Ben Macintyre - The Napoleon of Crime - The Life and Times of Adam Worth, the Real Moriarty

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The rumbustious true story of the Victorian master thief who was the model for Conan Doyle’s Moriarty, Sherlock Holmes’ arch-rival. From the bestselling author of ‘Operation Mincemeat’ and ‘Agent Zigzag’.Adam Worth was the greatest master criminal of Victorian times. Abjuring violence, setting himself up as a perfectly respectable gentleman, he became the ringleader for the largest criminal network in the world and the model for Conan Doyle’s evil genius, Moriarty.At the height of his powers, he stole Gainsborough’s famous portrait of Georgiana, Duchess of Devonshire, then the world’s most valuable painting, from its London showroom. The duchess became his constant companion, the symbol and substance of his achievements. At the end of his career, he returned the painting, having gained nothing material from its theft.Worth’s Sherlock Holmes was William Pinkerton, founder of America’s first and greatest detective agency. Their parallel lives form the basis for this extraordinary book, which opens a window on the seedy Victorian underworld, wittily exposing society’s hypocrisy and double standards in a storytelling tour de force.Note that it has not been possible to include the same picture content that appeared in the original print version.

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‘Most of the saloonsnever closed. Or if they did, for just long enough to be cleaned out and then to begin afresh drinking, fighting, cursing, gambling, and the Lord only knows what,’ recalled Eddie Guerin, a useless crook but successful memoirist who would eventually become Worth’s friend and colleague. The three thousand saloons noted by Bishop Simpson included such euphonious establishments as the Ruins, Milligan’s Hell, Chain and Locker, Hell Gate, the Morgue, McGurk’s Suicide Hall, Inferno, Hell Hole, Tub of Blood, Cripples’ Home and the Dump. But if the nomenclature of the dives was indicative of the immorality therein, the names of the clientele were still more telling: Boiled Oysters Malloy; Ludwig the Bloodsucker, a vampire who had hair ‘growing from every orifice’; Wreck Donovan; Piggy Noles; the pirate Scotchy Lavelle, who later employed Irving Berlin as a singing waiter in his bar; Eat-em-up Jack McManus; Eddie the Plague; Hungry Joe Lewis, who once diddled Oscar Wilde out of five thousand dollars at banco; Gyp the Blood; the psychotic Hop-Along Peter, who tended, for no reason anyone could explain, to attack policemen on sight; Dago Frank; Hell-Cat Maggie, who filed her teeth to points and had sharp brass fingernails; Pugsy Hurley and Gallus Mag, a terrifying dame who ran the Hole-in-the-Wall saloon and periodically bit the ears off obstreperous customers and kept them in a pickling jar above the bar ‘pour encourager les autres’; Big Jack Zelig, who would, according to his own bill of fare, cut up a face for one dollar and kill a man for ten; Hoggy Walsh, Slops Connally and Baboon Dooley of the Whyos gang; One-Lung Curran, who stole coats from policemen; Goo Goo Knox; Happy Jack Mulraney, who killed a saloon keeper for laughing at the facial twitch which led to his sobriquet; brothel-keepers Hester Jane ‘the Grabber’ Haskins and Red Light Lizzie; and the unforgettable Sadie ‘the Goat’, a river pirate and leader of the Charlton Street Gang which occupied an empty gin mill on the East Side waterfront and terrorized farms along the Hudson River.

According to Herbert Asbury, whose 1928 Gangs of New York is probably the best book ever written on New York crime, ‘Sadie [the Goat] acquiredher sobriquet because it was her custom, upon encountering a stranger who appeared to possess money or valuables, to duck her head and butt him in the stomach, whereupon her male companion promptly slugged the surprised victim with a slung-shot and they then robbed him at their leisure.’ (For reasons unknown but not hard to imagine, Sadie fell foul of the formidable Gallus Mag of the Hole-in-the-Wall, who bit off her ear, as was her wont. But the story has a happy ending: the two women eventually became reconciled, whereupon gallant Gallus fished into her pickle jar, retrieved the missing organ and returned it to Sadie the Goat, who wore it in a locket around her neck ever after.)

Sophie Lyons, the self-styled ‘Queen of the Underworld’ whose remarkable memoirs are a crucial source of information on Worth’s life, was held by Asbury to be ‘the most notoriousconfidence woman America has ever produced’. She eventually went straight, began writing her salacious, and partly fabricated accounts of New York low-life for the city newspapers, and ended up as America’s first society gossip columnist.

Into this colourful and horrific world, Adam Worth slipped quickly and easily. At the age of twenty, now complete with his own criminal moniker, Little Adam became a pickpocket.

