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Philippa Gregory: Fallen Skies

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Philippa Gregory Fallen Skies

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Terrific novel set in the Roaring Twenties, reissued to accompany Philippa Gregory’s bestselling novel, The Other Boleyn GirlLily Valance wants to forget the war. She's determined to enjoy the world of the 1920s, with its music, singing, laughter and pleasure. When she meets Captain Stephen Winters, a decorated hero back from the Front, she's drawn to his wealth and status. In Lily he sees his salvation – from the past, from the nightmare, from the guilt at surviving the Flanders plains where so many were lost.But it's a dream that cannot last. Lily has no intention of leaving her singing career. The hidden tensions of the respectable facade of the Winters household come to a head. Stephen's nightmares merge ever closer with reality and the truth of what took place in the mud and darkness brings him and all who loves him to a terrible reckoning…

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PHILIPPA GREGORY

Fallen Skies

Fallen Skies - изображение 1

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Harper An imprint of HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by HarperCollins Publishers 1993

Copyright © Philippa Gregory Ltd 1993

Philippa Gregory asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007233069

Ebook Edition © NOVEMBER 2011 ISBN: 9780007370108

Version: 2018–02–16

Dedication

This book is dedicated to Private Frederick John Carter of the 11th Scottish Rifles who died at Salonika, 12th September 1917, aged twenty-four

Epigraph

Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We’ve got to live, no matter how many skies have fallen.

D. H. LAWRENCE, Lady Chatterley’s Lover , 1928

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Keep Reading

About the Author

Also by the Author

About the Publisher

Chapter One

Stephen’s mouth was filling with mud, wet slurry pressed on his eyelids, slid into his nostrils like earthworms. He flailed helplessly against the weight of it on his face, on his body, in his hair. He felt the silty terrible power of it pinning him down. When he opened his mouth to scream it poured into his throat, he could taste its wetness: the terrible non-taste of earth.

He choked on it, retching and heaving for breath, spitting and hawking. He was drowning in it, he was being crushed by its weight, he was being buried alive. His hands like paddles, he scrabbled against it, trying to claw a space for his face, and then he grabbed linen sheet, woollen blankets, counterpane, and he opened his eyes, clogged only by sleep, and saw the white ceiling of his home.

He whooped like a sick child, gasping in terror, rubbing his face roughly, dragging his palm across his lips, across his tongue where the dead taste still lingered. He whispered ‘Oh God, oh God,’ pitifully, over and over again. ‘Oh God, oh God.’

Then he turned his head and saw her. In the doorway was his mother, her dressing-gown pulled on over her thick cotton nightdress, her tired face set in lines of fear and … something else. He stared at her, trying to read the expression on her face: disapproval.

His bedside table was overturned, the ugly pottery electric lamp broken, his jug of water spilling into a puddle on the carpet. ‘I’m sorry,’ he said. He was humble, ashamed. ‘I was dreaming.’

She came into the room and lifted up the table. She set the empty jug and the pieces of the bedside light on it in mute accusation. ‘I wish you’d let me call Dr Mobey,’ she said. ‘You were having a fit.’

He shook his head quickly, his anger rising. ‘It was nothing. A bad dream.’

‘You should take one of my sleeping tablets.’

Stephen dreaded deep sleep more than anything else. In deep sleep the dream would go on, the dream of the collapsed dug-out, the dream of scrabbling and suffocating, and only after a lifetime of screaming horror, the bliss of feeling the earth shift and tumble and Coventry’s gentle hands scraping the soil from his face and hearing his voice saying, ‘You’re all right, Sir. I’m here now. We’ll have you out in a jiffy.’ Stephen had wept then, wept like a baby. There had been no-one but Coventry to see his coward’s tears, and he had wiped them away with dirty bleeding hands. Coventry had dug bare-handed, refusing to put a spade in the earth. He had scrabbled in the mud like a dog for its master and then they had both wept together; like new-found lovers, like reunited twins.

‘I’ll go downstairs and make myself a brew,’ he said. ‘You get to bed. I don’t want any tablets.’

‘Oh, go to sleep,’ Stephen’s mother said irritably. ‘It’s four in the morning. Far too late for tea.’

He got out of bed and threw his dressing-gown around his shoulders. When he stood, his height and maleness could dominate her. Now he was the master of the house, not a sick man screaming with nightmares. ‘I think I’ll have a brew and a cigarette,’ he said with the upper-class drawl he had learned from the senior officers in the trenches. ‘Then I’ll sleep. You toddle off, old lady.’

She turned, obedient but resentful. ‘Well, don’t make a mess for Cook.’

He shepherded her out of the room and she shied away from him as if fear were contagious, as if terror were catching.

‘I wish you’d let me call Dr Mobey,’ she said again, pausing on the landing before she turned into her bedroom. ‘He says it’s very common. They have all sorts of things to cure nervous troubles. It’s just hysteria.’

Stephen smoothed his moustache, his broad handsome face regaining its confident good looks. He laughed. ‘I’m not a hysteric,’ he said. His voice was rich with his male pride. ‘Not me,’ he said, smiling. ‘I just get the odd bad dream.’

He turned away from her and loped down the stairs. The hall was dark but the fanlight above the front door showed him the green baize door that separated the domestic quarters in the basement from the rest of the house. He opened the door and went quietly down the back stairs.

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