Denyse Beaulieu - The Perfume Lover - A Personal Story of Scent

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‘Why couldn’t I be a perfumer’s muse? I’ve come such a long way in the realm of scent. In fact, I was never really meant to poke my nose into it …’The Perfume Lover by Denyse Beaulieu is an intimate journey into the mystery of scent.What if the most beautiful night in your life inspired a fragrance?Denyse Beaulieu is a respected fragrance writer; it is her world, her love, her life. When she was growing up, perfume was forbidden in her house, spurring a childhood curiosity that went on to become an intellectual and sensual passion.It is this passion she pursued all the way to Paris, where she now lives, and entered the secretive world of the perfume industry. But little did she know that it would lead her to achieve a fragrance lover’s wildest dream …When Denyse tells a famous perfumer of a sensual night spent in Seville under an orange tree in full blossom, wrapped in the arms of a beautiful young man, the story stirs his imagination and together they create a scent that captures the essence of that night. This is the story of that perfume.As the unique creative collaboration unfolds, the perfume-in-progress conjures intimate memories, leading Beaulieu to make sense of her life through scents. Throughout, she weaves the evocative history of perfumery into her personal journey, in an intensely passionate voice: the masters and the masterpieces; the myths and the myth-busting, down to the molecular mysteries that weld our flesh to flowers…The Perfume Lover is an unprecedented account of the creative process that goes into composing a fragrance, and a uniquely candid insider’s view into the world and history of fragrance.Your world will never smell the same.

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The great divide yawned open in the early 19th century when upper-class men ditched their coloured and embroidered silks to adopt the black suit as a uniform, leaving it up to their women-folk to showcase the family wealth. Fragrance was contrary to the new bourgeois capitalist ethics, a conspicuous waste of precious materials that evaporated as they were used, as Pliny the Elder was already grumbling all the way back in the Roman Empire. It was also deceitful, suspected of hiding a lack of hygiene or lewd ulterior motives and, as such, clashed with the puritanical values of the Industrial Age. Men were meant to smell clean: the family breadwinner wasn’t out to seduce. Though there were, alongside the non-gendered colognes, a few lotions, vinegars, hair cosmetics and aftershaves designed for men, the ranges were limited. They did, however, establish what was acceptable for men: lavender, citrus, aromatic herbs, moss, leather …

The gendering of fragrance was also a consequence of the industrialization of perfumery. Once products started having original names rather than generic ones like ‘Eau de Chypre’ or ‘Eau de Cologne’, they had to be geared towards a specific clientele. In 1904, Guerlain would put out Mouchoir de Monsieur (‘gentleman’s handkerchief’) to complement its Voilette de Madame, but that was the exception rather than the rule. Men mostly had to make do with what they bought in barbershops, pharmacies or department stores: haute perfumery wasn’t meant for them at all.

It was only in the late 19th century that a fragrance family we’ve come to think of as specifically masculine was introduced, the fougère, (the ‘fern’) named after Houbigant’s Fougère Royale, believed to be the first fragrance in history to use synthetic materials. Fougères are built on a framework of bergamot (an aromatic, peppery citrus), geranium (a rounded note from the rose family, but fresher), oak moss (earthy, green, mossy) and a synthetic called coumarin, initially extracted from the tonka bean (but made much more cheaply through another process), which smells of tobacco, almond and hay. They often incorporate aromatic notes such as lavender and therefore fall within more masculine olfactory codes.

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