‘Picking pockets hasbeen reduced to an art here, and is followed by many persons as a profession,’ wrote the author of Secrets of the Great City in 1868. ‘It requires long practice and great skill, but these, once acquired, make their possessor a dangerous member of the community.’ Sophie Lyons, who became Worth’s close friend and sometime accomplice, described how Little Adam took to the apprentice criminal’s art: ‘Like myselfand many other criminals who later achieved notoriety in broader fields, he first tried picking pockets. He had good teachers and was an apt pupil. His long, slender fingers seemed just made for the delicate task of slipping watches out of men’s pockets and purses out of women’s handbags.’

As an apprentice pickpocket, Worth found himself in an intensely hierarchical world. The lowest level of pickpocket was a ‘thief-cadger’, inexperienced youngsters often virtually indistinguishable from beggars; of slightly more consequence were the ‘snatchers’ who, as the name implies, made no attempt to avoid detection but simply grabbed and ran, or ‘tailers’, who specialized in extracting silk handkerchiefs from tail-coat pockets. The most developed of the species was the ‘hook’, also known as a ‘buzzer’, for whom picking pockets was an art requiring considerable daring and manual dexterity. Nimble and inconspicuous, Worth began as a ‘smatter-hauler’ or handkerchief thief, but soon the Civil War veteran graduated to become a fully-fledged ‘tooler’, a master of the art of ‘dipping’. Churches were particularly profitable hunting grounds, as were ferry stations, theatres, racecourses, political assemblies, stages, rat fights and any other place containing large numbers of distracted people in close proximity.

While lone pocket-dipping could be profitable, the most successful pickpockets worked in gangs and Worth’s talents ensured that ‘it was notlong before he had enough capital to finance other criminals.’ Teaming up with some like-minded fellows, Worth now established a dipping syndicate, with himself as principal co-ordinator, banker and beneficiary. It was, proclaimed Lyons, ‘the first manifestationof the executive ability which was one day to make him a power in the underworld’, a Napoleon of ne’er-do-wells.

The technique for team-dipping or ‘pulling’, was well established. A prosperous-looking ‘mark’ is selected: he is then jostled or bumped by the ‘stall’; while the mark is thus distracted, the hook (sometimes known as the ‘mechanic’), quickly rifles or ‘fans’ his pockets, immediately passing the proceeds to a ‘caretaker’ or ‘stickman’, who then moves nonchalantly in another direction. Charles Dickens described the manoeuvre in Oliver Twist: ‘The Dodger trodunder his toes, or ran upon his boot accidentally, while Charley Bates stumbled up against him behind: and in that one moment they took from him with extraordinary rapidity, snuff box, note-case, watchguard, chain, shirt-pin, pocket handkerchief, even the spectacle case.’ The ‘mark’, in this case, was none other than Fagin himself, the paterfamilias of dippers.

With his efficient team of purse-snatchers, Worth was fast becoming a minor dignitary in the so-called swell mob, as the upper echelon of the underworld was known, and according to Lyons he soon acquired ‘plenty of moneyand a wide reputation for his cleverness in escaping arrest’. But no sooner had Worth’s criminal career begun to blossom, than it came to a sudden and embarrassing halt. Late in 1864 Worth was arrested for filching a package from an Adams Express truck and summarily sentenced to three years’ imprisonment in Sing Sing, the notoriously nasty New York gaol just north of the city on the banks of the Hudson River.

Worth’s brief incarceration for bounty jumping had not prepared him for the extravagant horror of the ‘Bastille on the Hudson’. In 1825 the prison’s first warden, a spectacular and inventive sadist by the name of Elam Lynds, remarked, ‘I don’t believein reformation of the adult prisoner … He’s a coward, a willful lawbreaker whose spirit must be broken by the lash.’ In 1833 Alexis de Tocqueville had described Sing Sing as a ‘tomb of the living dead’, so silent and cowed were its inmates.

Clad in the distinctive striped prison garb instituted by Lynds, Worth was sent with the rest of the convicts to the prison quarries where he was put in charge of preparing the nitroglycerine for blasting. Many years later, Worth recalled how he was instructed by the foreman to heat the explosive when it became cold and brittle in the freezing air. This he did, grateful for the chance to warm his hands, and was lucky not to be blown to pieces for, as he frankly admitted, he ‘never had an ideaat that time how dangerous it was’. Teaching hardened criminals how to handle nitroglycerine was not, perhaps, the brightest move on the part of the authorities, as Worth’s safe-cracking skills in later years so clearly proved.

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