old wooden boards of that French barn, and watched Captain Fitzwilliam approach the stretcher and trade a few words with the man in front. Step forward and bend his head to address the wounded soldier inside. Behind them, the door was still open, and the corner of an ambulance flashed in and out of view as the driver and the orderly secured the doors. A nurse hurried past, carrying a tub of soiled and stinking bandages. Fitzwilliam stepped away from the stretcher and issued some direction to the stretcher-bearers, pointing his finger to one of the empty cots, bleached new sheets yellow-white under the electric bulbs, and I thought, It is time to go, Virginia.

Time to go.

I stepped aside for the stretcher party, and the soldier’s pale face jogged by. Every roof beam, the arrangement of every cot was familiar to me, as if I’d known them for years. As if I’d been born and raised here, and maybe I had. Maybe I had lived an entire new life inside the space of the last twenty-four hours, been reborn and struggled and hoped and strived, and now … and now …

What now?

Did I die and return to the old life?

“Miss Fortescue,” said a voice next to my shoulder, “will you come to my office? I’m afraid some paperwork remains to be sorted out.”

AND SO I CAME, WITHOUT even striving for it, to stand inside that canvas-partitioned square that constituted Captain Fitzwilliam’s office, while he made his final notes on the papers that would accompany my new patients to the Château de Créouville. He had offered me coffee, and I had refused it. I didn’t want him to see how my hands shook. I gazed at the pink lobe of his right ear and said, Of course.

“I don’t know how to say this—I’m sure you’ll think me a little mad …”

I leaned forward and gathered up the papers from the desk. He was standing on the other side; he reached out and stopped my hands.