Camilla Way - The Lies We Told - The exciting new psychological thriller from the bestselling author of Watching Edie

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DO YOU PROMISE NOT TO TELL?A DAUGHTERBeth has always known there was something strange about her daughter, Hannah. The lack of emotion, the disturbing behaviour, the apparent delight in hurting others… sometimes Beth is scared of her, and what she could be capable of.A SONLuke comes from the perfect family, with the perfect parents. But one day, he disappears without trace, and his girlfriend Clara is left desperate to discover what has happened to him.A LIFE BUILT ON LIESAs Clara digs into the past, she realizes that no family is truly perfect, and uncovers a link between Luke’s long-lost sister and a strange girl named Hannah. Now Luke’s life is in danger because of the lies once told and the secrets once kept. Can she find him before it’s too late?

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Copyright Published by HarperCollins Publishers Ltd 1 London Bridge Street - фото 1

Copyright

Published by HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers 2018

Copyright © Camilla Way 2018

Cover design by Ellie Game © HarperCollins Publishers Ltd 2018

Cover photographs © Stephen Carroll/ Trevillion Images(staircase), Jacinta Bernard/ Trevillion Images(girl)

Camilla Way asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008159092

Ebook Edition © May 2018 ISBN: 9780008159085

Version: 2018-12-12

Table of Contents

Cover

Title Page

Copyright

Dedication

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Acknowledgements

Keep Reading…

About the Author

Also by Camilla Way

About the Publisher

Dedication

For Albert and Sidney

1

Cambridgeshire, 1986

At first I mistook the severed head for something else. It wasn’t until I was very close that I realized it was Lucy. To begin with I thought the splash of yellow against the white of my pillow was a discarded sock, a balled-up handkerchief perhaps. It was only when I drew nearer and saw the delicate crest of feathers, the tiny, silent beak, that I fully understood. And suddenly I understood so much more: everything in that moment became absolutely clear.

‘Hannah?’ I whispered. A floorboard creaked in the hall beyond my bedroom door. My scalp tightened. ‘Hannah,’ louder now, yet with the same, fearful tremor in my voice, ‘is that you?’ No answer, but I felt her there, somewhere near; could feel her waiting, listening.

I didn’t want to touch my little bird’s head, could hardly bear to look at the thin, brown line of congealed blood where it had been sliced clean from the body, the half-open, staring eyes. I wondered if she’d been alive or dead when it happened, and started to feel sick.

When I went to Hannah’s bedroom she was standing by her window, looking down at the garden below. I said her name and she turned and regarded me, her beautiful dark eyes sombre, just a trace of a smile on her lips. ‘Yes, Mummy?’ she said. ‘What’s wrong?’

2

London, 2017

Clara woke to the sound of rain, to a distant siren wailing somewhere along Old Street, and the low, steady thump of bass from her neighbour’s speakers. She knew instantly that Luke wasn’t home – not just absent from their bed but from the flat itself – and for a moment she lay staring into the darkness before reaching for her phone: 04:12. No missed calls, no text messages. Through the gaps of her curtains she could see the falling rain caught in a streetlamp’s orange glare. Below her window on Hoxton Square came the sudden sharp peal of female laughter, followed by the clattering stumble of high heels.

Another hour passed before she gave up on sleep. Beyond their bedroom door the first blue light had begun to seep into the flat’s dark corners, the furniture gradually taking shape around her, its colours and edges looming like ships out of the darkness. The square’s bars and clubs were silent now, the last stragglers long gone. Soon the sweep and trundle of the street cleaners’ truck would come to wash the night away, people would emerge from their buildings heading for buses and trains; the day would begin.

Above her, the repetitive beat continued to pound and, sitting on the sofa wrapped in her duvet now, she stared down at her phone, her tired mind flicking through various explanations. They hadn’t had a chance to speak yesterday at work, and she’d left without asking him his plans. Later, she’d met a friend for drinks before going to bed early, assuming he’d be back before too long. Should she call him now? She hesitated. They’d only moved in together six months before, and she didn’t want to be that girlfriend – nagging and needy, issuing demands and curfews – it was not the way things worked between them. He was out having fun. No big deal. It had happened before, after all – a few drinks that had turned into a few more, then sleeping it off on someone’s sofa.

Yet it was strange, wasn’t it? To not even text – to just not come home at all?

It wasn’t until she was in the shower that she remembered the importance of the day’s date. Wednesday the twenty-sixth. Luke’s interview. The realization made her stand stock-still, the shampoo bottle poised in mid-air. Today was the big interview for his promotion at work. He’d been preparing for it for weeks; there was no way he would stay out all night before something so important. Quickly she turned the water off and, wrapping herself in a towel, went back to the living room to find her phone. Clicking on his number she waited impatiently for the ringtone to kick in. And then she heard the buzzing vibration coming from beneath the sofa. Crouching down she saw it, lying on the dusty expanse of floor, forgotten and abandoned: Luke’s mobile. ‘Shit,’ she said out loud, and as though surprised, the pounding music above her head ended in abrupt silence.

She clicked open her emails and sure enough there it was, a message from Luke, sent last night at 18.23 from his work address.

Hey darling, left my phone at home again. I’m going to stay and work on stuff for the interview, probably be here til eight, then coming home – want to have an early night for tomorrow. You’re out with Zoe, aren’t you? See you when I do, Lx

An hour later, as she made her way up Old Street, she told herself to get a grip. He’d changed his mind, that was all. Decided to go for a pint with his team, then ended up carrying the night on. He couldn’t let her know because he was phoneless – nothing else to it. She would see him soon enough at work, hung-over and sheepish, full of apologies. So why was her stomach twisting and turning like this? Beneath the April sky, grey and damp like old chewing gum, she walked the ugly thoroughfare, already gnarled with traffic, the brutal hulking buildings of the roundabout ahead, the wide pavements filled with commuters pressing on and on, clutching coffee, earbuds in, staring down at phones or else inward-looking, unseeing, as they moved as one towards the white tiled station entrance, to be sucked in then hurtled forward, and spat out again the other end.

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